Light is all important to David’s work. In this film he goes in search of the wonderful light of Italy along the Amalfi coast. Arriving in a new area, he emphasises the benefit of sketching before starting to paint. He then goes on to complete paintings of a variety of subjects including scenes of boats and buildings, a beach, the charming hilltop village of Ravello on a sunny afternoon and even a street painted at night. His paintings perfectly capture the atmosphere and light of the Italian scenery.
English composer Thomas Tallis witnessed dramatic changes of religion under four monarchs, and his career accordingly represents the development of polyphonic church music in Renaissance England. Along with his student and fellow Roman Catholic, William Byrd, Tallis was one of the earliest composers to publish music under royal patent in England, and his works demonstrated the shifting doctrines and styles of liturgy in the reigns of Henry VIII, Edward VI, Mary I, and Elizabeth I. This 2017 Obsidian release features one piece with a text by Henry VIII's sixth and last wife, Katherine Parr, which gives the album its title, though the mix of Roman Catholic and Anglican pieces on the program suggests that "songs of Reformation" may be seen as one-sided. In any case, the performances by the vocal ensemble Alamire and the viol consort Fretwork put the emphasis on Tallis and his varied output, rather than on the theological preferences of royalty. The result is a well-balanced portrait of Tallis, and his choral music is given transparent textures and clear diction by the 14-voice choir, which maintains independence of parts while offering an evenly blended tone.
Viola player David Aaron Carpenter brings together works united by their composers’ longing for home. Dvořák’s Cello Concerto, deftly arranged for viola by Carpenter himself, and Bartók’s desolate Viola Concerto are each influenced by Eastern European folk song—both composers lived in the U.S. as they wrote their masterpieces, dreaming of their motherlands. Walton’s sweetly melancholic Viola Concerto has an unsettled feeling, while Alexey Shor, now a U.S. resident, recalls his native Kiev with music of great emotional depth and character. Carpenter’s flawless playing is the perfect vehicle for this rich, varied program.