Duke Ellington recorded for Brunswick from 1926 to 1931, the period in which his great talent and great orchestra first flowered, whether the band was recording under his own name or such pseudonyms as the Washingtonians or the Jungle Band. The earliest recordings are highlighted by the presence of trumpeter Bubber Miley and trombonist "Tricky Sam" Nanton, whose brilliant work with plunger mutes for vocal effects did much to define the early sound–which, in turn, rapidly evolved and expanded with the additions of Harry Carney, Johnny Hodges, and Cootie Williams. While the band's repertoire included many blues and popular songs, its distinctive identity emerges from early renditions of such trademark pieces as "East St. Louis Toodle-O," "Black and Tan Fantasy," "The Mooche," and "Mood Indigo." By the end of the period covered in this set, Ellington's ambitious later suites–some of them CD-length–are portended in the elegant extended composition "Creole Rhapsody," his clearly superior contribution to the symphonic jazz movement.
The main jazz recordings were made in New York, Chicago, and to a lesser extent New Orleans, but Timeless has produced a series featuring the territory bands. This CD features two fine outfits which recorded in Atlanta during the twenties. Charles Fulcher is represented by two sides recorded for Okeh in 1923, and thereafter for Columbia; five in 1925 (two by his Dance Trio), and one apiece in 1926 and 1929. It's worth noting that all were written by him, including "My Pretty Girl", the most famous version of which was by Jean Goldkette.
The uniquely American music and art form, jazz, is one of America's great contributions to world culture. Now you can learn the basics of jazz and its history in a course as free-flowing and original as jazz itself. Taught by Professor Bill Messenger of the Peabody Institute, the lectures in this course are a must for music lovers. They will have you reaching deep into your own music collection and going straight out to a music store to add to it.