The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition. Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.
This month, on the Chandos Classics label, we are re-releasing our recording of Dvořák’s Cello Concerto in B minor and the Konzertstück for Cello and Orchestra by Dohnányi (CHAN8662), performed by the London Symphony Orchestra and Sir Charles Mackerras, with Raphael Wallfisch the featured soloist.
Ernst von Dohnanyi (Ernő Dohnányi) was for many years a little known and unjustly neglected composer. Chandos' series of recordings of works performed by Matthias Bamert and the BBC Philharmonic significantly increased his profile, and are regarded as best examples of this repertoire.
2010 marks the fiftieth anniversary of Dohnanyi’s death. To commemorate this anniversary, Chandos has packaged the two Piano Concertos on one album, released on the Classics label.
Erno” Dohnányi is the least celebrated of the seminal triumvirate of twentieth-century Hungarian composers; Zoltán Kodály and Béla Bartók have become household names, yet Dohnányi’s posthumous fame hangs upon an unrepresentative handful of compositions. This recording brings together three of his finest chamber works; the two masterful yet hugely contrasting Piano Quintets, and his remarkable essay in that most underutilized of instrumental genres, the string trio.
Earl Wild has augmented the strings and added a bass part to these great quintets. The result is a unique listening experience that packs a huge emotional punch. Wild plays both the Schumann and the Dohnanyi with breathtaking virtuosity and sumptuous poetry with strong support from the strings. This is the Schumann Piano Quintet as you have never heard it: passionate, yearning, and seething with authentic romantic fervor. This disc shows Wild at his brilliant best accompanied by absolutely gorgeous string playing. It's an astonishingly fine release.American Record Guide, Oct. 2000
This packed four cd set is a bargain in quantity and quality. Dohnanyi can be great, as in his Decca Mozart
symphonies 35-41, wind concerti and sinfonia concertnte k364 et al. I heard him live once with the Boston SO: a supremely dramatic and large-scaled Schubert Unfinished and a terrific Brahms Violin Concerto with Frank Peter Zimmermann.
hough the most common configurations of piano chamber music include either strings or winds, fewer composers sought to combine the two. Fewer still wrote for larger ensembles when bringing together strings, winds, and piano in a single composition. This Fuga Libera disc unites the contributions of two intrepid composers – both born of the same geographic region nearly a half-century apart – and their sextets for piano, violin, viola, cello, horn, and clarinet. The sextet of Ernö Dohnányi is …………Mike D. Brownell @ AllMusic