Learn to play the original Piano parts to 20 great songs. Play or sing along with the CD backing tracks. Authentic Piano transcriptions with vocal line, full lyrics and Guitar chord boxes. Full 'soundalike' instrumental demonstration tracks, as well as tracks- minus the Piano- so you can play along!
When he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process…performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.
In the early '80s, another wave of backward-masking hysteria hit the national scene, with unfounded claims that popular rock bands intentionally hid Satanic messages in their records. ELO had already been hit with this rumor for a song on their album ELDORADO, and on the following album's "Fire on High," Jeff Lynne deliberately placed an obvious backwards message. Because the initial prank worked so well, Lynne did not only did it again in this album's opening–the message is simply the album's title–but named the album in honor of the hysteria. SECRET MESSAGES proves that Lynne's artistic vision, like his sense of humor, was undimmed. Tracks like the psychedelically tinged "Loser Gone Wild" and the delicate "Bluebird" are as strong as anything he'd previously done, and the rockabillyish "Rock and Roll Is King" even pays tribute to the '50s-influenced style of his former bandmate Roy Wood.