Davies' third album finds this artist moving in a much more "pop" direction, proving that she can both stretch her wings artistically and has far more to offer than merely recycled riffs and motifs filtered through a women's perspective. Her social consciousness raising quickly comes up for air on the opening track, "Howlin' At The Moon," one of only three Davies originals aboard this outing. But her interpretations of gospel pop ballad material like Lenny McDaniel's beautiful "Tired Angels," and duets with Coco Montoya on Albert Collins' title track and Tab Benoit on "Let The Heartaches Begin" are every bit as strong, her vocal skills showing more maturity and assuredness with each album. Her solo work is spot on, always paying homage to a wide variety of stylistic lessons well learned and solidly in the blues pocket with no added rock affectations to bog it down. But tracks like "Homework" (not the Otis Rush classic) make it clear that this is Debbie Davies being mainstreamed into Bonnie Raitt territory and she doesn't sound uncomfortable there at all, making this a most ambitious effort.
One of the toughest, most talented female singer-songwriter-guitar slingers on the contemporary blues scene today is Debbie Davies. On Love the Game the former sidewoman to John Mayall and Albert Collins spices up her collection of insightful, slice-of-life stories (some of which were penned by her longtime bandmate Don Castagno) with stinging licks and down-home soul. Produced by the wily blues vet Duke Robillard, Debbie’s seventh overall and third for Shanachie features special guest appearances from guitarist Jay Geils, pianist Bruce Katz, saxophonists Doug James and Gordon Beadle and longtime guitar colleague Coco Montoya, who lays out some ferocious licks alongside Davies and Robillard on the aptly named three-way shuffle jam “Fired Up.” Debbie’s autobiographical words on “Can’t Live Like This No More” hit home to anyone over “a certain age,” while the feelings of futility she sings about on her melancholy slow blues “Down in the Trenches” would register with anyone who has ever felt love slip away. Castango offers a sly sense of earthy humor on “Worst Kinda Man,” “Keep Your Sins to Yourself” and the album’s lone acoustic number, “Was Ya Blue”.
Rockbird was Harry's second solo album, and came four years after the split of Blondie in 1982. Harry had largely put her music career on hold during the mid-1980s in order to look after boyfriend Chris Stein who had been diagnosed with a serious illness. The album was produced by Seth Justman, a key member of the J. Geils Band. Released in November 1986, there were four variations of the album artwork with the lettering in either green, orange, pink and yellow (with slight variations due to printing techniques).
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Debbie Poryes works here with a Dutch trio formed right after her arrival on that scene – a nicely-balanced group that really respects Debbie's sensitive touch on the keys, and seems to make her subtle sounds come out even more than they might in the setting! Poryes has an approach that's on the mellower side of lyrical – kind of a post-Bill Evans approach, but even more subtle overall – yet one that's also very striking in its subtlety – as the lean choices of notes show just how far and free jazz piano had come by this time, but in ways that could still swing and stay inside. The group features Hein Van De Geyn on bass and Hans Eykenaar on drums – and titles include "For Brad", "Sweet Georgie Fame", "Holland", "Foolish Door", and "My Romance".
Fine Greek-only premium compilation, released with the music magazine 'Jazz & Tzaz' (Issue 74). From the catalogue of the Blind Pig Records. Includes: Studebaker Jonh, Deborah Coleman, Johnny Shines, Eddy Clearwater, Snooky Pryor, Carey Bell, Debbie Davis, Tommy Castro, Joanna Connor, Jimmy Thackery & The Drivers, Charlie Musselwhite, Frankie Lee, Preacher Boy And The Natural Blues, Eddie C. Campbell, Magic Slim & The Teardrops.
Singer, guitar player and songwriter Debbie Bond has been paying her dues in the Alabama backwoods for over 30 years. Her singing has been compared to Bonnie Raitt and Maria Muldaur, both of whom she cites as being influences on her music. The truth is that Debbie does it her way, playing a dynamic mix of soulful originals and covers. Her impressive musical story includes years of performing with older traditional Alabama blues musicians, including Johnny Shines, Eddie Kirkland and Willie King. Her immersion in the blues has deeply flavored her guitar playing, soulful voice and original song writing, yet her sound is contemporary and original, incorporating soul, blues, rock, jazz and Americana influences. This unique musical synthesis can be heard on her latest album, 2016's Enjoy The Ride.