Pour Down Like Silver was the last album Richard & Linda Thompson would release before beginning a self-imposed three-year retirement in order to join a communal Sufi Muslim sect. The cover photographs show the Thompsons dressed in traditional Muslim garb, and while lyrically the album offers few clear signs of the Thompsons' new spiritual direction, the stark asceticism of the music marked a real change from the alcohol-fueled mood swings of I Want to See the Bright Lights Tonight and Hokey Pokey…
This energetic, foot-tapping, no-filler album from the multi-talented Kenny Neal is a sheer delight, showcasing his fine skills on guitar and harmonica and his rich, powerful voice. Blues Fallin' Down Like Rain starts off with a bang, with an up-tempo rendition of the classic "Big Boss Man." Things settle down with "Shadow on the Moon," which features some tasteful guitar work and smooth, excellent vocals. In fact, Neal's voice is one of this album's major strengths, moving smoothly from richly sung melodies to expressive growls just as the music requires. The highlight of this album is the title track, a slow, lonely ballad with excellent guitar work and backing vocals. However, neither is as powerful as Neal's singing; when he pulls out all the stops, the results are impressive. Highly, highly recommended.
Given the length, breadth, and impact of his career as, arguably, the most revered figure in British folk-rock since he first joined Fairport Convention in 1967, it's no surprise that Richard Thompson has been honored with the multi-disc box set treatment not once, but twice…
1978's First Light marked Richard & Linda Thompson's first time in a recording studio after three years away from music, and it suggested they were still getting warmed up as performers; a year later, Sunnyvista found them in much stronger form and a significantly more upbeat frame of mind. Sunnyvista is the wittiest and most joyous album Richard & Linda made together; while several of Richard Thompson's trademark meditations on romance at it's least successful are on hand, "Why Do You Turn Your Back" manages to generate an unusually soulful groove, "Lonely Hearts" captures the melancholy country feel that First Light never quite caught, and "Traces of My Love" finds a winning warmth in its sadness.
A true classic, this CD found pianist Horace Silver and drummer Art Blakey co-leading the Jazz Messengers; Silver would leave a year later to form his own group. Also featuring trumpeter Kenny Dorham, Hank Mobley on tenor, and bassist Doug Watkins, this set is most notable for the original versions of Silver's "The Preacher" and "Doodlin'," funky standards that helped launch hard bop and both the Jazz Messengers and Silver's quintet.
A true classic, this CD found pianist Horace Silver and drummer Art Blakey co-leading the Jazz Messengers; Silver would leave a year later to form his own group. Also featuring trumpeter Kenny Dorham, Hank Mobley on tenor, and bassist Doug Watkins, this set is most notable for the original versions of Silver's "The Preacher" and "Doodlin'," funky standards that helped launch hard bop and both the Jazz Messengers and Silver's quintet. Essential music. ~ AllMusic
Billy Ocean was one of the most popular and successful R&B singers living in the UK during the 70s and 80s. Born In Trinidad and Tobago in 1950, Ocean moved to England at the age of 8 where after learning his trade singing on the London club scene Billy Ocean released his first single in 1972. Four years later he recorded his first album and captured the #2 spot on the UK pop charts while scoring #22 on the Billboard Hot 100 chart with single, Love Really Hurts Without You. Red Light Spells Danger returned him to the UK #2 spot a year later in 1977.