To celebrate what would have been the 60th birthday of Stevie Ray Vaughan (1954-1990), Epic Records/Legacy Recordings will issue Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection, collecting the trailblazing blues guitarist s most scintillating studio and live works. Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection includes the group s original four studio albums, five electrifying live releases (including the commercial debut of A Legend In The Making Live At The El Mocambo, a rare Canadian radio promo album) and a double-disc set of killer studio outtakes from throughout Stevie Ray Vaughan s incredible career, including recordings from previous reissues, box sets and posthumous compilations.
To celebrate what would have been the 60th birthday of Stevie Ray Vaughan (1954-1990), Epic Records/Legacy Recordings will issue Stevie Ray Vaughan and Double Trouble: The Complete Epic Recordings Collection, collecting the trailblazing blues guitarist's most scintillating studio and live works.
André Cluytens, though born in Belgium, achieved fame as one of the supreme French conductors of his era, renowned for his refinement and the sheer joy of his music-making. In the mid-20th century he built a substantial, varied and distinguished discography and became the first conductor to record the complete Beethoven symphonies with the Berliner Philharmoniker. This 64-disc set, uniting all his recordings of orchestral, concerto and choral repertoire, embraces the mainstream and the esoteric, and includes numerous items making their debut on CD or retrieved from the archives and released for the very first time.
This double CD is just what it says: all three of the albums Lee Hazlewood recorded for MGM in 1965-1967, with the addition of three instrumentals attributed to Lee Hazlewood's Woodchucks (two of which came out on a 1966 single, the third of which, "Batman," was previously unissued). His first two MGM LPs, The Very Special World of Lee Hazlewood (released in 1966) and the far more imaginatively titled Lee Hazlewood-ism: Its Cause and Cure (1967), together comprise the 22 songs presented on the first disc.
This collection brings together the early OKeh and Epic recordings of innovative jazz pianist Ahmad Jamal, recorded between 1951 and 1955. Jamal ushered in a new era of melodic improvisation that stood in sharp contrast to bebop's previous innovations. These recordings were all done in trio settings, where the pianist was accompanied by guitarist Ray Crawford, and either Eddie Calhoun (1951 and 1952) or Israel Crosby on bass. The shimmering solos and light as a feather chord voicings are anything but lightweight. Sharp, harmonic invention, economical yet intuitive phrasing, and a deft sense of time pushed Jamal's star to ascendancy.
BEAUTY IS A RARE THING was nominated for Best Album Notes in the 37th Annual Grammy Awards.
BEAUTY IS A RARE THING contains Ornette Coleman's entire surviving recorded output for the Atlantic label from 1959-1961 (a number of other sessions were recorded, but they were destroyed, along with countless other priceless Atlantic masters, in their infamous warehouse fire of the mid-1970s.) BEAUTY IS A RARE THING features over seven hours of music, six previously unreleased tracks, and contains a booklet of photos, a discography and contemporary commentaries by Ornette Coleman and a host of supporters and detractors.