Dave Kovic (Kevin Kline) runs an employment agency and seems to genuinely enjoy finding work for people who need it. He also bears a striking resemblance to the president of the United States, Bill Mitchell (also played by Kline) and occasionally gets work as a Bill Mitchell impersonator. One day, Dave gets a call from the Secret Service – for security purposes, they want to hire him to act as a decoy for an upcoming appearance by the president. All goes well, but later that evening President Mitchell suffers a massive stroke while in bed with his mistress. Wanting to keep the matter a secret, two of the president's top advisors appeal to Dave to stand in as Bill Mitchell until he regains his health.
Bill Mitchell is the philandering and distant President of the United States. Dave Kovic is a sweet-natured and caring Temp Agency operator, who by a staggering coincidence looks exactly like the President. As such, when Mitchell wants to escape an official luncheon, the Secret Service hires Dave to stand in for him. Unfortunately, Mitchell suffers a severe stroke whilst having sex with one of his aides, and Dave finds himself stuck in the role indefinitely.
A boy born the size of a small doll is kidnapped by a genetic lab and must find a way back to his father in this inventive adventure filmed using stop motion animation techniques. Tom meets a variety of strange creatures and eventually discovers a race of miniature humans like himself.
Chick Corea's Elektric Band II found bassist John Patitucci, drummer Dave Weckl and guitarist Frank Gambale going out on their own and being replaced by Jimmy Earl, Gary Novak and Mike Miller. Saxophonist Eric Marienthal was the only sideman from the first Elektric Band to stick with Corea. Although the new members are not as distinctive as their predecessors, the high-quality material played on this release (which includes Jimmy Heath's "CTA," "Blue Miles" and a variety of Corea originals) is very jazz-oriented and occasionally there are straightahead sections. This set is recommended even to listeners who have not yet acquired a taste for fusion.
Since his self-titled 1990 smash debut, Dave Koz has been one of smooth jazz's greatest musicians. The saxman scored big on the radio and in retail even when he turned away from his established R&B/pop sound on 1996's Off the Beaten Path, which was done with more acoustic instruments. The Dance brings him back to the hard-hitting R&B funk sounds of that first album and its follow-up, 1993's Lucky Man. Aside from reuniting him with some of the producers who worked on his debut – Jeff Lorber, Carl Sturken, Evan Rogers, and his brother Jeff Koz – The Dance is a true testament to the art of collaboration…
The Mike Westbrook Orchestra's 1982 opus The Cortège, initially released as a sprawling three-disc vinyl set by Original Records (re-released on CD by Enja) and winner of that year's Grand Prix du Disque de Montreux, is an often stunning work of massive scope and an indisputable highlight of Westbrook's career. Originally commissioned by the Bracknell Jazz Festival in 1979 and subsequently performed at a number of European festivals, The Cortège is themed around the idea of a New Orleans funeral procession, from its dirges to its final exuberance, but this theme is used as a framework for excursions into territory that is pure Westbrook – namely a marriage of creative jazz orchestra and European poetry written by Federico García Lorca, Arthur Rimbaud, Hermann Hesse, William Blake, and others.