Relegated to a forlorn afterlife of unsmiling lost souls and melancholy drifters as a result of committing suicide in the mortal realm, a heartbroken young man sets out to find the girl who inspired his final act of self-destruction after learning that she too has taken her own life in director Goran Dukic's adaptation of Etgar Keret's darkly comic novella Kneller's Happy Campers. A likeable young man despite his depressive disposition, Zia (Patrick Fugit) puts blade to wrist only to find that the pain of life doesn't end with the coming of death. Now trapped in a bleak metaphysical landscape populated entirely by suicide victims blearily searching for the joys that eluded them in the physical realm, Zia soon learns that the love is one of the latest arrivals in the dreary land of the dead. As Zia sets out to locate his ill-fated former companion and experience the joys that eluded the couple in life, he is joined in his quest by a lovelorn Russian rocker named Eugene (Shea Wigham) and an accidental tourist named Mikal (Shannyn Sossamon), who's looking for a way out of the sorrowful stir.
Despite production by Bob Thiele, Frank Kofsky's horrifying liner notes comparing Eden's Children to Jimi Hendrix and Cream are the only thing worse than this music. It's a weak album, for sure, regardless of Kofsky's proclamation that Richard Schamach is a better vocalist than Jack Bruce…
The tragic aftermath of human carelessness travels around the world in this multi-narrative drama from filmmaker Alejandro González Iñárritu. Richard (Brad Pitt) and Susan (Cate Blanchett) are a couple from the United States who have traveled to Morocco in Northern Africa on a vacation after the death of one of their children has sent Susan into a deep depression. Richard and Susan's other two children have been left in the care of Amelia (Adriana Barraza), their housekeeper. Amelia is originally from Mexico, and her oldest son is getting married in Tijuana. Unable to find someone who can watch the kids, or to obtain permission to take the day off, Amelia takes the children with her as she travels across the border for the celebration. Around the same time, in Morocco a poor farmer buys a hunting rifle, and he gives it to his sons to scare off the predatory animals that have been thinning out their goat herd. The boys decide to test the weapon's range by shooting at a bus far away; the shot hits Susan in the shoulder, and soon she's bleeding severely, while police are convinced the attack is the work of terrorists.
Who mastermind Pete Townshend's strongest solo record was born in a hailstorm of despair, uncertainty, and tribulation. With the once viscerally powerful Who in limbo, the guitarist nearly sunk himself into brandy-drenched oblivion. He emerged with one of his most gripping solo pieces and–perhaps unsurprisingly–the most Who-like album of all his solo work.
A successful 30-year-old (Zach Braff) with a the perfect girlfriend (Jacinda Barrett) and a lucrative outlook on life struggles with the increasing pressures of adulthood as he weighs the merits of settling down with the woman who loves him against risking it all to be with a comely co-ed (Rachel Bilson) in director Tony Goldwyn's remake of Gabriele Muccino's 2001 comedy drama. Crash and Million Dollar Baby screenwriter Paul Haggis adapts a script originally penned by Italian filmmaker Muccino, and Casey Affleck, Blythe Danner, Eric Christian Olsen, and Tom Wilkinson co-star.
Y Tu Mamá También and Harry Potter and the Prisoner of Azkaban director Alfonso Cuarón returns to the helm to tell this futuristic tale in which society is without hope since humankind lost its ability to procreate. The year is 2027, and women can no longer give birth. The youngest inhabitant of the planet has just died at the age of 18, and all hope for humanity has been lost. As civilization descends into chaos, a dying world finds one last chance for survival in the form of a woman who has become inexplicably pregnant. Now, as warring nationalistic sects clash and British leaders try to maintain their totalitarian stronghold on the country, a disillusioned bureaucrat (Clive Owen) is brought back into the fold of activism by his guerrilla ex-wife (Julianne Moore). Reluctantly, he takes on the daunting task of escorting Kee (Claire-Hope Ashitey), the refugee who represents humankind's last hope for survival, out of harm's way and into the care of a mysterious organization known as The Human Project.
Paul, 16, turns up uninvited to visit his relatives. Having recently lost his father, Paul is searching for an ideal world, and he intrudes upon the seemingly ideal family. After rejecting him at first, aunt Anna slowly drags him into her side. Paul is attracted to her. Only too late does he realize that he has been drawn under control, and is now at her mercy. Paul''s hurt drives him into an act of desperation.