Though held in high regard by many of his colleagues as being worthy of a pedestal next to Mozart, Haydn, and Beethoven in the pantheon of Western music’s great composers, Ludwig (Louis) Spohr (1784–1859), along with Christoph Read more Le nozze di Figaro and Wagner’s Tristan und Isolde were composed during Spohr’s lifetime. Eight years younger than Rossini and 13 years Schubert’s junior, Spohr wrote music that is Janus-like, specifically it looks to the formalism and clarity of the Classicists and at the same time sows the seeds of Romanticism via its harmonic and structural experimentation.
This programme completes the Comédie et Tragédie project with Tempesta di Mare, and consists of suites made up of orchestral excerpts from three dramatic works of the French stage, spanning seventy-three years, all highlighting the importance of dance as a part of drama.
For anyone compiling a directory of the ‘greatest recordings’ of the Berlin Philharmonic Orchestra some nominations are easy to classify. Sir Thomas Beecham’s 1937/8 Berlin recording of Mozart’s The Magic Flute is certainly one of them. Originally re-mastered in 1991 it is pleasing to have this Nimbus set available in the catalogue…
– Michael Cookson, MusicWeb International
Franz Schubert never achieved the success as a composer for the stage that the aspired to, and even since his genius has been fully recognized, his dramatic works have not found their way into the repertoire. This is due not so much to the quality of the music, which is often very high, but to the fact that Schubert devoted himself to a form, thesingspiel, which wasn't quite an opera, but a play with interpolated musical numbers that fell quickly out of style and has never made a popular comeback. Several Mozart singspiele, particularly Die Entführung aus dem Serail and Die Zauberflöte, have remained in the repertoire due to the large percentage of musical numbers they contain, their dramatic appeal, and their extraordinary music, criteria that Schubert's work doesn't meet.
Performances from Pamela Coburn, Brigitte Fassbaender, Janet Perry, Eberhard Wachter, the Choir und Ballet der Bayerischen Staatsoper, and the Bayerisches Staatsorchester. Rosalinde, wife of Eisenstein, is having an affair with Alfred. Eisenstein is due to begin a prison sentence the next morning, and the prison governor, Frank, is expected to collect him at any moment. However, Eisenstein allows himself to be talked into attending a fancy dress ball by Dr Falke, and when Frank arrives to find Alfred with Rosalinde, he assumes him to be Eisenstein and carts him off to prison.
“A glittering account of the most perfect of all operettas, with an incredibly starry cast, all in peak condition. Karl Böhm's conducting is relaxed but sparkling.” (BBC Music Magazine)
András Schiff is one of the best Bach players among Gould, Rosalyn Tureck and Wanda Landowska. On Schiff's French Suites, every part from every suite has a different color and gives you different feeling. Every harmony is taken to its end with care, and dynamic balance is always delightful to listen. Articulation of the notes is excellent, full of humour, and in some places you surely start to smile and you feel very happy when you listen to Schiff. He also plays the slow parts very deeply and warmly, which is for some artists a big problem when playing Bach. There are also Italian Concerto and French Overture on the CD's, played brilliantly, so this set is really worth buying. Recommended for everyone.