Dts Flac

Heimkino-Sound in 3D mit Dolby Atmos, DTS:X & Auro 3D  

Posted by AlenMiler at May 5, 2015
Heimkino-Sound in 3D mit Dolby Atmos, DTS:X & Auro 3D

Heimkino-Sound in 3D mit Dolby Atmos, DTS:X & Auro 3D: Die Surround-Systeme der neuen Generation von Karsten Serck
Deutsch | 29. April 2015 | ASIN: B00WYAARWU | 49 Seiten | EPUB/MOBI | 61.24 KB/193.72 KB

Der Traum vom großen Kino-Sound im heimischen Wohnzimmer ist ganz nah: Neue Heimkino-Systeme wie Dolby Atmos, DTS:X und Auro 3D ermöglichen Surround-Sound, der den ganzen Raum auch in der Höhe ausfüllt und ein neues dreidimensionales Klangerlebnis bietet. Neueste Prozessor-Technik erzeugt in Echtzeit objektbasierten Raumklang für jeden Raum.
Megadeth - Peace Sells...but Who's Buying? (1986) (FLAC + DTS DVD-Audio ISO) [2003]

Megadeth - Peace Sells…but Who's Buying? (1986) (FLAC + DTS DVD-Audio ISO) [2003]
DVD Audio Image (.ISO) = 6.36 GB | FLAC 96Khz/24-bit Stereo = 880 MB | Scans PDF (800 dpi): 12.7 MB
Thrash Metal | MLP 6-channel 96Khz/24-bit | LPCM 96Khz/24-bit Stereo | DTS 96/24 5.1 channel surround

Arguably Megadeth's strongest effort and a classic of early thrash, Peace Sells combines a punkish political awareness with a dark, threatening, typically heavy metal world-view, preoccupied with evil, the occult, and the like. The anthemic title track and "Wake Up Dead" are the two major standouts, and there is also a cover of Willie Dixon's "I Ain't Superstitious," which takes on an air of supernaturally induced paranoia in the album's context. The lines between hell and earth are blurred throughout the album, and the crashing, complex music backs up Dave Mustaine's apocalyptic vision of life as damnation – his limited vocal style is used to great effect, growling and snarling in a barely intelligible fashion under all the complicated guitar work. Vital, necessary thrash.



Microsoft SQL Server 2000 DTS Step by Step (Step By Step (Microsoft)) (Repost)

Microsoft SQL Server 2000 DTS Step by Step (Step By Step (Microsoft))
Publisher: Microsoft Press | ISBN: 0735619166 | edition 2003 | CHM | 484 pages | 29,2 mb

Teach yourself how to use SQL Server 2000 Data Transformation Services (DTS)—and begin writing your own data movement applications—one step at a time. This practical, hands-on tutorial expertly guides you through the development of a DTS application that extracts and transforms data from a database into a data warehouse. Work at your own pace through the easy-to-follow lessons and hands-on exercises to master essential techniques. And accelerate your productivity by working with instructive code examples and best practices for SQL Server 2000 DTS.
León Gieco - Pensar En Nada (1981) Sazam Records/14565 – Original AR Pressing - LP/FLAC In 24bit/96kHz

León Gieco - Pensar En Nada
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Sazam Records/14565 | Release: 1981 | Genre: Country-Folk

“Pensar en nada” is the fifth studio album by the Argentine singer-songwriter León Gieco.
Vivencia – Vivencia (1975) Discos CBS/119.497 – Original AR Pressing - LP/FLAC In 24bit/96kHz - NEW 2016 RIP!

Vivencia - Vivencia
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Discos CBS/119.497 | Release: 1975 | Genre: Country-Folk

“Vivencia” is the disc that follows “Mi Cuarto” LP. I read somewhere in the network that after that LP (Mi Cuarto), they did not get better jobs … Hmmm, debatable.
León Gieco - El Fantasma De Canterville (1977) Music Hall/MH-16033 – Original AR Pressing - LP/FLAC In 24bit/96kHz

León Gieco - El Fantasma De Canterville
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Music Hall/MH-16033 | Release: 1977 | Genre: Country-Folk

“El Fantasma De Canterville” is the third album of study of the Argentine singer-songwriter León Gieco. It was released in 1976 by the label Music Hall.

David Chesky - Urban Concertos (2006) [SACD to HiRes FLAC]  Vinyl & HR

Posted by tiburon at Dec. 7, 2016
David Chesky - Urban Concertos (2006) [SACD to HiRes FLAC]

David Chesky - Urban Concertos (2006)
FLAC 2.0 Stereo (converted with foobar2000) 24bit/88,2 kHz | Full Scans 600dpi | 1.12GB + 5% Recovery

David Chesky, born in Miami in 1956, settled in New York City in the 1970s and now identifies himself as an "urban orchestral composer." His Urban Concertos, of which he has written nearly a dozen, constitute his most substantial output. In the program notes for this recording of three of his concertos, he wrote, "Perhaps one can say my style is neo-impressionist. But I do not live on some quaint idyllic country farm, I live in the city that never sleeps! It is a hard-driving concrete jungle that pulsates around the clock." "Pulsating" is an apt descriptor for Chesky's music, which is notable for its restlessly high energy and rhythmic propulsiveness.
Vivencia – Mi Cuarto (1973) Discos CBS/119317 – Original AR Pressing - LP/FLAC In 24bit/96kHz - NEW 2016 RIP!

Vivencia – Mi Cuarto
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Discos CBS/119317 | Release: 1973 | Genre: Country-Folk

“Dear fans and friends of LPs, now I beginning a series on the influential Argentine scene, in terms of rock music and its derivatives are concerned. This at the request of several followers-music lovers.
León Gieco - 7 Años (1980) Sazam Records/14.544/0 – Original AR Pressing - LP/FLAC In 24bit/96kHz - NEW 2016 RIP!

León Gieco - 7 Años
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Sazam Records/14.544/0 | Release: 1980 | Genre: Country-Folk

This LP “7 Años” by León Gieco, is a review of seven-year career. Any doubt? The interesting thing is that it is not a compilation of different LPs as one might think and was for that reason that I bought this album.
James Taylor – Greatest Hits (1976) Warner Bros. Records/BSK 3113 – US Pressing - LP/FLAC In 24bit/96kHz

James Taylor – Greatest Hits
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered At A&M Mastering Studios By Bernie Grundman
Label: Warner Bros. Records/BSK 3113 | Release: 1976 | This Issue: Unknown | Genre: Country-Rock

James Taylor had scored eight Top 40 hits by the fall of 1976 when Warner Brothers marked the end of his contract with this compilation. One of those hits, the Top Ten gold single “Mockingbird,” a duet with his wife Carly Simon, was on Elektra Records, part of the Warner family of labels and presumably available, but it was left off.