Decoy Miles Davis

Miles Davis - The Complete Miles Davis At Montreux (2002) {20CD LongBox Warner 0927-41836-2 rec 1973-1991}

Miles Davis - The Complete Miles Davis At Montreux (2002) {20 CD LongBox Warner 0927-41836-2 rec 1973-1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 7.60 Gb | MP3 @320 -> 2.67 Gb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1973-91, 2002 Warner Music Switzerland | 0927-41836-2
Jazz / Jazz Rock / Fusion / Experimental Big Band / Trumpet

Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.
Miles Davis - Amsterdam Concert (1957) {Lone Hill Jazz LHJ10141 rel 2005}

Miles Davis - Amsterdam Concert (1957) {Lone Hill Jazz LHJ10141 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 290 Mb | MP3 @320 -> 141 Mb
Full Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar
© 1957, 2005 Lone Hill Jazz | LHJ10141
Jazz / Cool / Hard Bop / Trumpet

One of the least known Miles Davis recordings around, this release contains the complete Amsterdam Concertgebouw Broadcast recorded on December 8, 1957 with the talented tenor saxophonist Barney Wilen and the René Urtreger quartet. A recording which has remained virtually unavailable on any format for decades, Lone Hill Jazz is proud to put this hidden gem back into circulation. Although the sound quality is imperfect, the outstanding performances by the musicians most notably Miles himself more than make up for it.
Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6 (2018) {4CD Set Columbia 88985448392 rec 1960}

Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6 (2018) {4CD Set Columbia 88985448392 rec 1960}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.07 Gb | MP3 @320 -> 528 Mb
Full Artwork @ 600 dpi (png) -> 1.32 Gb | 5% repair rar
© 1960, 2018 Columbia / Legacy / Sony Music | 8898544839
Jazz / Hard Bop / Bop / Cool / Modal Music / Trumpet / Saxophone

More than 50 years after Miles Davis and John Coltrane embarked on one last tour of Europe together, fans can finally own this crucial piece of history on The Final Tour: The Bootleg Series, Vol. 6, available everywhere today. This 4CD set features, for the first time in an authorized release, five breathtaking performances recorded in Paris, Stockholm and Copenhagen on the Jazz At The Philharmonic European Tour of spring 1960.
SFJAZZ Collective - Music of Miles Davis & Original Compositions Live: SFJazz Center 2016 (2CD) (2017)

SFJAZZ Collective - Music of Miles Davis & Original Compositions Live: SFJazz Center 2016 (2CD) (2017)
WEB FLAC (tracks) ~ 399.81 Mb + 409.34 Mb | 65:08 + 73:44 | Cover
Post-Bop, Contemporary Jazz | Country: USA | Label: SFJAZZ Records

In the thirteen years since the SFJAZZ Collective first came together in February 2004, this revolving door octet (septet, in 2009) of "cream of the crop" US-based jazz musicians has, most years, followed a consistent modus operandi: select a well-known jazz (and, in two cases, beyond jazz) musician and pay tribute through innovative arrangements of his/her music, alongside a set of new original compositions—in almost every case, one each contributed by every member of the Collective.
Daniele Malvisi Six Group - Virtuous Circles Of Miles Davis (2015/2017) [Official Digital Download 24-bit/96kHz]

Daniele Malvisi Six Group - Virtuous Circles Of Miles Davis (2015/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 61:07 minutes | 1,31 GB
Studio Master, Official Digital Download | Artwork: Front cover

"Virtuous Circles Of Miles Davis" is the story of a journey through which the music of Miles continues to live in the hearts and minds of these musicians, a "virtuous circle", in fact, within which the Davisian work relives, inspires and it transforms; once again regenerated, it continues to live and excite the present of these artists. More than a tribute to Miles, "Virtuous Circles Of Miles Davis" is a declaration of love towards a precise period of the life of these musicians, a historical and intimate moment in which Miles and his work were both inspirational and witnesses. The fact that in the quintet of Malvisi there is not a trumpet player speaks volumes about the genuine honesty of this artistic affection.
Miles Davis, Sonny Rollins - The Classic Prestige Sessions 1951-1956 (2009) 2CD

Miles Davis, Sonny Rollins - The Classic Prestige Sessions 1951-1956 (2009) 2CD
EAC | FLAC | Tracks (Cue&Log) ~ 561 Mb | Mp3 (CBR320) ~ 303 Mb | Scans ~ 40 Mb | 02:11:38
Bop, Hard Bop, Cool, Modal Jazz | Label: Prestige | # 0888072314610

