David Gilmour’s solo career hasn’t exactly been creatively restless; this is but the third album by the Pink Floyd guitarist, and first in 18 years. But that seemingly lackadaisical career ethos hasn’t prevented Gilmour from producing some of his finest work here, an album whose soaring, lyrical guitar lines will be familiar to Floyd fans, yet one also blessed by often surprising nuances and delicate musical textures. Gilmour’s Division Bell collaborator Polly Samson is credited with most of the writing, helping conjure a moody, texturally rich "island" that’s as much musical as it is personally and lyrically metaphorical. "Castellorizon," the impressionistic opening instrumental collage, presages much of what’s to come in subtle ways, with Gilmour’s emotionally-charged guitar lines climbing into realms usually staked out by contemporary Jeff Beck.
45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.
This thrilling album showcases some of Lang’s most urgent, rhythmically complex music performed by an incredible ensemble lineup: the London Sinfonietta, Crash Ensemble, Alarm Will Sound, and more. The title track, “Writing on Water,” sets a scintillating patchwork libretto that pieces together literary descriptions of shipwrecks and drowning in its commemoration of the Battle of Trafalgar. Lang’s Nyman-like vocal music lurches and pitches amid a bustling instrumental accompaniment that combines electric guitar and orchestra. The incessantly exciting “Forced March” is a series of relentless collisions between melody and rhythm, while “Increase” combines complex musical patterns and contrasting moods to hypnotic effect.
Simon & Garfunkel's first masterpiece, Parsley, Sage, Rosemary and Thyme was also the first album on which the duo, in tandem with engineer Roy Halee, exerted total control from beginning to end, right down to the mixing, and it is an achievement akin to the Beatles' Revolver or the Beach Boys' Pet Sounds album, and just as personal and pointed as either of those records at their respective bests…
The "100 Years of Italian Opera" series released by Opera Rara is unique in the annals of opera recordings. However, this installment is especially exciting as it documents the evolution of Italian opera during the 1820's, the decade when romanticism truly began to come into its own on the operatic stage. Opera Rara has lovingly compiled a variety of arcana written by composers famous and forgotten. Included is everything from overtures to arias, duets, ensembles, and entire scenes.
Over the course of three discs, VOYAGE neatly navigates the long, rich career of David Crosby. Though he's best known as one-third of Woodstock-era folk-rock harmonists Crosby, Stills & Nash, the man with the angelic voice and the walrus moustache boasts a resume whose high points extend well beyond that association. VOYAGE doesn't stint on CSN (and sometimes Y) material, but the journeys into his early days with the Byrds, his solo albums, duo recordings with Graham Nash, and latter-day work with CPR are equally telling. From the mid-'60s Byrds tracks up to the present day, Crosby's knack for close, complex vocal harmonies, unusual jazz-influenced chord structures, and raga-tinged melodic lines serves as a connecting thread. VOYAGE allows listeners to follow Crosby's winding path through disparate eras, stopping off to marvel at the gorgeous sonic scenery along the way.
Ce nouvel ouvrage de J. Gabay s'inscrit dans la continuité de son ouvrage « Merise et UML » dont la 5e édition arrive aujourd'hui à épuisement. L'objectif des auteurs pour ce nouveau titre est triple …