Inspired by bands such as Metallica, Slayer, Pantera, and Machine Head; Wasted Shells combines the elements of aggression, speed, and melancholy.The band took its first baby-steps in the southern parts of Sweden back in 2006, but was reformed in late 2010 with a few line-up changes and the release of the debut album “The Debt” (2011). The album received great reviews and was followed by a tour in Sweden and Denmark.The second album "The Collector" was released on the 24th of April 2013. The album was promoted by Rambo Music (SONY/GAIN) and was well received by critics and saw the band further developing their own sound with epic tracks like "A Barren Country and the Walking Dead" and “Man O´Mankind". The album was described by Sweden’s biggest rock magazine; “Sweden Rock Magazine” as “groundbreaking” and “innovative”
The 30th anniversary special edition of ‘Tales’ is a double disc hard back 32 page book with lots of extras, including the complete remix of the album and a DVD featuring live video footage of material from ‘Tales’ along with a host of MP3 files, original mixes, audio commentary and previously unreleased writing/rehearsal/demo material. GEP are set to release the 2013 remix of ‘Tales from the Lush Attic’ on 21st January 2013 (surprisingly enough) in both a double disc CD/DVD format and on vinyl.
Virginians Ralph and Carter Stanley, the Stanley Brothers, took the traditional Appalachian string band songs of their home and updated them into a traditionally rooted modern bluegrass sound that was singular for its authentic tone, no-frills simplicity, and at times haunting and astonishing beauty, the very model of the high lonesome sound. This expansive four-disc, 111-track box covers the later part of the middle period of their recording career, collecting virtually every side the brothers recorded for the King record label between 1961 and 1965. That's a whole lot of Stanley Brothers, but the musical quality, integrity, and execution of this storied duo never waver here, and indeed, they never really did waver one bit any time the two of them stepped in front of the microphones.
The Early Starday-King Years: 1958-1961 is a 109-track, four-disc box set that compiles every track the Stanley Brothers cut for Starday and King during that era. At the time, the group were releasing albums both on Starday and King, so there was an immense amount of confusion between the releases; the box set helps clarify the matters, by gathering all of the music together and presenting it in chronological order. This way, it's possible to hear their progression, as well as the differences between the recordings for the two labels; on the King recordings, the Stanley Brothers tended to be more experimental, working in electric instrumentation. Though there is plenty of fine music on the set, The Early Starday-King Years is, overall, too thorough and extensive for anyone but bluegrass historians.
Here for the first time are the integral Sylvie Vartan RCA albums, from between 1962 and 1986, in Deluxe Vinyl Replica. You could find 41 CD with 716 tracks (including 171 Bonus Tracks & 32 unreleased tracks). Deluxe Vinyl Replicas by Culture Factory constitute high quality reissued compact-discs which reproduce all the components of the original LPs and are their exact replicas in compact-disc size (5.3 x 5.3 inches), with authentic single or gatefold cardboard jackets and paper sleeves. In addition to the above, each compact-disc Deluxe Vinyl Replica includes a black finish CD complete with the original label to give it the look and feel of the original record album.
For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This double-disc version showcases all of Phantom's songs, with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emily Rossum's ever-conflicted Christine. Original show orchestrator David Cullen has fashioned compelling new contemporary arrangements to frame Webber's songs–which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver's Carlotta.