In this DVDRip, Don uses the basic blues progression as a vehicle to teach chords and soloing techniques found in contemporary blues and jazz fusion. He starts by guiding you through the dominant chord family, showing the basic chords and their … Full Description substitutions for comping, plus scales, arpeggios and melodic ideas for improvising. Next, he covers how to solo over each chord in the 12-bar blues using secondary dominants and the turnaround. Finally, he breaks down three jazz-fusion 12-bar blues solos, with an in-depth analysis of each bar. Special features include a printable PDF booklet with note-for-note transcriptions, a bonus performance from Robben Ford, and a bonus lesson from Don Mock is one of the top guitar instructors in the business (he teaches at GIT), and a master of blues, rock, and jazz styles on the instrument.
This is series of seriously intoxicating Latin and American Bossa-Samba-Jazz sounds! It all began in the '50s when composer Antonio Carlos Jobim, inspired by West Coast Jazz, helped to form a new music that blended together gentle Brazilian Samba rhythms and melodies with cool-toned improvising. These compilations contain the results of Jobim's influential musical experiment, as they feature a myriad of artists serving up a cocktail blend of rare original Brazilian and American Bossa Nova and Jazz from the 60's. Each volume comes complete with a different sexy vixen on each of the covers…and we do mean SEXY! Includes 80 tracks featuring classic performances by Les McCann, Mongo Santamaria, Cal Tjader, The Champs, Lalo Schifrin, Nina Simone, Stan Getz, Art Blakey, Mel Torme, Peggy Lee, Dizzy Gillespie, Herbie Man, Kenny Burrell, Mose Allison, Candido, Xavier Cugat & His Orhcestra, Sergio Mendes & Brasil 66 and many more.
A great one from Buddy DeFranco — exactly the kind of record that will make you understand why jazz collectors have always prized his Verve Records work so much ! Although Buddy's given instrument, the clarinet, was one that was handled by so many others at the time in kind of an outmoded way — DeFranco always managed to keep things fresh and modern, drawing heavily on bop inspiration for a record like this, yet also remaining true to his roots too.
Roy Buchanan was always one of the most respected guitarists in his field, ever since the '70s. However, he hit a rough patch in the early '80s, falling out of favor and finding record contracts hard to find. He made a startling comeback in 1985 with When a Guitar Plays the Blues, his first record for Alligator Records. Though the record still suffers the slightly antiseptic formula of Alligator Records, Buchanan shines throughout, making it clear why this brought him back to the spotlight in 1985.