Evan Parker has practically single handedly redefined the language of the saxophone. A profound influence on several generations of musicians, his impact on modern saxophone technique is staggering. His newest project takes his visionary music to a new level through the world of overdubbing and electronics. Time Lapse is one of Evan’s greatest achievements. Eleven compositions by one of the most important and radical improvisers in the world. Essential.
Towner's a restless artist, he pushes his boundaries on the classical and 12-string guitars. His chromatic elegance and grace underscore the tune's nuances and subtleties even as he brings the lyric to the fore with extended chord voicings and embellishing the sonorities that echo the piano's more controlled tensions. In sum, this is a brief but utterly captivating issue from one of the music's great composers and theorists that should not be missed by anyone interested in Towner, of course, but also in melodic improvisation and composition.
The music of avant garde saxophonist Evan Parker is not generally known as easy listening, and though his recordings for ECM may have tended toward the atmospheric, 2006's TIME LAPSE, released on Tzadik, finds Parker returning to challenging form. There are 11 original compositions here, and Parker's sax is the only instrument on most (though he makes ample use of multi-tracking ). Parker can be ruminative at times, and at others full of gutsy, exploratory fire, giving fans familiar with this contemporary avant icon's wild, mercurial sound much to appreciate.
While recording for Blue Note in the 1960s, composer and pianist Andrew Hill released some of the most forward-thinking and meticulously constructed albums of the post-bop era. The intelligence and daring that characterized those albums still inhabits Hill's recordings, as 2006's TIME LINES attests….