Blondie released three UK singles from this album ("Dreaming", "Union City Blue" and "Atomic"). Three singles were released in the U.S. ("Dreaming", "Atomic" and "The Hardest Part"). The album includes such diverse styles as punk, reggae, and funk as well as a lullaby…
The gigs and shows played by the Ramones between 1977 & 1980 were perhaps the finest they ever performed. Despite having, during their 22 year career, played live over 2000 times - more than The Grateful Dead ever did, and without all the hoo-ha - it was the three years following the release of the group s debut album on the Sire label (issued in February 1976) that their most electric, dynamic and passionate live appearances took place. The recording and release of The Ramones had instilled a communal confidence in the group and this translated into making their shows less chaotic, somewhat longer and certainly featuring a lot more new material than had ever surfaced prior to the album coming out.
…They also had some impact in jazz circles, though they weren't as significant as the Afro-Latin revolution initiated by Mario Bauza, Machito and Chano Pozo. Olatunji resurfaced in the late '80s on the Blue Heron label with The Beat Of My Drum, a release featuring a 17-piece band that included Carlos Santana and Airto Moreira. He subsequently recorded more sessions for Rykodisc, including a digital remix of "Drums of Passion." In 1997, He recorded and released Love Drum Talk for the Telarc label. In April of 2003, Babatunde Olatunji passed away after a lengthy struggle with diabetes.
The Hunter is the sixth studio album by American band Blondie, released in May 1982. It was Blondie's last album of new material until 1999's No Exit. It was recorded in the fall of 1981 and January and February 1982.
Guitarist Rory Gallagher never wanted to be a star. He only wanted to make music on his own terms and have the opportunity to play that music for an audience who would genuinely appreciate it. Watching the double DVD set Ghost Blues and The Beat Sessions illustrates the Irish-born blues-rocker's success on those terms he set for himself so emphatically, and to which he remained loyal throughout his career.