Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American college campuses, Paul and Dave's Jazz Interwoven (1954) being the first. Joining Brubeck are Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums), whose support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon. "Balcony Rock" commences the platter from sides documented at the University of Michigan in Ann Arbor…
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Three young men who emerged in the 1950s - Miles Davis, John Coltrane and Dave Brubeck - not only captured the public's imagination, but in their own unique way determined the evolution of jazz as we know it today.
The first million-selling jazz album in history. With Brubeck on piano, Paul Desmond on alto saxophone, bassist Eugene Wright, and drummer Joe Morello, "Time Out" is one of the best-loved records in jazz. Upon its release, the LP reached number two in the U.S charts and stayed there for more than three years. "Take Five", with its 5/4 “Take Five rhythm” became an instrumental jazz staple and a surprise radio hit, entering the record books as the first million-selling jazz instrumental single on the Billboard Hot 100. “Blue Rondo à la Turk” also became an instant classic.
This release presents the complete 1962 LP Bossa Nova U.S.A. (Columbia CL1998/CS9364), by the classic Dave Brubeck Quartet with Paul Desmond, Gene Wright and Joe Morello. Released during the bossa nova craze that took place in the United States in the early 1960s (when many renowned jazz performers also recorded their own blend of bossa and jazz), this was Brubeck’s contribution to the genre although it mostly consisted of the pianist’s own compositions. As a bonus, three songs that complete the album’s sessions, and four isolated tracks from the same period that constitute complete sessions in and of themselves.