Thinking big, Bootsy Collins’ 2011 effort is a conceptual trip, a funky history lesson brought to life by the P-Funk veteran, his rock-solid band, and a slew of guest stars, ranging from rapper Ice Cube to professor Cornel West. In between, there’s funk-rock shredding from freaky and frequent collaborator Buckethead, some psychedelic storytelling by way of an old Jimi Hendrix interview, plus better-than-expected prose from both Rev. Al Sharpton (on the cultural magnificence of James Brown) and Samuel L. Jackson (on how the funk era was a Renaissance for the hood). Underneath it all, the P-Funk jams pop and stroll with that same old swagger, while Bootsy himself beams down his wild bits of Mothership wisdom, including “It’s recess time, so put a smile on your mind” (“Don't Take My Funk”) and “If you wanna lead the orchestra, you’re gonna have to turn your back to the crowd” (“Siento Bombo”).
I am not sure what happended to this cd as far as marketing goes. It is very hard to find and most people have never heard of it. But don't let it fool you, this guy has talent and he is backed by the David & The Giants band. It is similar in sound to Giant, Richard Marx, Stan Bush Toto, Survivor, etc. If you like any of these bands you will love this.
William "Bootsy" Collins cut his teeth playing bass with the James Brown band in 1970, but when he landed in George Clinton's Parliament/Funkadelic crew in the mid-70s, he quickly became a figurehead of Clinton's messier, trippier cartoon funk. Throughout the 1976-82 period condensed into this two-disc set, Bootsy and his Rubber Band were essentially P-Funk for kids. His records had all the stage-crowding chaos of the Mothership, with the politics and priapism replaced by goofy spiels about the excellence of, well, Bootsy, plus squelchy, googly sounds and his infamous star-shaped shades. The tone he got out of his star-shaped bass, like huge bubbles surfacing from the bottom of a lake, was heavy enough that he could slow things way, way down–"Jam Fan (Hot)" crawls like no other hard-funk record. That, in turn, let him be the half-serious love-man Clinton couldn't risk being (check out the wacky, spacey slow jam "Munchies for Your Love"). Glory B mostly collects unedited album tracks, though it also throws in 1980's lost demi-hit "Freak to Freak" (credited to Sweat Band) and the 1982 single "Body Slam!".