Dorothea Röschmann Live

Mozart - Die Zauberflöte (Iván Fischer, Dorothea Röschmann, Désirée Rancatore, Piotr Beczala) [2001]

Mozart - Die Zauberflote (Ivan Fischer, Dorothea Roschmann, Desiree Rancatore, Piotr Beczala) [2001]
NTSC 16:9 (720x480) VBR Auto Pan&Scan | Deutsch (LinearPCM, 2 ch), (Dolby AC3, 5 ch) | 7.79 Gb (DVD9)
Classical | Label: TDK | Sub: English, Deutsch, Francais, Espanol, Italiano | +3% Recovery | 158 min

Mozart’s final opera Die Zauberflöte is also his most famous. The general public is familiar with its array of popular arias, most notably the Queen of the Night’s breathtaking coloratura. Since its premiere in 1791, two months before the composer’s death, the opera’s fairy tale plot, eccentric cast and fantastic scenery have exerted an almost childlike fascination on generations of audiences. The production is infused with an all-pervading sense of playful joy – packed with wonderful effects including flying machines, colourful costumes and magical scene changes…
Mozart: Die Zauberflöte - Röschmann / Miklósa / Abbado (2006)

Mozart: Die Zauberflöte - Dorothea Röschmann, Erika Miklósa, MCO/Claudio Abbado (2006)
EAC Rip | APE, IMG+CUE, LOG | Covers, Booklet and Libretto | 2CDs/707MB
Classical | Label: DG | Release: 2006 | RAR | RS.com

"This is certainly the most desirable version using modern instruments to appear since Solti’s second recording in 1990. (...) [Christoph Strehl's] is a wonderfully virile, vital reading that gives pleasure to the ear, as much in ensemble as in aria (...) [Dorothea Röschmann's] full-throated, positive singing, finely shaped, cleanly articulated, is a true match for Strehl's. Hanno Müller-Brachmann is a properly lively and amusing Papageno, and delivers the role in a richer bass-baritone than many interpreters provide (...) The Hungarian coloratura Erika Miklósa has been making a speciality of Queen of Night over the past few years and shows just why in a technically secure and fiery account of her two arias. René Pape sings Sarastro: now at the peak of his career, he conveys all the role's gravity and dignity in a gloriously sung performance. (...) As a whole I felt the performance conveyed a welcome immediacy and spontaneity. (...) I very much warmed to the daring of Abbado’s way with the score."
Alan Blyth, Gramophone Magazine / June 2006
Dorothea Roschmann, Swedish Radio Symphony Orchestra - Mozart Arias (2015)

Dorothea Roschmann, Swedish Radio Symphony Orchestra - Mozart Arias (2015)
Classical | MP3 320kbps CBR | 1 CD | 133 MB
Label: Classical | Catalog Number: 88875061262 | Rls.date: 6th Nov 2015

20 years after her critically acclaimed début at the Salzburg Festival as Susanna In Mozart’s Le Nozze Di Figaro, Dorothea Röschmann releases her first solo Mozart album, including famous arias from Don Giovanni and Le Nozze Di Figaro. Dorothea Röschmann is in the prime of her voice and referred to "as one of the leading Mozart sopranos today“ (Der Tagesspiegel). The CD track list not only reflects her at her glorious best, but is also a dream come true for Dorothea: “Mozart is the reason I wanted to do opera,” she says. “To be able to embody Mozart figures on stage, that was my dream. His characters are real human beings, with sadness and joy and wit. It’s the whole picture that you get. It sounds strange, but signing Mozart really is a dream come true.” (Dorothea Röschmann in interview with the Guardian). The album is recorded with the Swedish Radio Symphony Orchestra, conducted by their music director Daniel Harding.
Mozart - Die Zauberflote (Colin Davis, Will Hartmann, Dorothea Roschmann) (2003) [BluRay-rip]

Mozart - Die Zauberflöte (Colin Davis, Will Hartmann, Dorothea Röschmann) (2003) [BluRay-rip]
Classical | BluRay-rip | AVC | MKV 1920x1080 (16:9) / 6215 kbps / 29,970 fps | 162 min | 14,9GB
Audio: German / PCM / 6ch / 48.0 KHz / 24 bits
Sub: English, French, Spanish

Covent Garden’s 2003 production of The Magic Flute , designed by John F. Macfarlane, directed by David McVicar, and conducted by Sir Colin Davis, is magnificent from a strictly musical standpoint. More than that, it’s vastly entertaining. The comedic elements of the story integrate far more comfortably than is often the case with Schikaneder’s high-minded (if vague) theme of a quest for enlightenment, particularly in the second act. Visually, the production is a feast, yet it doesn’t distract from the music. The intention was to maintain an 18th-century feel but to play freely with that aesthetic…
The Allman Brothers Band - A&R Studios, Live In New York On 26th August 1971 (2014)

The Allman Brothers Band - A&R Studios, Live In New York On 26th August 1971
Blues Rock, Southern Rock | MP3 CBR 320 kbps | 70:09 min | 176 MB + 5% Recovery
Label: Autarc Media | Tracks: 12 | Rls.date: 13-10-2014

The swagger that distinguished the original lineup of The Allman Brothers Band is on full display here in "Don't Keep Me Wondering," but a comparable confidence permeates this entire performance captured roughly two months before the untimely death of founding member guitarist Duane Allman. Recorded August 26th 1971 at New York's A&R Studios (and broadcast live on WPLJ-FM radio), the sextet is clearly sensing the realization their hard work was beginning to come to fruition with the burgeoning success of At Fillmore East (Atlantic, 1971) released the previous month.
Muse: H.A.A.R.P - Live from Wembley [Special Edition] (2008) CD+DVD

