The Baroque guitar, or 'chitarra spagnuola' as it was called back then, was an enormously popular instrument throughout the Baroque period, particularly in Italy, where it's solo repertoire was first developed. The music of Ludovico Roncalli was the last book of music for Baroque guitar that was published in Italy, and is considered to be some of the best in the repertoire.
The "Baroque Favorites for Guitar" title of this CD implies that it might be a greatest-hits compilation or a collection of tunes aimed at newcomers to classical music, and the presence of the not-really-Albinoni Adagio among the contents reinforces this impression. In fact, it is nothing of the sort. It is the product of a long study on Isbin's part (of course, this isn't the kind of detail the marketing department is looking for!), study that has resulted in quite distinctive music making. The album includes mostly transcribed concertos, with a few solo works.
Tilman Hoppstock is one of Germany’s most famous guitar players and the work of Bach stands in his focus for a long time: His research of over 30 years culminated in the publication of two book titles and his musicological edition is considered today a standard work by nearly all guitarists who occupy themselves with Bach. In 2013 he earned the doctor’s degree for his research on Bach. The Six Suites for solo cello are nowadays performed on a wide range of instruments and Tilman Hoppstock has adapted the Suites Nos. 1, 2 and 5 for his instrument the guitar. His large knowledge of the contrapunctal technique of Bach combined with his stupendous virtuosity on the guitar resulted in a recording of great musicality and sensibility. © Christophorus