Dmitri Shostakovich: Symphonies No. 5 And No. 9

Boston Symphony Orchestra, Andris Nelsons - Shostakovich: Under Stalin's Shadow; Symphony No. 10 (2015)

Shostakovich: Passacaglia, Interlude from Act II of Lady Macbeth of Mtsensk; Symphony No. 10 (2015)
Boston Symphony Orchestra, conducted by Andris Nelsons

EAC | FLAC | Image (Cue&Log) ~ 296 Mb (incl 5%) | Scans included | Time: 01:04:50
Genre: Classical | Label: Deutsche Grammophon | # 479 5059 GH

The "Under Stalin's Shadow" subtitle of this release may be confusing inasmuch as the opening Passacaglia from the opera Lady Macbeth of the Mtsensk District dates from before the period when Stalin made Shostakovich's life a living hell, and the main attraction, the Symphony No. 10 in E minor, Op. 93, was finished ten months after Stalin's death. Actually the album is the first in a set of three; the others will cover the symphonies No. 5 through No. 9, all written during the period of Stalinist cultural control. But even here the theme is relevant: the pieces are linked by a dark mood that carries overtones (of a feminist sort in the case of the opera) of repression. And the Symphony No. 10 is decidedly some kind of turning point, with repeated (and finally triumphant) assertions of the D-S-C-H motif (D, E flat, C, B natural in the German system) that would appear frequently in the composer's later work.
Dresden Philharmonic & Michael Sanderling - Beethoven & Shostakovich: Symphonies No. 5 (2018)

Dresden Philharmonic & Michael Sanderling - Beethoven & Shostakovich: Symphonies No. 5 (2018)
WEB FLAC (tracks) & d. booklet | 307 MB
Label: Sony Classical | Tracks: 08 | Time: 81:47 min
Classical

The Dresdner Philharmoniker is one of Germany’s most celebrated orchestras. They have received top laurels for their three albums with the symphonies of Beethoven and Shostakovich: “a delightful combination” (Fono Forum) and “very precise and brilliantly lucid” (hr2 Kultur). Their new album offers a riveting comparison of these two composers’ fifth symphonies. Beethoven’s Symphony No. 5, composed in 1808, is considered the ne plus ultra of classical music.
Dresden Philharmonic & Michael Sanderling - Beethoven & Shostakovich: Symphonies No. 5 (2018) [Official Digital Download 24/96]

Dresden Philharmonic & Michael Sanderling - Beethoven & Shostakovich: Symphonies No. 5 (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 81:47 minutes | 1.30 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The Dresdner Philharmoniker is one of Germany’s most celebrated orchestras. They have received top laurels for their three albums with the symphonies of Beethoven and Shostakovich: “a delightful combination” (Fono Forum) and “very precise and brilliantly lucid” (hr2 Kultur). Their new album offers a riveting comparison of these two composers’ fifth symphonies. Beethoven’s Symphony No. 5, composed in 1808, is considered the ne plus ultra of classical music.
Yevgeny Mravinsky, LPO - Dmitri Shostakovich: Symphony No.5, Op.47; Symphony No.12 'The Year 1917', Op.112 (2016)

Dmitri Shostakovich: Symphony No.5, Op.47; Symphony No.12 'The Year 1917', Op.112 (2016)
Leningrad Philharmonic Orchestra; conducted by Yevgeny Mravinsky

EAC | FLAC | Image (Cue&Log) ~ 445 Mb (incl 5%) | Mp3 (CBR320) ~ 214 Mb (incl 5%) | Scans included
Genre: Classical | Label: Praga Digitals | # 350 122 | Time: 01:19:27

Shostakovich's Symphony No.5 was given its premiere in 1937. It was outwardly in compliance with the ruling party, but the public heard a message of suffering in Shostakovich's masterpiece and it was an unprecedented triumph. Symphony No.12 "The Year 1917" was dedicated to Vladimir Lenin. Both works were premiered by the Leningrad Philharmonic Orchestra under the direction of Yevgeny Mravinsky. The performances featured here were recorded in December 1965.
Dmitri Shostakovich - Symphonies Nos. 1 and 15 (Orchestra Sinfonica di Milano Giuseppe Verdi, Caetani)

Dmitri Shostakovich - Symphonies Nos. 1 and 15 (Orchestra Sinfonica di Milano Giuseppe Verdi, Caetani)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 325 Mb
Label: ARTS - Date: 2006
Vladimir Jurowski - Tchaikovsky: Symphonies Nos. 1-6, Manfred Symphony, Francesca da Rimini & Serenade for Strings (2017)

Vladimir Jurowski - Tchaikovsky: Symphonies Nos. 1-6, Manfred Symphony, Francesca da Rimini & Serenade for Strings
Classical, Orchestral | WEB FLAC (tracks) & d. booklet | 365:14 min | 1.58 GB
Label: LPO | Tracks: 34 | Rls.date: 2017

