Dvorak, Chopin, Tschaikowsky 24 192 2.0

Jacques Loussier - Impressions On Chopin's Nocturnes (2004) [2.0 & 5.1] PS3 ISO + Hi-Res FLAC

Jacques Loussier - Impressions On Chopin's Nocturnes (2004) [2.0 & 5.1]
PS3 Rip | SACD ISO | DST 2.0 & 5.1 > 1-bit/2.8224 MHz | 60:50 minutes | Scans included | 3,58 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,03 GB
Jazz/Classical | Features Stereo and Multichannel surround sound | Label: Telarc # SACD 603602
The Rat Pack - Live At The Villa Venice (1962/2003) [DVD-A] {24-192 & 16-44}

The Rat Pack - Live At The Villa Venice (1962/2003) [DVD-A] {24-192 & 16-44}
DVD-Audio Explorer rip | FLAC tracks | 24bit-192kHz 2.0 -> 2,94 GB | 16bit-44.1kHz -> 485 MB
ISO image -> 8,2 GB | DVD-Audio: MLP 24/192 2.0 & 24/96 5.1 | DVD-Video: DD 2.0 & 5.1 (448 Kb/s)
80:34 min | scans 600dpi (tiff) -> 470 MB | RAR inc. 3% recovery | FF,FSe,FSo
Oldies, Comedy, Big Band Jazz etc.| Reprise 8122 73965-9
Boris Bloch, Piano / Duisburg PO - Dvořák / Chopin / Tschaikowsky (2008) [Official Digital Download - 24bit/192kHz]

Dvořák: Concerto for Piano and Orchestra in G minor / Chopin: Impromptu No. 1-4 / Tschaikowsky: Doumka in C minor, Natha, "The Snow Maiden"
Boris Bloch, Piano / Duisburg Philharmonic Orchestra - Jonathan Darlington
FLAC (tracks) 24 bit/192 kHz: 2,82 GB | Artwork | 5% Recovery Info
Label/Cat#: Acousence Classics # ACO21108 | Country/Year: Germany 2008
Genre: Classical | Style: Romantic Piano | Source: Linnrecords.com

The search for "the" solo instrument of the 19th century leads inevitably to the piano. It has its place in the public concert hall as well as in the private salon, and not a few composers have emerged as successful pianists. Among the composers in this program, though, only Frédéric Chopin belongs to this group, but he soon changed his field of activity from the anonymous concert hall to the more intimate salon circle. Antonìn Dvorák, on the other hand, passed the organists' examination and was at first employed as violist in an orchestra, while Tchaikovsky was much too reclusive to interpret his own works in front of an audience. Among the selected works by Dvorák, Chopin and Tchaikovsky, only the Dvorák piano concerto requires a large concert hall, while the solo pieces by Chopin and Tchaikovsky were originally at home in the salon…
Floyd Cramer - Only The Big Ones (1966/2016) [Official Digital Download 24/192]

Floyd Cramer - Only The Big Ones (1966/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 28:38 minutes | 1,14 GB
Studio Master, Official Digital Download | Artwork: Front cover

Floyd Cramer was an American Hall of Fame pianist who was one of the architects of the Nashville sound. He was known for his "slip note" piano style, in which an out-of-key note slides into the correct note. In 2003 Cramer was inducted into the Country Music Hall of Fame and the Rock and Roll Hall of Fame. Only The Big Ones is a album of 1966 hit songs covered by Floyd and Nashville A List session men. What's New Pussycat, Hang On Sloopy, Yesterday, You've Got To Hide Your Love Away, A Walk In The Black Forest and more get superb recordings made.
Mose Allison - The Word From Mose Allison (1964/2011) [Official Digital Download 24/192]

Mose Allison - The Word From Mose Allison (1964/2011)
FLAC (tracks) 24-bit/192 kHz | Time - 30:37 minutes | 1,32 GB
Studio Master, Official Digital Download | Artwork: Front cover

Mose Allison is one of the oldest touring songwriters in recent history. Born in 1927, and still performing, his music has reached many generations of blues and rock artists, including Jimi Hendrix, The Rolling Stones, Tom Waits and The Yardbirds. The 1964's "Word From Mose Allison" finds renowned jazz pianist/vocalist integrating his signature bluesy sound and effortless piano playing on this breathtaking collection comprised of seven original compositions and four exquisite covers. Allison’s refined style and laid-back vocals can be experienced on a chilling take of Muddy Water’s "Rollin’ Stone". This compelling masterpiece can be heard with new clarity and depth on this super hi-res download.
Gottlieb Wallisch, Piatti Quartet - Mozart: Piano Concertos 12, 13, 14 (2013) [Official Digital Download 24/192] REPOST

Gottlieb Wallisch, Piatti Quartet - Mozart: Piano Concertos 12, 13, 14 (2013)
FLAC (tracks) 24-bit/192 kHz | Time - 69:11 minutes | 2,55 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Piatti Quartet's debut recording features master Mozartian Gottlieb Wallisch in a stunning performance of his fellow Austrian's own rarely-heard chamber orchestrations.
Gottlieb Wallisch - Haydn: The London Sonatas (2014) [Official Digital Download 24/192] REPOST

Gottlieb Wallisch - Haydn: The London Sonatas (2014)
FLAC (tracks) 24-bit/192 kHz | Time - 74:23 minutes | 2,66 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Famed for his clarity of line and purity of tone, Gottlieb Wallisch moves from Mozart to his contemporary Haydn for his fourth recording with Linn.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.