Leave it to Marc Almond to bridge the gap between covers and concept albums. Shadows and Reflections is both. Its track list reveals iconic '60s-era pop songs of astonishing variety. There's Burt Bacharach's "Blue on Blue" and Johnny Mandel's "The Shadow of Your Smile," as well as the Herd's "From the Underworld," a gorgeous, daring read of the Yardbirds' "Still I'm Sad," and Bobby Darin's "Not for Me," to mention a few. Almond and his chief collaborator, British composer, arranger, and saxophonist John Harle (who wrote the set's "Overture" and "Interlude," and co-wrote the closer "No One to Say Good Night To" with the singer), used a guiding aural aesthetic in opting for expansive panoramic sound; they sought to emulate "a very late 1960s Italian cinema soundtrack…."