Having scored the movies Heartbreakers and Tonight's The Night before, in 1988 TD composed the music for a third film of director Bobby Roth - Dead Solid Perfect, starring Randy Quaid. A lot of material is sequencered rhythms. Several tracks are variations of melodies so it does tend to get a little monotonous with the repetition. The music is a pleasure to hear. Without Silva Screen's efforts, more than likely this music would never have been released. It would have only been heard through your TV where it was buried in the soundtrack…
In 1991 the soundtrack music of the film The Park Is Mine, starring Tommy Lee Jones, was released for the first time on CD. It had been composed back in 1985 by TD with the line-up Edgar Froese, Chris Franke and Johannes Schmoelling. As stated on the CD insert, the recording was prepared for release without the cooperation of TD. Thus it could not be mastered using the original master tapes by TD but two-track stereo tapes used for the film. This resulted in a sound quality not as excellent as TD listeners are used to.
The last TD production with Johannes Schmoelling was the soundtrack for Ridley Scott's movie Legend, starring Tom Cruise, Mia Sara, Tim Currie and David Bennent. Jerry Goldsmith was the original composer of the music for Legend, but Universal Studios decided they wanted a more modern sounding music and contracted with TD, Jon Anderson (singer of Yes) and Bryan Ferry (formerly with Roxy Music) to supply new music. The TD score was used for the North American version of the film only, thus the TD soundtrack was released 1986 in USA and Canada only. All other world-wide releases used the Goldsmith film score.
From mid October to late November 1982, TD toured in Europe performing 31 gigs at all in Austria, Hungary, Yugoslavia, the UK, Belgium, West and East Germany. The concert at the Dominion Theatre in London was released only a few weeks after on the record Logos Live. According to Johannes Schmoelling, this is one of his favourite albums. He considers "the live concept and the smooth transition between one idea and the next to be the key of the album's success." In 1995 Virgin re-released the album on CD in the so-called "Definitive Edition" series, featuring the original front cover artwork. For this release, the two compositions Logos, Part One and Logos, Part Two have been mixed together, forming the track Logos of some 45 minutes length.
Live Miles consists of two parts, which were both recorded live. "Livemiles I" was recorded during the American tour of 1986, while "Livemiles II" was captured at a concert to commemorate the 750th anniversary of Berlin. As usual with TD, the audience had no clue of what they were going to experience while attending one of those concerts. During that era it was rather common for TD to improvise much of the music on the spot. So when you listen to a live record of TD you mostly hear new music that isn't available as a studio version. The extended pieces displayed on Live Miles cover many musical moods and textures throughout the playing time of almost half an hour: from slow and haunting, through up-tempo and uplifting; from driving and percussive, to grand and majestic. It's all present on both tracks!
"Lily On The Beach", recorded and released in 1989, had two aspects showing TD's musical direction for the nineties: It was the first TD album featuring Edgar Froese's then 19 year old son Jerome Froese as guest musician playing lead guitar on the track Radio City; Jerome would become a regular member of TD in the next year and get more and more influence on TD's work in the future. On the other hand Long Island Sunset was the first TD composition featuring saxophone, an uncommon type of instrument for TD's music of the eighties, but becoming a strong part of their work in the early nineties.