Drumless Tracks

Face To Face - Shoot The Moon: The Essential Collection (2005) {Antagonist Records with 2 Unreleased tracks}

Face To Face - Shoot The Moon: The Essential Collection (2005) {Antagonist Records with 2 Unreleased tracks}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 513 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 300 dpi (png) -> 135 Mb | 5% repair rar
© 2005 Antagonist Records / Vagrant Records | ANT2941
Rock / Punk Rock / Alternative Rock / Punk Revival / New Wave / Skatepunk / Punk Pop

Face To Face is one of the most influential pop-punk bands in the last 15 years. Their signature brand of catchy, fast punk rock with intelligent, thought-provoking lyrics has spoken to a generation of punk fans across the world. Although probably most well known in the mainstream with their 1994 radio single 'Disconnected', Face To Face cultivated a large touring base that sustained their career well beyond the early success of that single. Shoot The Moon: The Essential Collection features 19 of Face To Face's best songs re-mastered, along with 2 unreleased tracks: 'Thick As A Brick' and 'Disconnected' recorded live at their final show in September 2004 in Los Angeles, CA. The deluxe packaging includes a slipcase cover and a 28-page booklet with in-depth liner notes and rare photos.
Mary J. Blige - Strength Of A Woman (2017) {Target Exclusive Bonus Tracks}

Mary J. Blige - Strength Of A Woman
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 64:48 min | 415 MB
Label: Capitol – B002610102 | Tracks: 16 | Rls.date: 2017
R&B, Soul

After investigating UK club culture on 2014’s The London Sessions, Mary J. Blige returns to hip-hop soul to process her broken marriage. Survivor’s spirit, regal horns, and a bravura verse from Kanye West combine on invigorating opener “Love Yourself,” while her F-you vocal outshines a supporting cast of Missy Elliott, DJ Khaled, and Migos’ Quavo on “Glow Up.” Turning pain into compelling music has long been Blige’s trademark, but her choice of inventive producers—particularly KAYTRANADA on “Telling the Truth”’s glitchy soul—keeps pushing her sound forward.

Walter Becker (Steely Dan) - 11 Tracks Of Whack (1994)  Music

Posted by Designol at Sept. 3, 2017
Walter Becker (Steely Dan) - 11 Tracks Of Whack (1994)

Walter Becker - 11 Tracks Of Whack (1994)
EAC | FLAC | Tracks (Cue&Log) ~ 341 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Jazz-Rock, Soft Rock, Fusion | Label: Giant | # 74321 22609 2 | Time: 00:56:53

R.I.P. Mr. Walter Carl Becker (February 20, 1950 – September 3, 2017)

It's not surprising that Steely Dan co-founder Walter Becker's debut solo album sounds like a Steely Dan record. What is a little surprising, though, is that, in his lead singing debut, he sounds so much like his erstwhile partner, Donald Fagen. Not that you'd mistake the two (Fagen projects more and is slightly grittier), but they sing in the same register with the same sly phrasing and the same accent. Other differences from the Dan are equally subtle: Becker adopts a sparer musical approach, for one thing, the missing element being the prominence of Fagen's keyboards (although Fagen does play on the record and co-produced it). Nothing gets in the way of Becker's voice, and he proves to be a less ornate lyricist than Fagen, restricting himself largely to tales of romantic dislocation. On the whole, this album sounds like what you'd expect – one half of Steely Dan.

Wayne Fontana - Wayne One + Bonus Tracks (2004) 2CD Repost  Music

Posted by Andi_Deris at Aug. 25, 2017
Wayne Fontana - Wayne One + Bonus Tracks (2004) 2CD Repost

Wayne Fontana - Wayne One + Bonus Tracks (2004) 2CD
EAC Rip | FLAC: Image+Cue+Log | 562 Mb | MP3 CBR 320 kbps | 214 Mb | Scans | TTime: 01:29:48
BGO Records | BGOCD663
Beat, Pop, Pop Rock

Although The Mindbenders scored the biggest post-breakup hit with "A Groovy Kind of Love", lead singer Wayne Fontana, judging from this superb 2CD set, had the more interesting recording career. Very nice stereo sound, too. Wayne Fontana's first album following his split with the Mindbenders, 1966's Wayne One, is a curious affair. While the Mindbenders' releases followed the same British Invasion/blue-eyed soul path, Fontana made a headlong rush into the pop world. The second disc compiles all of the solo singles, including the rare unreleased demo "Give Me Just A Little More Time".
Automating and Testing a REST API: A case-study using: Java, REST Assured, Postman, Tracks, cURL and HTTP Proxies

