Claudio Abbado – Schubert Symphonies

Roger Norrington, London Classical Players - Schubert: Symphonies Nos. 4, 5, 6 & 8 (2003)

Roger Norrington, London Classical Players - Schubert: Symphonies Nos. 4, 5, 6 & 8 (2003)
EAC | FLAC | Image (Cue & Log) ~ 468 Mb | Total time: 59:32+58:39 | Scans included
Classical | Label: Erato | # 7243 5 62227 24 | Recorded: 1988-90

These performances of three early and one "late" symphony of Schubert are both bracing and youthfully brisk, done on tart "period" instruments of Schubert's time. This produces what Schubert would have heard and expected to hear. Just listening to each performance convinces that these are "right." Sound is good. Warm and focused.
(amazon.com)
Gil Shaham, Jian Wang, Claudio Abbado - Brahms: Violin Concerto, Double Concerto (2002)

Gil Shaham, Jian Wang, Claudio Abbado - Brahms: Violin Concerto, Double Concerto (2002)
EAC | APE (image+.cue, log) | Covers Included | 71:19 | 325 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 469 529-2

This generous coupling of Brahms’s two concertos for stringed instruments has become relatively common in the age of CD thanks to compilations like the Philips disc of Szeryng and Starker‚ analogue recordings dating from the early 1970s. Modern digital recordings expressly designed for issue in coupling are much rarer‚ the Teldec issue of Kremer and Clemens Hagen being the most notable one.
Maria Joao Pires, Orchestra Mozart; Claudio Abbado - W.A. Mozart: Piano Concertos Nos. 20 & 27 (2012) [Repost]

Wolfgang Amadeus Mozart: Piano Concertos Nos. 20 & 27 (2012)
Maria João Pires, piano; Orchestra Mozart; Claudio Abbado, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 479 0075 GH | Time: 01:00:14

It's a recording that just a few years ago would have been mainstream: a "name" pianist (albeit one much less well known in the U.S. than elsehwere), who has been playing Mozart's piano concertos since childhood, joins forces with a name conductor with whom she has frequently collaborated, leading a modern-instrument orchestra of some 70 players, with the results released on a major international-conglomerate label. Now it's distinctly unusual. But lo, there's value in the old ways. Portuguese-Brazilian pianist Maria-João Pires is a lifelong Mozart specialist, but she still has new things to say in two of Mozart's most popular piano concertos. You can chalk it up to her Buddhist outlook if you like: her readings of the Piano Concerto No. 27 in B flat major, K. 595, and Piano Concerto No. 20 in D minor, K. 466, might be described as detached without being lifeless. Her approach is most startling in the Piano Concerto No. 20, where her no-drama shaping of the material runs sharply counter to type. Sample the piano's entrance in the first movement, where it offers a twisting, tense elaboration of the main theme that is far removed from its source material. Generally pianists use this to raise the tension level, but Pires lets the unusually shaped, chromatic line speak for itself with fine effect.

Claudio Abbado - The Opera Edition (2017) [60CD Box Set]  Music

Posted by SERTiL at Dec. 30, 2017
Claudio Abbado - The Opera Edition (2017) [60CD Box Set]

Claudio Abbado - The Opera Edition (2017) [60CD Box Set]
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 15.2 GB
Label: Deutsche Grammophon – 00289 479 8008 | Tracks: 931 | Time: 64:59:35
Classical, Opera

Claudio Abbado’s career with Deutsche Grammophon stretches back over more than four decades. In that time, he made innumerable recordings which remain unsurpassed on record – classics right from the start. Abbado inspired levels of commitment and communication from his musicians that resulted in performances and recordings that stand the test of time.
Claudio Abbado, London Symphony Orchestra - Maurice Ravel: Complete Orchestral Works (2002) (3CD Box Set)

Claudio Abbado, London Symphony Orchestra - Maurice Ravel: Complete Orchestral Works (2002)
EAC Rip | FLAC (tracks+.cue, log) ~ 726 Mb | 03:20:33 | Scans included
Classicsal, Orchestral | Country: USA | Label: Deutsche Grammophon - 289 469 354-2

Famous conductor and musician, Claudio Abbado was internationally known for serving up a repertoire of music from the poetry of Holderlin, the legend of Faust or works that depict German drama. He conducted several orchestras worldwide and received numerous awards for his masterful genius. His works include Mendelsshon's Midsummer Night's Dream and Robert Schumann's Piano Concerto.
Schubert - Fierrabras, D. 796 (Claudio Abbado; Arnold Schoenberg Chor; The Chamber Orchestra of Europe) [1991/2004]

Schubert - Fierrabras, D. 796 (Claudio Abbado; Arnold Schoenberg Chor; The Chamber Orchestra of Europe) [1991/2004]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 676 MB
Classical | Label: Deutsche Grammophon | Catalog Number: 427 341-2 | TT: CD1`68:26, CD2`75:27

Fierrabras is a three-act German opera with spoken dialogue written by the composer Franz Schubert in 1823, to a libretto by Josef Kupelwieser, the general manager of the Theater am Kärntnertor (Vienna's Court Opera Theatre). Along with the earlier Alfonso und Estrella, composed in 1822, it marks Schubert's attempt to compose grand Romantic opera in German, departing from the Singspiel tradition.
Claudio Abbado, Berliner Philharmoniker: The Last Concert (2016) [Blu-ray Video & Audio]

