Using her toy piano and various other electronic accompaniments to sit alongside her girly vocal tones Cokiyu creates leftfield pop songs that manage to sit in a hazy world just beside our own. These are gorgeous, beautifully crafted and delicate tracks no doubt informed by Cokiyu's rich musical education (she recently graduated from Sonology Depertment of Kunitachi College of Music in Tokyo) and never fail to leave a warm impression on you, staying in your mind long after the disc has finished.
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There was no shortage of good psychedelic albums emerging from England in 1967-1968, but Ogden's Nut Gone Flake is special even within their ranks. The Small Faces had already shown a surprising adaptability to psychedelia with the single "Itchycoo Park" and much of their other 1967 output, but Ogden's Nut Gone Flake pretty much ripped the envelope. British bands had an unusual approach to psychedelia from the get-go, often preferring to assume different musical "personae" on their albums, either feigning actual "roles" in the context of a variety show (as on the Beatles' Sgt. Pepper's Lonely Hearts Club Band album), or simply as storytellers in the manner of the Pretty Things on S.F. Sorrow, or actor/performers as on the Who's Tommy. The Small Faces tried a little bit of all of these approaches on Ogden's Nut Gone Flake, but they never softened their sound…