This is a not very challenging, but thoroughly charming, summit meeting between a blues guitar master and a jazz guitar legend. Taking four classic swing tunes ("Just Squeeze Me," "Avalon," "Stuffy," and, inevitably, "Flyin' Home"), two Robillard originals, and a jointly composed slow blues, and helped out by bassist Marty Ballou and drummer Marty Richards, Duke Robillard and Herb Ellis deliver a 48-minute swing guitar master class, Conversations in Swing Guitar. Ellis comes from jazz and Robillard from the blues, so their approaches are just distinct enough to keep things interesting; although both play with a clean, fat jazz tone and no one ever really hauls off and shreds, Robillard tends towards bent notes and funky chordal things while Ellis thinks a bit more in terms of long lines and florid ornamentation. Every so often you might find yourself wishing that the edges were just a bit rougher, but both of these guys are clearly having a great old time, and you will too.
Duke Robillard has always had one foot in the blues world and one in the swing/jazz universe. He loves both styles of music and enjoys not only playing them separately but combining them together. The founder of Roomful of Blues back in 1967, Robillard has led dozens of projects throughout his career, including collaborations with guitarist Herb Ellis, Jimmy Witherspoon, and Jay McShann. On A Swingin Session, he plays with some of his favorite musicians, many of whom originated (like he did) in Rhode Island. While six horn players participate, there are no more than four on any one selection, and some numbers do not have any. The contrasting tenor solos are fun to hear, with Scott Hamilton sounding smooth and mellow on his numbers while Sax Gordon is greasier and much closer to Illinois Jacquet. Present throughout are Bruce Katz (mostly on organ), one of three bassists (usually Marty Ballou), and drummer Mark Teixeira. Robillard takes vocals on half of the selections in his personable way, but it is his guitar solos, which hint at both Charlie Christian and T-Bone Walker, that often take honors.
Six time 'Blues Award' winner Duke Robillard is one of the most respected blues and roots music guitarists working today. Guests on Blues Full Circle include Jimmie Vaughan, Sugar Ray Norcia and Kelley Hunt. Robillard has worked with Bob Dylan, Tom Waits, Roomful Of Blues, Fabulous Thunderbirds and dozens of blues legends. “On Blues Full Circle, Duke Robillard slams out the blues like the all-time great he is, with impeccable support.” ~ Dick Shurman
At age 83, pianist/vocalist Jay McShann was still at the top of his game and providing many lessons for the younger "swing" cats and kittens. He is the epitome of what can be done when jazz and blues are mixed equally, especially when the fun factor is liberally added in. While some might find this typical, many others should revel in the sound of one of this music's last living legends who is still doing it, and doing it very well at that. The chemistry between McShann and guitarist/session leader Duke Robillard is considerable and undeniable, and makes Still Jumpin' the Blues enjoyable throughout. With such solid support from Robillard and the band, McShann has nothing to worry about. Everything you might want is here: classic versions of "Goin' to Chicago," "Ain't Nobody's Business," and "Trouble In Mind"; a nice rearrangement with tempo shift from mellow to mid-tempo on "Sunny Side of the Street"; Maria Muldaur's sultry singing on "Come on Over to My House," and especially the Bessie Smith evergreen "Backwater Blues"; wonderful instrumentals like "Moten Swing" and "Say Forward, I'll March"; and even a little Hawaiian slide accenting "Hootie's K.C. Christmas Prayer".
Vocalist/cornet player Al Basile's longtime friend Duke Robillard gets front cover billing, as well he should, as co-producer and guitarist on this impressive outing. The album, Basile's fifth, was even recorded at the guitarist's Pawtucket, RI studio called the Mood Room, hence the album's title. Musically, it's a combination of old-school R&B ("Baby Sister," "Be a Woman"), swamp-tinged rock & roll ("I'm in a Mood"), mid-tempo, Chuck Berry styled groovers ("Coffee and Cadillacs"), grinding blues ("Picked to Click") and even a jump blues throwback to the duo's Roomful of Blues days ("She's on the Mainline"). Robillard keeps the sound full yet stripped down – most of the tracks feature a standard three-piece – bass/drums/guitar setup – which leaves space for Basile's sly vocals and snappy lyrics. Basile, a teacher and fiction author who also has a Master's degree in creative writing, not surprisingly crafts lyrics that are far more imaginative and original than most blues artists'. But they never detract from these melodies that glide along sparked by Robillard's tasty licks.
L'auteur continue sur sa lancée brillante et sans erreur. Ce second tome nous enchante et nous ne voulons plus le lâcher, d'ailleurs comment le pourrions-nous ? Ces livres sont de vraies merveilles pour l'imagination, les personnages sont attachants et hauts en couleur surtout parmi les apprentis, l'histoire est bien menée et de nouveaux rebondissements stimulent la lecture et le récit. Kira grandit et devient de plus en plus têtue et bornée…
Bref, pas d'hésitation, on l'ouvre, on s'installe tranquillement et on ne s'arrête pas