Decoy Miles Davis

Miles Davis - Decoy (1984) {Columbia} [Repost]  Music

Posted by tiburon at Nov. 19, 2015
Miles Davis - Decoy (1984) {Columbia} [Repost]

Miles Davis - Decoy (1984) {Columbia}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 217MB + 5% Recovery
Genre: Fusion, Jazz-Funk

DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.

Miles Davis - Decoy (1983) {Reissue 1996}  

Posted by ruskaval at Aug. 20, 2009
Miles Davis - Decoy (1983) {Reissue 1996}

Miles Davis - Decoy (1983) {Reissue 1996}
EAC rip (secure mode) | FLAC+CUE+LOG -> 209 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 6 Mb
© 1983 Sony Music / Columbia | 468702 2
Jazz / Fusion / Jazz-Funk


Miles Davis - Decoy (1983) {Reissue 1996}

DECOY is a vivid example of Miles Davis' unerring ear for identifying, casting and nurturing talent. Among those helping out Miles flesh out this modern vision of electric jazz: John Scofield, who ranks among the most progressive of jazz guitarists and composers; reedman Branford Marsalis, who fronted the Tonight Show Band; Darryl Jones, who held down the bass chair for Sting and subbed for Bill Wyman in the Rolling Stones; and drummer Al Foster, who went on to work with Sonny Rollins, Joe Henderson and Ron Carter.

DECOY marks a milestone in Miles' thinking since returning to the jazz wars, and the trumpeter's keyboard abstractions over Jones' Kraftwerk-like bass groove on "Freaky Deaky" offers clues as to the style of spontaneous orchestration and interplay he wanted. Co-producer/keyboardist Robert Irving's title track depicts an opulent canvas of inter-connected modes, all doing a wheeling dance around Jones' spacious, behind-the-beat bass pulse; "Robot 415" is an Afro-Techno miniature; and "Code M.D." offers slick big band synth flourishes and contrasting rhythmic accents over a swampy, post-modern brand of southern funk.
Miles Davis Quintet - Live in Europe 1967: The Bootleg Series, Vol. 1 (2011) {3CD + Bonus DVD5 NTSC}

Miles Davis Quintet - Live in Europe 1967: The Bootleg Series, Vol. 1 (2011) {3CD + Bonus DVD5 NTSC}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 782 Mb | MP3 @320 -> 474 Mb
DVD5 -> 3.86 Gb | All Regions | NTSC 4:3 | LinearPCM, 2 ch | ~ 65 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 305 Mb | 5% repair rar
© 1967, 2011 Columbia / Legacy / Sony Music | 88697 94053 2
Jazz / Hard Bop / Post Bop / Modal Music / Trumpet

The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
The Miles Davis Sextet & The Thelonious Monk Quartet - Miles and Monk at Newport (1964/2017) [24/192]

The Miles Davis Sextet & The Thelonious Monk Quartet - Miles & Monk at Newport (1964/2017)
FLAC (tracks) 24-bit/192 kHz | Time - 51:19 minutes | 1,92 GB
Studio Master, Official Digital Download | Artwork: Front cover

Miles & Monk at Newport was a combined album of a Miles Davis appearance at Newport with an appearance of Thelonious Monk, from the LP era. Despite the title, the two artists do not perform together on the LP, and they are represented on each side by separate live appearances at the Newport Jazz Festival.

Miles Davis - Live in Munich (1988) [DVD9] Repost  Music

Posted by juanchito at Feb. 21, 2017
Miles Davis - Live in Munich (1988) [DVD9] Repost

Miles Davis - Live in Munich (1988)
DVD9 | NTSC 4:3 (720x480) VBR | Audio: AC3, 3/2ch, 448Kbps, Delay 0 mSec | 7.59 GB
Jazz | Length: 138 min
Miles Davis - Bluing (1949-1951) {Past Perfect Silver Line 204377-203 rel 2000}

Miles Davis - Bluing (1949-1951) {Past Perfect Silver Line 204377-203 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 56 Mb | 5% repair rar
© 1949-51, 2000 Past Perfect Silver Line / TIM The International Music Company AG | 204377-203
Jazz / Bop / Cool / Trumpet

Rare deluxe compilation that sounds and looks in all ways amazing. Some great picks on here in Miles' own Deception, Gerry Mulligan's Jeru or Baden Powell's Budo for starters. Lovely audophile piece in lovely taste.

