The Víctor Ullate Ballet brings to its repertoire a new version of this important, internationally performed classic. Choreographer and artistic director Eduardo Lao emphasizes the comic spirit of Coppélia while keeping the original score written by Léo Delibes in 1870. This interpretation of Coppélia is set in a cybernetic laboratory specialised in artificial intelligence, where Doctor Coppélius is attempting to create a female android that moves and acts like a human.
The young ballet dancers of the L’Ecole de Danse de l’Opéra de Paris move elegantly and quickly through the rehearsal rooms of the house. The slight tension that spreads among the young girls, the oldest of whom is just 17 years of age, pervades the atmosphere – an atmosphere made, as it were, for the painter Edgar Degas. On the programme this evening is Coppélia, or the girl with the enamel eyes by Léo Delibes. The excitement among the girls is great because today they will be performing in the (reproduced) scenery and costumes which at the premiere on 25 May 1870 had delighted Emperor Napoleon III and the Empress. The first choreography of the work was undertaken by Arthur Saint-Léon (1821-1870), a violin and dance virtuoso famous at that time. He died of a heart attack at the age of 49, only a few months after the premiere. Over the years many arrangements and choreographies have been made of the piece. The version on this DVD is by Pierre Lacotte, the great ballet expert who has received many honours, and Claude Bessy, the long standing director of the ballet school at the Paris opera.
With the stresses and strains of modern life to contend with, many turn to classical music for solace and this varied collection of over seven and a half hours of relaxing favorites is the perfect antidote to the pressures of modern life. The set is themed and starts with two CDs of choral music, many of which are vocal arrangements of familiar favorites. These are followed by CDs devoted respectfully to flute and harp, the classical guitar, piano and orchestral music. Those who enjoyed the 101 Adagios set will find much to enjoy here, and can be reassured that any duplication is kept to an absolute minimum and where it does occur, is in strikingly different arrangements. The artists at the helm of this relaxing journey include the choirs of King s College Cambridge and the New College Oxford, flautist William Bennett and harpist Marisa Robles, Pepe Romero, Vladimir Ashkenazy, Herbert von Karajan and Sir Georg Solti.
Under one cover collection compilers gathered the greatest composers of all the classics I have never seen such a comprehensive, coherent, astonishing album of classical music like this. I think that the most passionate plays the greatest composers in the history enrich your rainy night for more than 3.5 hours without faltering on any note.
Lakmé, Delibes greatest opera, is performed by Opera Australia in all its oriental glory. Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century. French conductor Emmanuel Joel-Hornak brings out the full depth of the lush, dramatic score, with familiar high points being the beautiful renditions of the well-known Flower duet and Bell Song. Dominica Matthews adds her rich voice as Mallika and Stephen Bennett is darkly dominating as Brahmin priest Nilakantha, Lakmés father, while Roxane Hislop is a consumate Mistress Bentson.
Lakmé, Delibes greatest opera, is performed by Opera Australia in all its oriental glory. Starring the exquisite coloratura soprano Emma Matthews as the innocent girl priestess Lakmé, and superb tenor Aldo Di Toro as the love-struck Gerald, the story tackles religion and cross-cultural love against a backdrop of British rule in India in the mid-19th century.
Darcey Bussell and Roberto Bolle star in Frederick Ashton’s Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. Ashton was inspired by the music of Léo Delibes to create such great choreographic sequences as the famous Act 3 pas de deux and the mischievous role of Eros, one of the delightful, darkly comic characterisations for which Ashton became known and loved.
Enslaved by their master, Paco and his family work from sunrise to sundown. Azarias is his naive and solitary brother-in-law, whose only concern is taking care of his bird, a goshawk. …