It was only fitting that vibraphonist Cal Tjader launched the Concord Picante label with this release for Tjader did a great deal to popularize Latin-jazz. This was not his strongest effort (the solos of Tjader and flutist Roger Glenn are not all that substantial) but the drumming of Vince Lateano and the percussion of Poncho Sanchez keep the momentum flowing on these likable performances.
Excellent addition to any prog rock music collection
Entry into the exclusive club of “professional musicians” is often a gradual and painful process. Based on recorded documents, such was not the case with Horslips, who came to the game fully formed and ready to rock n reel. I’m sure they paid their dues in a live setting for years, even if that included weddings, funerals, and christenings, as off the cuff performing is often part and parcel of Irish culture. Whatever the case, “Happy to Meet…Sorry to Part” is a landmark celtic rock recording and a stunning debut, and this applies whether you are a celtic music fan, a progressive fan, a rocker, or any combination thereof.
Novecento's recording Dreams of Peace featuring guitarist Stanley Jordan is a lush production that often melts into smooth jazz grooves, but the level of musicianship and the setails that are added keep this from being a soulless snoozefest. Novecento is comprised of the Nicolosi siblings Dona (vocals), Lino (rhythm guitar), Rosanna (bass), and Pino (keyboards). Along with Jordan, who plays lead guitar on the entire album, the Nicolosis recorded and mixed Dreams of Peace at their studio in Milan, with some additional sessions done in California.
This CD reissue brings back one of the oldest recordings ever issued by the Concord label, a set that was already nine years old when it debuted. Drummer Shelly Manne heads a strong quintet comprised of trumpeter Conte Candoli, altoist Frank Strozier (who doubles on flute), pianist Mike Wofford and bassist Monty Budwig. Although the musicians are all associated with the West Coast hard bop tradition, there are plenty of moments during this stimulating set when they make it obvious that they had been listening with some interest to some of the avant-garde players, allowing the new innovations to open up their styles a bit. The fresh material (two standards and a pair of originals apiece by Strozier, Wofford and pianist Jimmy Rowles) inspire the soloists and the music is not at all predictable. Worth investigating.
At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.