Miles Davis - Miles Deep (2016) {Rolling Stone}  Music

Posted by shamanicus at Feb. 11, 2017
Miles Davis - Miles Deep (2016) {Rolling Stone}

Miles Davis - Miles Deep (2016)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 370 mb | MP3 CBR 320kbps | RAR | 125 mb
Jazz, Cool Jazz, Bebop | Label: Rolling Stone

Miles Davis published more than 40 albums during his lifetime. The classics "Kind Of Blue", "Sketches Of Spain" and "Bitches Brew" should have even less jazz-interested listeners in their collection. "Miles Deep" now approaches the big man's work on sidewalks: through fantastic live versions and less well-known studios.
Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961) {Official Digital Download 24-bit/44.1 kHz}

Miles Davis Quintet - Steamin' With The Miles Davis Quintet (1961)
FLAC (Tracks) 24-bit/44.1 kHz | Digital Booklet | 00:40:04 | 430 Mb | 5% Recovery
Official Digital Download | Studio Master | Jazz, Hard Bop | © 2007 Concord Music Group
Rudy Van Gelder Remaster

Of Miles Davis's many bands, none was more influential and popular than the quintet with John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. Davis's muted ballads and medium-tempo standards endeared him to the public. The horns' searing exposition of classics like "Salt Peanuts" and "Well, You Needn't" captivated musicians. The searching, restless improvisations of Coltrane intrigued listeners who had a taste for adventure. The flawless rhythm section became a model for bands everywhere. Steamin' With The Miles Davis Quintet is, in many respects representative of the total work of the quintet, it affords an excellent opportunity to examine just what this remarkable music was and how it was made. Such chemistry is inexplicable, and so, apparently, is the personality of the man who generated it.
The Miles Davis Sextet & The Thelonious Monk - Miles and Monk at Newport (Live) (1964/2017) [TR24][OF]

The Miles Davis Sextet & The Thelonious Monk - Miles and Monk at Newport (Live)
Jazz | FLAC (tracks) 24-bit/96 kHz | 51:15 min | 1.09 GB | Front Cover
Label: Columbia/Legacy | Tracks: 06 | Rls.date: 1964/2017

This Columbia LP features Miles Davis' Sextet (with John Coltrane and Cannonball Adderley) and the Thelonious Monk Quartet (with Pee Wee Russell) at the 1958 Newport Jazz Festival; their rapid version of "Ah Leu Cha" is thunderous and "Straight No Chaser" swings like mad. This set also includes three laid-back selections ("On Green Dolphin Street," "Fran Dance," and "Stella by Starlight") from a slightly earlier studio date, along with a different version of "On Green Dolphin Street" from 1961. This classic music has since been reissued on CD. Review by Scott Yanow
Miles Davis - Bitches Brew (1970) {2014, Limited Edition, Remastered, MFSL UDSACD 2-2149} [2x SACD ISO + FLAC 24/88]

Miles Davis - Bitches Brew (1970) {2x SACD, Limited Edition, Remastered}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 4,01 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 1,97 Gb | 5% Recovery
Jazz, Fusion | 00:47:16 + 00:47:05 | © 2014 Mobile Fidelity Sound Lab #UDSACD 2-2149

Bitches Brew is a studio double album by American jazz musician Miles Davis, released on March 30, 1970, on Columbia Records. The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style. Bitches Brew was Davis's first gold record; it sold more than half a million copies. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. Later, Bitches Brew gained recognition as one of jazz's greatest albums and a progenitor of the jazz rock genre, as well as a major influence on rock and funk musicians. The album won a Grammy Award for Best Large Jazz Ensemble Album in 1971.