Premiered by the Opera De Paris in 1870, and inspired by the fantastical writings of E.T.A. Hoffmann, Coppélia tells the story of a young man who becomes besotted with an exquisite automaton and is finally brought to his senses by his fiancée. In their production from the magnificent Palais Garnier, choreographer Patrice Bart in his final production and designer Ezio Toffolutti explore the story's darker side while doing full justice to the exuberance and elegance of Delibes’ glorious score.
The Víctor Ullate Ballet brings to its repertoire a new version of this important, internationally performed classic. Choreographer and artistic director Eduardo Lao emphasizes the comic spirit of Coppélia while keeping the original score written by Léo Delibes in 1870. This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human.
David Zinman's performance of Coppelia is beautifully played and most naturally recorded. The warm acoustic of the Rotterdam concert hall certainly suites Delibes colourful scoring, and the gracefully delicate string-playing is nicely flattered. 'Les Sylphides' is a compilation of works by Frédéric Chopin. It was conceived as a ballet by Mikhail Fokin in 1909, and orchestrated by Roy Douglas in 1936. 3. Faust: Ballet Music by Charles Gounod.
The young ballet dancers of the L’Ecole de Danse de l’Opéra de Paris move elegantly and quickly through the rehearsal rooms of the house. The slight tension that spreads among the young girls, the oldest of whom is just 17 years of age, pervades the atmosphere – an atmosphere made, as it were, for the painter Edgar Degas. On the programme this evening is Coppélia, or the girl with the enamel eyes by Léo Delibes. The excitement among the girls is great because today they will be performing in the (reproduced) scenery and costumes which at the premiere on 25 May 1870 had delighted Emperor Napoleon III and the Empress. The first choreography of the work was undertaken by Arthur Saint-Léon (1821-1870), a violin and dance virtuoso famous at that time. He died of a heart attack at the age of 49, only a few months after the premiere. Over the years many arrangements and choreographies have been made of the piece. The version on this DVD is by Pierre Lacotte, the great ballet expert who has received many honours, and Claude Bessy, the long standing director of the ballet school at the Paris opera.
The Great Classics series from Naxos is the perfect introduction to myriad genres of classical music. Comprising both complete and compiled selections from the greatest works in the repertoire, the boxes are bursting with wonderful pieces of music, both recognizable and unfamiliar. The boxes take the listener on a thrilling tour of some of the worlds most dramatic musical media, encompassing music from six centuries and featuring sensational performers.
A large collection of classical music, released by Decca Records. The collection consists of 34 issues, on CD 5 each.
Decca Records - British record label founded in 1929 by Edward Lewis. Decca Records released recordings of various genres, including jazz, rock, pop and classical music.
Renee Doria has a very unique voice and not a 'cookie cutter' the way a lot of sopranos nowadays sound–I can always tell it is her singing. I love her fast, fluttery vibrato and rich, warm, creamy, powerful middle voice. My only complaint is (as I've heard from some of the youtube posts) that sometimes she puts too much pressure on the notes above the staff and sounds like she is screaming them out. But here she sounds completely polished and nearly seamless from top to bottom.
With the stresses and strains of modern life to contend with, many turn to classical music for solace and this varied collection of over seven and a half hours of relaxing favorites is the perfect antidote to the pressures of modern life. The set is themed and starts with two CDs of choral music, many of which are vocal arrangements of familiar favorites. These are followed by CDs devoted respectfully to flute and harp, the classical guitar, piano and orchestral music. Those who enjoyed the 101 Adagios set will find much to enjoy here, and can be reassured that any duplication is kept to an absolute minimum and where it does occur, is in strikingly different arrangements. The artists at the helm of this relaxing journey include the choirs of King s College Cambridge and the New College Oxford, flautist William Bennett and harpist Marisa Robles, Pepe Romero, Vladimir Ashkenazy, Herbert von Karajan and Sir Georg Solti.
Under one cover collection compilers gathered the greatest composers of all the classics I have never seen such a comprehensive, coherent, astonishing album of classical music like this. I think that the most passionate plays the greatest composers in the history enrich your rainy night for more than 3.5 hours without faltering on any note.