Claudio Abbado, Berliner Philharmoniker - The Last Concert - Mendelssohn: A Midsummer Night's Dream; Berlioz: Symphonie fantastique(2016) [Blu-ray Video & Audio]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 108 min+76 min (bonus)+96 min (audio) | 45,4 Gb
Audio1: LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,970 fps | 108 min | 5.86 Gb
Audio: DTS / 6ch / 48.0 KHz / 24 bits
Classical | Berlin Phil Media GmbH

Claudio Abbado (1933-2014) was one of the outstanding personalities in the history of the Berliner Philharmoniker. He made his debut with the orchestra in 1966 and was their chief conductor from 1990 to 2002. In May 2013, their unique partnership ended with Claudio Abbado's last concert with the orchestra – a “triumph”, in the words of the Frankfurter Allgemeine Zeitung. The programme included two of the most important works of musical Romanticism: Hector Berlioz's visionary Symphonie fantastique and Felix Mendelssohn's magical, shimmering music for A Midsummer Night's Dream. Audio and video recordings of this memorable evening are now being released in a hardcover luxury edition. The bonus material includes a historical documentary about Abbado's first year as chief conductor of the Berliner Philharmoniker. In addition to extensive texts, the booklet contains numerous photos, some of which have never been published before.
Lucerne Festival Orchestra, Claudio Abbado - Anton Bruckner: Symphony No.9 (2014)

Lucerne Festival Orchestra, Claudio Abbado - Anton Bruckner: Symphony No.9 (2014)
EAC | FLAC | Image (Cue&Log) ~ 273 Mb (incl 5%) | Mp3 (CBR320) ~ 155 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 479 3441 GH | Time: 01:03:07

In his final performances with the Lucerne Festival Orchestra in August 2013, Claudio Abbado conducted Anton Bruckner's unfinished Symphony No. 9 in D minor, and this recording is drawn from the best takes from those concerts. Considering that this rendition came near the end of Abbado's life and stands as a worthy testament to his achievements, it's easy to read too much into the interpretation, and to view it as a mystical or transcendent reading because of the circumstances. On the one hand, Abbado's understanding of this symphony was as thorough as any conductor's, and the Lucerne musicians played with seriousness and dedication, offering a version that has impressive power and expressive depth. On the other hand, there are many competitive recordings that either match Abbado's for strength and feeling, or surpass it in purely technical terms of sound quality and reproduction. Certainly the sound is exceptional, according to Deutsche Grammophon's high standards, and this stereo recording is exceptionally clean and noise-free.
Claudio Abbado, Berliner Philharmoniker - Beethoven: Symphonies (2013/2001) [Blu-Ray]

Claudio Abbado, Berliner Philharmoniker - Beethoven: Symphonies (2013/2001) [Blu-Ray]
4xBluRay | BDMV | MPEG-4 AVC Video / 23998 kbps / 1080i / 29,970 fps | 387 min+26 min (bonus) | 21,4+18,5+35,7+20,8 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4245 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29.970 fps | 387 min | 20,9 Gb
Audio: German / DTS / 6ch / 48.0 KHz / 24 bits
Classical | EuroArts | Sub: German, English, French, Spanish, Italian

In February 2001 the Berliner Philharmoniker and Claudio Abbado were guests at the Accademia Nazionale di Santa Cecilia in Rome with all Beethoven symphonies. Their success was overwhelming with standing ovations after each performance. “Abbado, a Furtwängler admirer in principle, seems ever more Italian, his tauter lyricism allied to a sense of forward movement influenced, we are told, by period practice. The surprise is not the Mediterranean luminosity and scrupulous attention to instrumental detail - one expects nothing less from this source - but the animating sense of line. The Seventh Symphony… knows precisely where it's going and why… The sense of joy present throughout is overwhelming by the close.” - Gramophone Magazine.
Claudio Abbado, Orchestra Mozart - Mozart: Mass in C minor; Schubert: Mass in E flat major (2012) [Blu-Ray]

Claudio Abbado, Orchestra Mozart - Mozart: Mass in C minor; Schubert: Mass in E flat major (2012) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 104 min | 22,8 Gb
Audio1: Latin / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 104 min | 5,64 Gb
Audio: Latin / DTS / 6ch / 48.0 KHz / 24 bits
Classical | Accentus Music | Sub: Latin, English, German, French, Korean

A “touching and magnificent reunion” (Der Standard). The public and press enthusiastically celebrated the long-awaited return of Claudio Abbado to the Salzburg Festival in 2012. The conductor brought with him Mozart’s youthful Mass K. 139, the so-called Waisenhausmesse, and Schubert’s late Mass in E flat major. In a fascinating way, Abbado succeeded in merging the singers and instrumentalists into a total collaborative effort: “Seldom has one heard such a perfect balance between choir, orchestra, and vocal soloists; one has also seldom heard such a beautifully coordinated and perfectly balanced vocal ensemble” (Salzburger Nachrichten).