Aside from a three-song session for V-Disc during the late 1940s, this CD contains Clark Terry's first recordings as a leader. Already an alumni of both Charlie Barnet's and Count Basie's bands, and a then-current member of Duke Ellington's orchestra, Terry is more focused on bop in these dates, with a terrific band including trombonist Jimmy Cleveland, baritone saxophonist Cecil Payne, pianist Horace Silver, cellist/bassist Oscar Pettiford, bassist Wendell Marshall, and drummer Art Blakey, with charts by Quincy Jones.
This two-fer combines two of trumpeter/flügelhornist Clark Terry's albums for the Impulse! label: 1964's The Happy Horns of Clark Terry and 1967's It's What's Happenin'. Generally considered one of Terry's best '60s outings, The Happy Horns of Clark Terry is a jaunty, swinging affair that finds Terry joined by such names as saxophonists Phil Woods and Ben Webster, bassist Milt Hinton, and others. Featuring a lively take on Duke Ellington's "Rockin' in Rhythm," Bix Beiderbecke's "In a Mist," and even an Ellington medley, the album is a must-hear for Terry fanatics.
Thelonious Monk, in addition to all his other notable qualities, was actually one of Riverside's most valuable talent scouts, recommending such mainstays as Johnny Griffin and Wilbur Ware, and introducing the label to Sonny Rollins and Clark Terry. The astoundingly adept trumpeter was always greatly appreciated by Thelonious, who quickly accepted the invitation to accompany Terry on this occasion. It was an album full of firsts and rarities: Monk's only Riverside appearance as a sideman; the first of Terry's many recordings on flugelhorn; the first of a great many Riverside dates for the great bassist Sam Jones; and the only occasion on which Monk and drummer Philly Joe Jones recorded together.
In Memoriam. RIP Mr. Terry. Yesterday, trumpet and flugelhorn player Clark Terry passed away at the age of 94. Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary and arguably the most respected of all jazz producers, Orrin Keepnews.
Possessor of the happiest sound in jazz, flügelhornist Clark Terry always plays music that is exuberant, swinging, and fun. A brilliant (and very distinctive) soloist, C.T. gained fame for his "Mumbles" vocals (which started as a satire of the less intelligible ancient blues singers) and is also an enthusiastic educator.