Released shortly after the composer's 60th birthday, this album from The Zoo Duet presents works that deserve to be better known. Taking a line for a second walk is vintage Nyman, conceived originally as an orchestral work for Houston Ballet in 1966 and transcribed for two amplified pianos without any loss of its hypnotic intensity. Water Dances began life as music for Peter Greenaway's film Making A Splash and receives its premiere recording in its five-movement form on this disc. (Music Week)
Jazz buffs are very familiar with Wynton Marsalis and his trumpet. Opera lovers know the quality voice of lyrical soprano Kathleen Battle. A perfect blending of these two performers, in the Baroque music, has been acheived in this CD. The match of human voice and trumpet seems to us, at the end of the Twenth Century, a mismatch. But to quote Ellen T. Harris, who wrote the liner notes, "The real and sympolic power of the trumpet makes its combination with the quieter instruments and voice seems, at first, imbrobable, but a softer sweeter style of playing in the high ("clarino") register was typical in art music for the trumpet…". Sounds simple enough, but Wynton is one of the few players who can do it well. So well in fact, that at several points Kathleen's voice and Wynton's trumpet blend into one voice, a balanced singularity, even duplicating each others vibrato exactly. A truely amazing accomplishment, which can only be fully appreciated by listening; but once you hear this glorious sound, you'll want to upgrade your stero system to capture its fullness…By A Customer
The music of Steve Reich has been heard in various venues, including electronic music dance clubs, but the full symphony orchestra treatment has been rare. That is changing, however, with the tenure of Kristjan Järvi as chief conductor of the Leipzig Radio Symphony Orchestra, and the result in that musically conservative, German city is this major-label double album of Reich's music, in many respects a first. Järvi's enthusiasm for the project is palpable here, most obviously in the live performance of the early Reich standard Clapping Music, which he and the composer perform together to the approval of the crowd.