The Classic Prestige Sessions 1951-1956 collects all of the sides recorded by trumpeter Miles Davis and tenor saxophonist Sonny Rollins for Prestige during their time together as young players in New York City. Both musicians were just past their formative years during this period, having broken free from the heavy sway of their bop elders – especially alto saxophonist Charlie Parker, who appears here in several classic cuts originally released on Collector's Items. Both Davis and Rollins were expanding the bop mold and beginning to discover their own sound. Davis had already made his mark with the innovative West Coast jazz masterpiece Birth of the Cool and was further developing his romantic and cerebral minimalism. Similarly, Rollins was quickly becoming the heir to Parker's throne as the most searching and muscular saxophonist on the scene. The dichotomy of their sounds made Davis and Rollins a perfect rub as jazz partners and these recordings helped foreshadow and define such future jazz movements as hard bop, post-bop, and even free jazz. Included here are such stellar and classic tracks as "Dig," "Oleo," "Down," "The Serpent's Tooth," "Airegin," "Doxy," and "Vierd Blues"." Although all of these recordings are available elsewhere on the original albums, Davis and Rollins' relationship was an incredibly fertile one and it is great to have all of it compiled together.
Miles Davis - On The Crest Of The Airwaves (2011) {4CD Set Rock Melon Music RMBOX3 rec 1970, 1988}

Miles Davis - On The Crest Of The Airwaves (2011) {4CD Set Rock Melon Music RMBOX3 rec 1970, 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.30 Gb | MP3 @320 -> 617 Mb
Full Artwork @ 600 dpi (png) -> 111 Mb | 5% repair rar
© 1970, 1988, 2011 Rock Melon Music | RMBOX3
Jazz / Jazz Funk / Fusion / Trumpet

4 x CD in book/DVD-style tall packaging. Containing 3 rare and previously unreleased concerts from San Francisco 1970, England 1970 and Melbourne Australia 1988. These concerts highlight the genius that was Miles Davies and are also an important piece of jazz history. All discs have been digitally remastered for superior sound quality .The iconic artwork and in dept sleeve notes make this a must have release for all true jazz fans.
Miles Davis - Miles Electric: A Different Kind of Blue (2004) {DVD9 PAL Eagle Rock EE39020-9 rec 1970}

Miles Davis - Miles Electric: A Different Kind of Blue (2004) {DVD9 PAL Eagle Rock EE39020-9 rec 1970}
DVD9 -> 5.98 Gb | All Regions | PAL 4:3 | LPCM, 2 ch / Dolby AC3, 6 ch / DTS, 6 ch | ~ 123m | ISO Image
Full Artwork @ 300 dpi (png) -> 18 Mb | Subs: English, Francais, Espanol | 5% repair rar
© 1970, 2004 Eagle Rock / Pulsar | EE39020-9
Jazz / Fusion / Jazz Funk / Trumpet

When he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process…performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.
Miles Davis - In Person Saturday Night At The Blackhawk Vol.2 (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Miles Davis - In Person Saturday Night At The Blackhawk, San Francisco Vol.2 (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3964}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 412 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 600 dpi (png) -> 179 Mb | 5% repair rar
© 1961, 2014 Columbia / Sony Music Japan | SICP 3964
Jazz / Cool / Bop / Hard Bop / Trumpet

Reissue with latest remastering. Comes with new liner notes. This cd is the second of 2 put out to chronicle Miles' stay at the Blackhawk in San Francisco in 1961. After a period of transition which included the sometimes uneven results of the "Someday My Prince Will Come" lp, Miles' working band of Hank Mobley on tenor sax, Wynton Kelly on piano, Paul Chambers, bass, and drummer Jimmy Cobb, were coming together as a tight unit. Both dates of the Blackhawk shows are prime examples of the greatness of this working group.
Miles Davis - Dark Magus (1974) {2CD Set CBS Sony Japan, Early Press, 50DP 719~20 rel 1987}

Miles Davis - Dark Magus (1974) {2CD Set CBS Sony Japan, Early Press, 50DP 719~20 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 636 Mb | MP3 @320 -> 240 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1974, 1987 CBS / Sony Inc. Japan | 50DP 719~20
Jazz / Fusion / Jazz Funk / Jazz Rock / Trumpet

In January 1973, David Liebman, the saxophonist who played on the first sessions of On The Corner let himself be persuaded to play with the group. It really wasn’t his kind of music, but he thought that “it was where things were happening,” and as was his habit, he joined the fray. And it was prodigious, even if Miles had reduced his band in an attempt to radicalize the Afro-funk directions of On The Corner. No more keyboards, except for a few touches by Miles himself and no more Indian instruments.