Out of the 13 selections included on this double CD, six were originally released just in Europe, two ("Out of Nowhere" and "Mexican Jumping Bean") were never out before and only five songs were on the American LP. Considering how inspired the Dave Brubeck Quartet sounds, it is surprising that the music has been so obscure for so long. Baritonist Gerry Mulligan is particularly heated on the opening two numbers (the unreleased tracks), pianist Dave Brubeck really stretches himself (check him out on "Things Ain't What They Used to Be" where he progresses from stride to free), and bassist Jack Six and drummer Alan Dawson, in addition to their solo space, are quite alert and constantly pushing the lead voices. Not only are the musicians in top form but the audience is very enthusiastic, demanding three encores. The extensive liner notes by Geoffrey Smith are also a major plus. Highly recommended.
The Dave Brubeck Quartet - The Columbia Studio Albums Collection features each of the 19 albums in a replica mini-LP sleeve which reproduces that LP's original front and back cover artwork. Where applicable, the albums in each box include the bonus tracks that have been released on the expanded CD editions over the years. As noted above, nine of the titles in The Dave Brubeck Quartet - The Columbia Studio Albums Collection are making their debut appearance on CD in the U.S. with this box set.
Various Artists compilation CD featuring Sarah Vaughan, Miles Davis, Stan Getz & more
Dave Brubeck (piano) began his Columbia Records association on a second album of material that his quartet had cut during its spring of 1954 tour of North American college campuses, Paul and Dave's Jazz Interwoven (1954) being the first. Joining Brubeck are Paul Desmond (alto sax), Bob Bates (bass), and Joe Dodge (drums), whose support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon. "Balcony Rock" commences the platter from sides documented at the University of Michigan in Ann Arbor…
Although recorded in sessions in 1962 and 1965, this set of Richard Rodgers tunes by the Dave Brubeck Quartet has a strong unity about it due to the consistent performances of the veteran group. With altoist Paul Desmond and the pianist-leader contributing some fine solos (and bassist Eugene Wright and drummer Joe Morello excellent in support), The Rodgers songs are treated with respect and swing. This comparatively gentle version of "My Favorite Things" would never be mistaken for John Coltrane's.
During 1949-1951 pianist Dave Brubeck led a San Francisco-based trio with bassist Ron Crotty and Cal Tjader doubling on drums and vibes. This CD has all 24 of this group's recordings, interpretations of standards that are full of surprising moments…
All the Things We Are is a bit unusual in the Dave Brubeck discography. The pianist is heard in a quartet with altoist Lee Konitz on "Like Someone in Love" and a brief "Don't Get Around Much Anymore," with avant-garde giant Anthony Braxton (also on alto) featured on "In Your Own Sweet Way," while both Konitz and Braxton team up for "All the Things You Are." In addition, the Brubeck Trio (with bassist Jack Six and drummer Alan Dawson) plays an exquisite and frequently exciting 21-minute, five-song "Jimmy Van Heusen Medley." A total success, this "experimental" Brubeck set is highly recommended.
The first million-selling jazz album in history. With Brubeck on piano, Paul Desmond on alto saxophone, bassist Eugene Wright, and drummer Joe Morello, "Time Out" is one of the best-loved records in jazz. Upon its release, the LP reached number two in the U.S charts and stayed there for more than three years. "Take Five", with its 5/4 “Take Five rhythm” became an instrumental jazz staple and a surprise radio hit, entering the record books as the first million-selling jazz instrumental single on the Billboard Hot 100. “Blue Rondo à la Turk” also became an instant classic.