A budget, 12-song collection taken from Gatemouth's three '80s era Rounder albums with an added bonus of a 10-minute version of "The Drifter," recorded live in Switzerland in 1982. A good starting point for anyone coming to this multi-talented artist.– by Cub Koda
When Clarence "Gatemouth" Brown walked into the studio in the early '80s to record Alright Again!, he had already had an illustrious career by most standards. Yet, much of Gate's best output had been behind him by more than two decades; with Alright Again!, he set out to prove he was still a relevant artist. The album won Brown a Grammy, and its follow-up, One More Mile, was a Grammy-nominated record as well. Texas Swing combines the two records, culling 17 tracks from the sessions…..
A delightfully eclectic program spotlighting nearly all of Gate's musical leanings – blues, jazz, country, even a hearty taste of "Louisiana Zydeco" – and a revealing glimpse of his multi-instrumental abilities: he plays guitar, violin, drums, and piano! There's a tender remake of the Chuck Willis R&B ballad and a funk-tinged update of "Got My Mojo Working," but everything else is from Brown's own pen.
A sort of a sequel to Gatemouth's 1974 Cajun country & western cowboy album Down South in the Bayou Country, the originally issued Bogalusa Boogie Man consists of 12 tracks performed in more or less that same vein. "Bogalusa Boogie Man" was recorded in Bogalusa, LA, during March of 1975, almost exactly one year after Bayou Country. Material for this project was composed by Danny Morrison, Red Lane, Hoyt Garrick, David Craig, Jerry Hubbard, Pat Rush, Fred Martin, and Little Feat founder Lowell George, whose "Dixie Chicken" features "vocals by everyone around in the studio, including friends and neighbors and the one and only Woody Lee Lewis." George is said to have singled out this version as his all-time favorite.
Like everything on Memphis Slim's album Goin' Back to Tennessee or Alvin Youngblood Hart's "Tallacatcha" (a Western swing performance worthy of Bob Wills), Clarence "Gatemouth" Brown's 1975 Barclay album Down South in the Bayou Country completely transcends any and all attempts to confine this diverse artist within the artificial parameters of blues or any other preordained category. Consisting mostly of songs written by Hoyt Garrick, Jr., Charles Gressett, and David Craig with additional tunes by J. Loyd and Joe Stampley, this pretty parfait of country & western, Southern rock, cowboy hoedown, and electric Cajun soul music was recorded during February and March 1974 in Bogalusa, LA. Gatemouth, fresh from his tenure as Deputy Sheriff of San Juan County, NM, sounds particularly pleased to be active at the center of a project so completely infused with authentic Southern sensibilities. Perhaps the most satisfying track off of the original album is "Loup Garou." This hoodoo funk ritual with background vocals by Geraldine "Sister Gerry" Richard sounds as if it might have been influenced by Dr. John's "Loop Garoo," which had appeared on that artist's Atco album Remedies in 1970.
In early 1967 Rick Hall’s Fame set-up was missing a vital ingredient. Despite all the success he had achieved as a producer, studio-owner, publisher and record label boss, he had yet to sign an enduring artist. That was about to change. The previous year a duo who recorded as Clarence & Calvin hired the studio to cut a self-financed single. They had been working together for five years and had just left a deal with Houston-based Duke Records. As he watched them, Hall thought he had found his stars and urged them to come back and sign with him. When the day came, only Clarence Carter appeared. At first, Hall was dismissive of the singer’s pleas to be signed as a solo act but eventually relented and gave him a go.
Ringo Starr went back to work in the summer of 1989 fronting a tour of rock stars who, like him, had become golden oldies. Ringo sang hits like "It Don't Come Easy" and "Photograph," Dr. John sang "Iko Iko," Levon Helm of the Band sang "The Weight," his bandmate Rick Danko sang "Raining in My Heart," an old Buddy Holly tune, Billy Preston sang "Will It Go Round Iin Circles," and Joe Walsh sang the Eagles' "Life in the Fast Lane."…
A highly styled 'genre' film which can perhaps be seen as a pastiche of all gangster movies. Tom Reagan is the laconic anti-hero of this amoral tale which is also, paradoxically, a look at morals within the criminal underworld of the 1930s. Two rival gangs vie for control of a city where the police are pawns, and the periodic busts of illicit drinking establishments are no more than a way for one gang to get back at the other. Black humour and shocking violence compete for screen time as we question whether or not Tom, right-hand man of the Irish mob leader, really has a heart.