Decoy Miles Davis

The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956) [DCC, GZS-1063]

The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DCC, GZS-1063 | ~ 237 or 111 Mb | Scans Included
Jazz / Bop / Cool / Hard Bop

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one – as mythology would claim – but two massively productive recording sessions in May and October of 1956, respectively…
Miles Davis - Cookin' with the Miles Davis Quintet (1956) [DCC, GZS-1044]

Miles Davis - Cookin' with the Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | DCC, GZS-1044 | ~ 229 or 123 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

Cookin' is the first of four albums derived from the Miles Davis Quintet's fabled extended recording session on October 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player…
Miles Davis - The New Miles Davis Quintet (1955) [DCC, GZS-1100]

Miles Davis - The New Miles Davis Quintet (1955)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1996 | DCC, GZS-1100 | ~ 174 or 98 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

The New Miles Davis Quintet made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Davis had signed with recording giant Columbia, he had featured the most influential band in all of jazz (which would spawn the most charismatic musician of the '60s), and was well on his way toward international stardom…
Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD eOne EOM-CD-2104 Miles Davis related}

Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD eOne EOM-CD-2104 Miles Davis related}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 667 Mb | MP3 @320 -> 269 Mb
Full Artwork @ 600 dpi (png) -> 412 Mb | 5% repair rar
© 2011 eOne Music | EOM-CD-2104
Jazz / Latin / Modern Creative / Fusion / Flamenco

Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.
Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372}

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.05 Gb | MP3 @320 -> 459 Mb
Full Artwork @ 600 dpi (png) -> 0.98 Gb | 5% repair rar
© 1966-68, 2016 Columbia / Legacy / Sony Music | 88985357372
Jazz / Hard Bop / Modal Music / Trumpet

A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Miles Davis - Steamin' With The Miles Davis Quintet (1961/2016) [Official Digital Download 24/192]

Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 40:07 minutes | 2,02 GB
Studio Master, Official Digital Download | Artwork: Front cover

Steamin' with the Miles Davis Quintet is an album by Miles Davis, recorded in 1956 but not released until 1961 as PRLP 7200. Two sessions on May 11, 1956 and October 26 in the same year resulted in four albums: this one, Relaxin' with The Miles Davis Quintet, Workin' with The Miles Davis Quintet and Cookin' with the Miles Davis Quintet. This album centers on the improvisations of the quintet as well as the interactions between the members of the quintet.

Miles Davis - Decoy (1984) {Columbia} [Repost]  

Posted by tiburon at Nov. 19, 2015
Miles Davis - Decoy (1984) {Columbia} [Repost]

Miles Davis - Decoy (1984) {Columbia}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 217MB + 5% Recovery
Genre: Fusion, Jazz-Funk

DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.
Miles Davis - Original Album Classics (2010) [5CD Box Set] {Sony Music/Columbia}

Miles Davis - Original Album Classics (2010) [5CD Box Set] {Sony Music/Columbia}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.64 Gb | MP3 @320 -> 671 Mb
Full Artwork @ 300 dpi (jpg) -> 85 Mb | 5% repair rar
© 2010 Columbia / Legacy / Sony Music | 88697766662
Jazz / Fusion / Post Bop / Progressive Jazz / Trumpet

The Sony/BMG Original Album Classics series brings together 5 CD's of rare and out of print titles with some best sellers from the Sony/BMG Jazz catalog. Many of these albums have been unavailable on CD for some time and are sought after by collectors. Each set is presented in a high quality, rigid cardboard slipcase containing five vinyl replica mini LP sleeves. This 5 CD collection of original releases featuring Miles Davis includes the albums The Man With The Horn, Star People, Decoy, You're Under Arrest, and Aura. A great collection of post sabbatical Miles Davis. I great meld of old school and fusion jazz. The last hurrah before the spotty Warner Brothers years.

Miles Davis - Aura (1989) [Repost]  

Posted by tiburon at Feb. 15, 2012
Miles Davis - Aura (1989) [Repost]

Miles Davis - Aura (1989)
EAC 1.0b1 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 600dpi | 379MB + 5% Recovery
MP3 CBR 320 Kbps | 152MB + 5% Recovery
Genre: Jazz

Aura is a concept album by Miles Davis, produced by Palle Mikkelborg, released in 1989. All compositions and arrangements are by Danish composer/trumpeter Palle Mikkelborg, who created the suite in tribute to Miles Davis when Davis received the Léonie Sonning Music Prize in December 1984, the year Decoy was released.The album won a Grammy Award in 1990 for Best Jazz Instrumental Performance.

Miles Davis - Decoy (1983) {Reissue 1996}  

Posted by ruskaval at Aug. 20, 2009
Miles Davis - Decoy (1983) {Reissue 1996}

Miles Davis - Decoy (1983) {Reissue 1996}
EAC rip (secure mode) | FLAC+CUE+LOG -> 209 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 6 Mb
© 1983 Sony Music / Columbia | 468702 2
Jazz / Fusion / Jazz-Funk


Miles Davis - Decoy (1983) {Reissue 1996}

DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.

DECOY marks a milestone in Miles' thinking since returning to the jazz wars, and the trumpeter's keyboard abstractions over Jones' Kraftwerk-like bass groove on "Freaky Deaky" offers clues as to the style of spontaneous orchestration and interplay he wanted. Co-producer/keyboardist Robert Irving's title track depicts an opulent canvas of inter-connected modes, all doing a wheeling dance around Jones' spacious, behind-the-beat bass pulse; "Robot 415" is an Afro-Techno miniature; and "Code M.D." offers slick big band synth flourishes and contrasting rhythmic accents over a swampy, post-modern brand of southern funk.