Dean Martin was an Italian-American singer, actor, comedian, and film producer. One of the most popular and enduring American entertainers of the mid-20th century, Martin was nicknamed the "King of Cool" for his seemingly effortless charisma and self-assurance. He and Jerry Lewis were partners in the immensely popular comedy team Martin and Lewis. He was a member of the "Rat Pack" and a star in concert stages, nightclubs, recordings, motion pictures, and television. He was the host of the television variety program The Dean Martin Show (1965–1974) and The Dean Martin Celebrity Roast (1974–1985). Martin's relaxed, warbling crooning voice earned him dozens of hit singles including his signature songs "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", "Volare", and "Ain't That a Kick in the Head?".
Dean Evenson is one of the true visionaries of the New Age/Ambient musical genre. He plays several instruments including the flute, percussion, synthesizer and keyboards. His music is generally sounds of nature combined with flute melodies and other instruments for ambient and meditative purposes. He is a prolific musician and composer, an entrepreneur, media pioneer and the co-founder of Billboard-charting independent music label, Soundings of the Planet. At every turn, Evenson’s life has taken bold steps in new and exciting directions. The success and pioneering nature of his creative work attest to a dynamic personality and a life-long commitment to the positive evolution of life on this planet in relationship with the natural and spiritual world. Evenson’s story is that of an artist, technological innovator, broad-minded thinker - a modern-day Renaissance man…
Brett Dean is not shy about revealing what his music is ‘about’. Whether inspired by certain individuals (as in Epitaphs), or by an ecological or human disaster (as in his String Quartet No. 1, on the now all too topical plight of refugees), Dean’s works are usually – perhaps invariably – driven by extra-musical narratives. Rather than tease out any innate structural puzzles or tensions, his music typically falls into short little dramatic narratives – no movement on this disc lasts as long as eight minutes, many of them rather less than five. The most obviously successful work here is Quartet No. 2, ‘And once I played Ophelia’, effectively a dramatic scena. Its soprano soloist is no mere extra voice (as in Schoenberg’s Second Quartet) but the leading protagonist. Allison Bell’s genuinely affecting performance is backed by the Doric Quartet’s expressionist scampering and sustained harmonies, the strings occasionally coming to the fore in the manner of a Schumann-style song postlude.
This documentary, which was undertaken soon after James Dean's death, looks at Dean's life through the use of still photographs with narration, and interviews with many of the people involved in his short life. Interviewees include the aunt and uncle who raised him after his mother's death (when James was 9), his fraternal grandparents, a cabdriver friend in New York City, and the owner of his favorite restaurant in Los Angeles. James's father, who was alive when the film was made, does not get a single mention.
A look at the life of James Dean as he was on the cusp of achieving fame.