Muse: H.A.A.R.P - Live from Wembley [Special Edition] (2008) CD+DVD
DVD9 | Video: PAL, MPEG-2 at 5 976 Kbps, 720 x 576 at 25.000 fps | Audio: DTS 6ch. at 755 Kbps, PCM 2ch. at 1 536 Kbps | 6,81 GB | Time: 100 min.
CD | MP3 CBR 320 Kbps | 163 MB | Time: 71,50 min.
Genre: Rock | Label: Warner Bros Records | Release Date: 17 Mar 2008

It takes a certain sort of band to fill Wembley stadium, one unafraid to embrace scale, flirt with pomposity, and perform the odd grand gesture. Watching Muse's live CD/DVD H.A.A.R.P recorded over two nights in June 2007 you're left wondering if Wembley is quite big enough to hold them. From the grand opening, when Muse ascend from an underground chamber and walk down a central ramp flanked by men in yellow chemical splash suits to Matt Bellamy's lengthy, florid turns at the grand piano, no opportunity is missed to make H.A.A.R.P seem anything less than a spectacle.
Scarlatti Alessandro – Griselda (Rene Jacobs, Dorothea Roschmann, Lawrence Zazzo) [2003]

Scarlatti Alessandro – Griselda (Rene Jacobs, Dorothea Roschmann, Lawrence Zazzo) [2003]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 794.73 MB
Classical | Label: Harmonia Mundi | Catalog Number: HMC 901805.07

This is the first authoritative recording of Alessandro Scarlatti's Griselda, rendered with exquisite beauty by René Jacobs, the Akademie für Alte Musik Berlin, and an outstanding cast led by Dorothea Röschmann in the title role. Warming to the story of Griselda (originally by Boccaccio) – the low-born woman who endures a string of indignities as the king, Gualtiero, tests her suitability to be the mother of his heir – is not easy…

Handel - Giustino (Nicholas McGegan) [1994]  Music

Posted by Vilboa at Feb. 22, 2017
Handel - Giustino (Nicholas McGegan) [1994]

Handel - Giustino (Nicholas McGegan) [1994]
Classical | Harmonia Mundi 907130.32 | TT: 74.22+38.35+60.20 | EAC (FLAC, cue, log) | Covers | 789 Mb

Giustino is the Baroque version of a ‘ripping yarn’. The eponymous hero rises from ploughboy to emperor via an action-packed curriculum vitae that has him seeing visions, routing traitors, fighting bears and even slaying a sea-monster! Written in the autumn of 1736, shortly after Handel had suffered a period of ill-health, Giustino is not among his greatest operas, but it is thoroughly entertaining and offers much fine music. Particularly felicitous are Giustino’s bucolic aria ‘Può ben nascere tra li boschi’ and Anastasio’s lovely ‘O fiero e rio sospetto’. The headlong pace leaves Handel little time to develop the more sensual, amorous side of his music. One exception – and the opera’s most entrancing interlude – is the ravishing love duet in Act II, superbly sung here by Dorothea Röschmann (Arianna) and Dawn Kotoski (Anastasio). Michael Chance too is outstanding in the title role, proving that even countertenors can exude machismo. Nicholas McGegan coaxes a stylish performance from the Freiburg Baroque Orchestra. Giustino is the fourth Handel opera he has now recorded following a staging at the Göttingen Festival and this is his most assured reading to date. Mention in the credits of a Bear Growl Advisor suggests a commendable attention to grizzly detail. (Graham Lock)
Roschmann, Uchida - Schumann: Liederkreis; Frauenliebe Und Leben; Berg (2015) [Official Digital Download - 24bit/96kHz]

Roschmann, Uchida - Schumann: Liederkreis; Frauenliebe Und Leben; Berg (2015) [Official Digital Download - 24bit/96kHz]
FLAC (tracks) 24 bit/96 kHz | Digital Booklet | 1.04 GB
Genre: Classical | Official Digital Download - Source: qobuz

Two great artists at the peak of their powers, the soprano Dorothea Röschmann and the pianist Dame Mitsuko Uchida perform songs by Schumann (Liederkreis, Op 39 and Frauenliebe und Leben) and Alban Berg (Seven Early Songs).
Mozart - Le Nozze di Figaro (Nikolaus Harnoncourt, Ildebrando D'Arcangelo, Anna Netrebko) [2006]

Mozart - Le Nozze di Figaro (Nikolaus Harnoncourt, Ildebrando D'Arcangelo, Anna Netrebko) [2006]
NTSC 16:9 (720x480) VBR Auto Pan&Scan | Italiano (LinearPCM, 2 ch), (DTS, 6 ch) | 7.31 Gb + 7.83 Gb (2*DVD9)
Classical | Label: Deutsche Grammophon | Sub: Italiano, English, Deutsch, Francais, Espanol, Chinese | +3% Recovery | 202 min

In 2006, to celebrate the 250th anniversary of the composer's birth, the Salzburg Festival set itself the task of producing all 22 of Mozart's operas, and this recording of highlights from Le nozze di Figaro is a result of a live performance. Nikolaus Harnoncourt's reading of the score is marvelously nuanced; it's clear that the performance reflects a lifetime of living with and performing the opera. His dramatic pace tends toward briskness, which works well in a work as wordy as this. He's especially skillful at bringing out the instrumental colors of the score, particularly of the winds and timpani; he makes the listener especially aware of the inventiveness, cleverness, and subtlety of Mozart's orchestration. The Vienna Philharmonic and Konzertvereinigung Wiener Staatsopernchor perform with finesse, warmth, and sensitivity to the opera's poignancy and humor…