Automating and Testing a REST API: A case-study using: Java, REST Assured, Postman, Tracks, cURL and HTTP Proxies by Alan Richardson
English | 20 Aug. 2017 | ASIN: B074ZH8R43 | 20 Aug. 2017 | AZW3 | 2.96 MB

Charlie Fink - Cover My Tracks (2017)  Music

Posted by Pisulik at Aug. 13, 2017
Charlie Fink - Cover My Tracks (2017)

Charlie Fink - Cover My Tracks (2017)
EAC Rip | FLAC (Tracks) +cue, log, m3u - 172 MB | 00:29:16
Folk, Pop, Acoustic | Label: Hangman Recordings

The tagline for alt-folk singer/songwriter Charlie Fink’s latest project ‘Cover My Tracks’ is an intriguing one: “An idealistic young songwriter sets out to write a 21st Century pop masterpiece and vanishes without a trace. Might her personal songbook be the key to unlocking the mystery?” It’s rare enough to encounter an album with a pre-conceived plot line running through it. But Fink, it seems, has taken the idea even further, bringing his narrative drama to full fruition.
Face To Face - How To Ruin Everything (2002) {Victor Japan VICP-61742 - bonus tracks}

Face To Face - How To Ruin Everything (2002) {Victor Japan VICP-61742 - bonus tracks}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 404 Mb | MP3 @320 -> 121 Mb
Full Artwork @ 300 dpi (png) -> 70 Mb | 5% repair rar
© 2002 Lady Luck Records / Vagrant Records / Victor Japan | VICP-61742
Rock / Punk Rock / Alternative Rock / Punk Revival / New Wave / Skatepunk / Punk Pop

How to Ruin Everything is Face to Face's reflection piece. The bandmembers take a look back on what made them love punk rock in the first place and churn it into an infectious disposition. They spent the 1990s fighting against the mainstream and through various personal and professional shifts inside the band, and How to Ruin Everything emerges as Face to Face's strongest material to date. Frontman Trever Keith is fierce, and his songwriting is now shaped into something courageous and meaningful. He and bandmates bassist Scott Shiflett and drummer Pete Parada ignore current punk-pop sounds for a gnarling rock growl.

Cantoma - Remixes and Bonus Tracks (2017)  Music

Posted by aasana at Aug. 11, 2017
Cantoma - Remixes and Bonus Tracks (2017)

Cantoma - Remixes and Bonus Tracks (2017)
Electronic, Deep house | 57:15 min | MP3, 320 kbps | 132 MB
Label: Highwood Recordings

As the matter-or-fact title suggests, this expansive set gathers together a swathe of previously unheard remixes of tracks by Phil Mison's Balearic-minded Cantoma project, plus a handful of never-before-released bonus cuts. There's naturally much to set the pulse racing from the word go, when Test Pressing sort Apiento blends Padilla-style flamenco guitars, jaunty Afro-funk flourishes and early '90s Balearic breakbeats on an inspired rework of "Talva Lumi".
Faith Hill - Deep Tracks (2016) [Official Digital Download 24-bit/96kHz]

Faith Hill - Deep Tracks (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 57:00 minutes | 1,27 GB
Studio Master, Official Digital Download | Artwork: Front cover

Deep Tracks is the fourth compilation album released by American country music artist Faith Hill. The album features a selection of album tracks from Hill's career that were never released as singles, as well as three unreleased tracks.

The Owl Service - Collected Compilation Tracks (2013)  Music

Posted by Domestos at July 31, 2017
The Owl Service - Collected Compilation Tracks (2013)

The Owl Service - Collected Compilation Tracks (2013)
MP3 CBR 320kbps | 1:02:50 | 144.93 Mb
British Folk Rock, Psychedelic Folk, Indie Folk | Country: United Kingdom | Label: Rif Mountain

The Owl Service launched in 2006, although Collins say he had been wanting to form a folk band since 1990, “ever since I discovered the first Fotheringay album. I didn’t know anyone who liked folk music then, and I didn’t even know much about folk music myself (still don’t really, if I’m being honest) – it all seemed quite alien to me.