I heard many great performances of Mozart's Piano Sonatas including: Uchida, Arrau, Wurtz, Eschenbach, Horowitz, and Kempff to name few. But Gulda's tone and interpretation is exceptionally unique, he plays Mozart with full involvement, dedication, passion and inspiration I've never heard from any other player. Those tapes shed the light on a great artist at his most intimate moment of work, as those tapes were supposed to be personal and not intended for public, and hence the sound quality is not top notch but it's worth it considering the legendary performance.
A must-have for collectors of sublime historical recordings, this re-release of Fournier and Gulda's 1960 recording is equally appropriate for listeners seeking their first recording of Beethoven's works for cello and piano. Fournier's commitment to the exploration of the Beethoven sonatas and variations is clear; he made three complete recordings of the works over the course of his career – the first with Artur Schnabel in 1947, this one with Friedrich Gulda in 1960, and finally with pianist Wilhelm Kempff in 1965.
No performer championed the work of the late Russian composer Alfred Schnittke more than violinist Gidon Kremer. Here Kremer and colleagues offer a diverse sampling of Schnittke's work that will interest both those familiar and unfamiliar with this fascinating and influential composer. In the opening Concerto Grosso No. 1 for instance three centuries of Classical and Popular musical styles collide to humorous and at times chilling effect. Schnittke's exhilarating early piece Quasi una sonata as well is equally experimental requiring the violin soloist Kremer to extract sounds from his instrument Stradivari never intended. Deutsche Grammophon's sound is remarkably good capturing all the fun beautifully.