The London Philharmonic Orchestra presents all seven of Tchaikovsky’s Symphonies conducted by Principal Conductor Vladimir Jurowski.
Angela Hewitt - Mozart: Piano Concertos Nos. 6, 8 & 9 (2011) (Repost)

Angela Hewitt - Mozart: Piano Concertos Nos. 6, 8 & 9 (2011)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 75:22 | 312 MB
Genre: Classical | Label: Hyperion | Catalog: CDA67840

A brilliant specialist in the keyboard works of Johann Sebastian Bach, which she has recorded to great critical acclaim, Angela Hewitt proves herself equally attuned to the music of Wolfgang Amadeus Mozart in this first installment of the complete piano concertos. While beginning with the Piano Concertos No. 6, No. 8, and No. 9 might be an unusual opening gambit, jumping ahead of the earliest and least compelling concertos, they are still youthful works and more than competent examples of Mozart's budding mastery.
Rafael Kubelik, Bavarian Radio Symphony - Mahler. 10 Symphonies (2015) [Official Digital Download 24/96]

Rafael Kubelik, Symphonieorchester des Bayerischen Rundfunks - Mahler: 10 Symphonies (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 11hours:04mins:14seconds | 12,8 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Rafael Kubelik's highly chromatic, poetic Mahler recordings have been staples in Deutsche Grammophon's catalogue since their inception. Tempos overall tend to be quicker than the norm, yet never at the expense of glossing over the composers renowned wealth of inner details. Many Mahler aficionados still regard Kubelik's readings here of the Symphonies No. 1 and No. 7 as reference recordings. Distinguished soloists include Dietrich Fischer-Dieskau, Edith Mathis, Norma Proctor, Franz Crass, and Julia Hamari. The Bavarian Radio Symphony Orchestra as well as the various outstanding choirs employed throughout the cycle couldn't be more in sync with Kubelik's inspired visionary interpretations.
Christoph Willibald Gluck - Tafelmusik / Frieder Bernius - Orfeo ed Euridice [Vienna Version 1762] (1992)

Christoph Willibald Gluck - Orfeo ed Euridice (Vienna Version-1762)
Nancy Argenta / Michael Chance / Kammerchor Stuttgart / Tafelmusik / Frieder Bernius
2xCD | EAC+LOG+CUE | FLAC: 362 MB | Artwork: 38 MB | 5% Recovery Info
Label/Cat#: Sony Classical # SX2K 48 040 | Country/Year: Germany 1992
Genre: Classical | Style: Opera, Viennese School

Frieder Bernius began his career primarily as a conductor of choral music, focusing largely on repertory from the Baroque and early Classical periods. Gradually he took a greater interest in orchestral music while still maintaining a preference for choral works. He has favored authentic performance practices and has become one of the leaders in the historically informed performance (HIP) movement. (…) Bernius began recording with Sony Classical in 1989, and among his most successful early recordings for that label was that of Gluck's opera Orfeo ed Euridice (1992), with Nancy Argenta and Michael Chance. Along with his successes in the recording studio in the 1990s and first decade of the new century, Bernius continued to lead many highly acclaimed concerts at home and abroad with his three Stuttgart ensembles.
Mozart - Piano Concertos Nos. 6, 8 & 9 (Angela Hewitt) (2011)

Mozart - Piano Concertos Nos. 6, 8 & 9 (Angela Hewitt) (2011)
Classical | Eac. Flac, Img+Cue, Log | Covers | 295 MB
Label: Hyperion | Catalog N.: CDA67840 | TT: 75:22

A brilliant specialist in the keyboard works of Johann Sebastian Bach, which she has recorded to great critical acclaim, Angela Hewitt proves herself equally attuned to the music of Wolfgang Amadeus Mozart in this first installment of the complete piano concertos. While beginning with the Piano Concertos No. 6, No. 8, and No. 9 might be an unusual opening gambit, jumping ahead of the earliest and least compelling concertos, they are still youthful works and more than competent examples of Mozart's budding mastery. Indeed, the Piano Concerto No. 9 in E flat major, "Jenamy" ("Jeunehomme"), is his "coming of age" work, though it shows only the beginnings of Mozart's mature concertante style and promises much greater things to come. Hewitt performs with Orchestra da Camera di Mantova, demonstrating her polished skills and exquisite taste in refined and robust strokes with full-sounding accompaniment. Even though she plays a modern piano and the group isn't a period ensemble, the playing is certainly informed by historical practice and is a delightful mixture of Classical balance, modern instrumental colors, and consummate musicianship. Hyperion's reproduction is first-class, so the sound is clean, fresh, and vibrant, with crisp details and credible presence. (Blair Sanderson)