The ghost of Frank Capra must have smiled when he saw Dave, an amusing and effective update of one of Capra's favorite themes – the scrupulously honest little guy who becomes a force for good against a corrupt system. Dave Kovic (Kevin Kline) runs an employment agency and seems to genuinely enjoy finding work for people who need it. He also bears a striking resemblance to the president of the United States, Bill Mitchell (also played by Kline) and occasionally gets work as a Bill Mitchell impersonator. One day, Dave gets a call from the Secret Service – for security purposes, they want to hire him to act as a decoy for an upcoming appearance by the president. All goes well, but later that evening President Mitchell suffers a massive stroke while in bed with his mistress. Wanting to keep the matter a secret, two of the president's top advisors appeal to Dave to stand in as Bill Mitchell until he regains his health.
Bill Mitchell is the philandering and distant President of the United States. Dave Kovic is a sweet-natured and caring Temp Agency operator, who by a staggering coincidence looks exactly like the President. As such, when Mitchell wants to escape an official luncheon, the Secret Service hires Dave to stand in for him. Unfortunately, Mitchell suffers a severe stroke whilst having sex with one of his aides, and Dave finds himself stuck in the role indefinitely.
Though not a particularly well-known purveyor of classic death metal, Morta Skuld are easily one of the most powerful bands on the scene, as evidenced by the band's 1993 masterpiece, "Dying Remains". This record draws upon the Obituary school of death metal…that is, focused largely on slow or mid-tempo riffs over speed and blast beats, as well as containing (be it accidental or intentional) a very dark and grim atmosphere, conjuring up images of graveyards and tombstones and other shit…
Pointer's last release found him resurfacing on a label (Shanachie) known for almost everything but fusion. This record sounds much like the ones he made in the late '70s and 1980s, except that he also does some competent vocals. These are pleasant, heavily produced and arranged tracks with minimal improvisation and limited energy and intensity. They are jazz only in the broadest sense and are not aimed at hardcore listeners or purists. If easy listening instrumental fare is up your alley, then Pointer's light solos and heavily arranged music work.
The 17 selections on this disc represent the earliest recordings by one of the most important and definitive jazz combos in history. These are interesting because Dave Brubeck and Paul Desmond on alto sax had established the basic sound long before bassist Gene Wright and drummer Joe Morello would join them for the 'classic quartet' era. One other thing that is interesting is even though recording technology was relatively crude in the very early 1950s the sound quality on this album is more than acceptable.