Essential: a masterpiece of rock music
Free Form Jazz Fusion at its Best
Weather Report’s I Sing the Body Electric is an album that I’ve only recently been able to handle and appreciate. It’s extremely free form, pulling in sounds ranging from low spoken murmurs to more classic jazz soloing to strange atonal feedback. The album is custom made for lying back with headphones, as the mix is very open and airy. I feel like I’m floating in a spacy dream. The tonality will slide from pleasant melodic major phrases to chaos almost seamlessly, tricking you into thinking there was planned structure for just a moment and then flying off again into the stratosphere.
Japanese label Triton has released a Pascal Rogé album with a rather remarkable program; Crystal Dream features the eminent French pianist in a program that interweaves short piano pieces by Erik Satie with others written by contemporary Japanese composer Takashi Yoshimatsu, mostly pieces drawn from his Pleiades Dances. Both composers employ relatively simple melodic concepts harmonized with elegant, though elemental, kinds of accompaniments, so perhaps the combination makes sense. On the other hand, Satie never lived into the age of rock-based pop music, his engagement with the popular consisting mainly of French music hall tunes, and later in life, a sort of half-understood perception of ragtime rhythm. Yoshimatsu, however, would not be Yoshimatsu if it weren't for his strong connection to pop, though admittedly in Satie's case the pop group Blood, Sweat & Tears' adaptation of his Gymnopédie No. 1 once earned Satie a Grammy-winning single. Either way, one might wonder "how does this combination-slash-conversation work?"