Celebrating a decade of making music, The Best of Down to the Bone collects 11 of the soul-jazz/fusion band's biggest songs – at least one from each of their six albums – into one neatly compiled collection. Released by Narada, who Down to the Bone has been with since 2004's Cellar Funk, this best-of is a superfluous addition to anyone who has most, or many, of the group's records, but for someone who just wants to learn what Down to the Bone is about, this hits the spot.
"Down to the Bone" is Quiet Riot's eighth album recorded at Ocean Studios, Burbank Calif. Solid guitar work and pretty good vocals. It remains their heaviest album to date, but Down to the Bone is only for the dedicated Quiet Riot fans who weren't already turned off by their past few releases.
One of the UK's best jazz-funk groove bands, and one of the country's most successful jazz exports (their album "Manhattan To Staten" reached No 2 on the Billboard US Jazz Albums chart). Led by Stuart Wade, long-time producer/writer behind the band, they celebrate their 10th album release with "Dig It".
The new album - their ninth is their strongest for several years, opening with a seven-minute masterpiece "Uptown Hustle". Other highlights include "Together We Stand" and "Watch Me Fly", featuring the glorious vocals of Imaani. Julian Crampton, also a former Incognito band member, keeps things moving nicely on bass.
Bridging the channel between smooth jazz and hip-bop/acid jazz are Down to the Bone, a band that mixes live horns with grooves and beats and comes up with something classy smooth. Down to the Bone are more about the dance floor than the listening room, but they do spice the mix with some up-front horn charts and often use interesting instrumentation (is that an oboe?) to keep things moving. This album features 10 enticing instrumentals, including 'Staten Island Groove'and 'Brooklyn Heights'. An Internal Bass Records release.
Raw to the Bone is the 13th album by rock band Wishbone Ash. Like its predecessor, Twin Barrels Burning, it is one of the band's heaviest records, capitalising on the popular new wave of British heavy metal that Wishbone Ash had helped influence. It is the only Wishbone Ash album to feature Mervyn Spence on bass and vocals. It is also the last album with guitarist/vocalist Laurie Wisefield, who ended his eleven-year stint with Wishbone Ash after the release of this album.