An octogenarian jazz master who exerted an influence on not just other pianists, but most prominently on Miles Davis, Ahmad Jamal has remained a vital presence on the music scene since the 1950s. His nuanced 2017 album, Marseille, finds him drawing upon his years of experience with a set of originals and covers that reveal just how vital and creative he remains. Primarily, the album showcases three distinctly varied interpretations of the title track, a hypnotic, modal ode to a city he loves, and to a greater extent a country that awarded him the prestigious Chevalier de L'Ordre des Arts et de Lettres in 2007. In fact, Marseille was even recorded in France; specifically in the Parisian suburb of Malakoff. Joining Jamal are several longtime associates including bassist James Cammack, former Jazz at Lincoln Center drummer Herlin Riley, and percussionist Manolo Badrena.
Ahmad Jamal's minimalist style has served him well throughout his career, as he enjoys making frequent sudden detours in the midst of a performance, with his intuitive rhythm section able to adapt on the fly. His longtime bassist James Cammack and drummer Idris Muhammad are joined by Latin percussionist Manolo Badrena for these 2007 sessions.
Miles once said, "All my inspiration today comes from Ahmad Jamal." These recordings are the reason why. The mid fifties was a fertile time for jazz; fresh, original ensembles were taking shape all over the country. The Modern Jazz Quartet, the Dave Brubeck Quartet, The Jazz Messengers and the Ahmad Jamal Trio immediately come to mind. Among musicians, each group had its imitators and its creative disciples who took its innovations one step further.
Still going strong at the age of 81, legendary jazz pianist Ahmad Jamal's love letter to his favorite Broadway, Hollywood, and Great American Songbook classics, Blue Moon, is arguably one of his most accomplished efforts since his Chess/Impulse! heyday. The Pittsburgh virtuoso, once credited by Miles Davis as a major influence on his career, shows that age is no barrier to invention with six exquisite reworkings of postwar standards.
The complete, legendary recordings made by Ahmad Jamal with the guitarist Ray Crawford in Trio and Quintet context. ‘Listen to the way Jamal uses space. He lets it go so that you can feel the rhythm section and the rhythm section can feel you. It’s not crowded. Ahmad is one of my favourites. I live until he makes another record.’ Miles Davis, 1958. The complete, legendary recordings made by Ahmad Jamal with the guitarist Ray Crawford in Trio and Quintet context. Jamal’s trios are considered to be amongst the most important in the history of jazz, creating unique articulations of space, openness and light, which still seem so far ahead of their time and which made such a profound impression on Miles Davis and his arranger, Gil Evans.
This release compiles all of the originally issued recordings made by the classic Ahmad Jamal Trio with Israel Crosby and Vernel Fournier between 1958 and 1962 (Crosby died on August 11, 1962 at the age of 43). Included here are the legendary club performances taped in 1958 at the Pershing Lounge, in Chicago, as well as the subsequent sets recorded at the Spotlight, the Alhambra and the Blackhawk, plus various other sessions. This was the music that made Jamal famous. As a bonus, nine earlier versions of tunes from our set recorded by different formations of the Jamal trio.