Dance on the Roof is the new album by Finnish band Afrotysonia. It’s a trio that combines Finnish traditional music, West African rhythms and melodies, and pop. the highlight is the interaction between the kantele and the percussion intruments. The English-language vocals are the weakest part of the project. The lineup includes Sonja Korkman on vocals; Aino Kurki on kantele; and Macoumba Ndiaye on percussion. Guest vocalists: Tero Pajunen and Katri Liira.
Something for those who yearn for the 80s the music or simply are the song lovers that came out in this decade. This compilation will help you get acquainted with the biggest hits that were recorded during this period. On four compact discs, dozens of songs, from pop, synthpop to rock, were collected. We find here Kylie Minogue hits, which in this decade began her great career, hits Tiny Turner, Duran Duran, ZZ Top, Fleetwood Mac. There are also interpretations of classic 80s performed by modern stars.
Following the bleak But Seriously and Both Sides, Phil Collins delivered the considerably lighter Dance into the Light, his first upbeat pop album since 1985's No Jacket Required. Not only was it a return to the musical style that brought him to the top of the charts during the '80s, but Dance into the Light was the first record Collins released since leaving Genesis, which made it all the more crucial to his career…
A remix album of the most influencial jazz legend Miles Davis' "Panthalassa" album (compiled by Bill Laswell) released in 1999. Panthalassa: The Remixes is the logical extension of the previous year's Panthalassa project, in which longtime aficionado Bill Laswell restructured several Miles Davis recordings in similar fashion to the original production techniques pioneered by Teo Macero on Miles albums In a Silent Way, On the Corner and Get Up with It. Here, several dance producers are brought into the fold, not just to rearrange the material but to remix it as well.
One thing is certain in this uncertain world – you can trust Ashley Hutchings to do interesting things with various areas of British folk and rock music. In the case of the Albion Dance Band, under its various names, the focus was on mutating traditional English dance and folk music, which led to escapades involving traditional tunes, Morris dancers, double drummers, dance callers, Philip Pickett's entire collection of medieval instruments, and serious rock guitar front lines that tend to leap onto the hay cart and start blazing away. The Prospect Before Us is particularly unusual, even for Hutchings and the Albions – a number of the tracks were recorded live in the studio, complete with dancing by the Albion Morris Men, an effort that resulted in some especially raucous moments: the bonus version of "Merry Sherwood Rangers" is far more staid than the live rendition that made it to the original version of this album. An essential purchase, we think.