In There Is No Love, Davies, Sylvian and Wastell offer a sparse and brooding setting of Bernard Marie Koltès’ text – part of a longer play from 1985 - in which its two characters, named only the Dealer and Buyer, are barely more than ciphers, their ghostly figures enacting a mysterious negotiation in a crepuscular world where emotional engagement has departed in place of commodified exchange (“There is no love”.) What, exactly, is being bought and sold is never revealed, yet Sylvian’s careful enunciation bristles with implicit violence and desire.
Youngest son of J.S. Bach, Johann Christian Bach rose to prominence in England during the early Classical period much the same as his father dominated the German Baroque. His writing was influenced by his father, of course, but also by the fashions being explored by Haydn. J.C. Bach also served as a bridge to Mozart, whose work and early writings were also influenced by the junior Bach. A total of 15, three-movement symphonies were published under Opp. 6, 9, and 18.
“IVANHOE is a romantic opera in three acts based on the novel by Sir Walter Scott, with music by Sir Arthur Sullivan and a libretto by Julian Sturgis. It premiered at the Royal English Opera House on 31 January 1891 for a consecutive run of 155 performances, unheard of for a grand opera. Later that year it was performed six more times, making a total of 161 performances.