Cinema And Colour: The Saturated Image

Art Cinema and Theology: The Word Was Made Film  eBooks & eLearning

Posted by hill0 at Oct. 22, 2017
Art Cinema and Theology: The Word Was Made Film

Art Cinema and Theology: The Word Was Made Film by Justin Ponder
English | 17 Nov. 2017 | ISBN: 331958555X | 228 Pages | PDF | 2.23 MB
Making Believe: Screen Performance and Special Effects in Popular Cinema (Techniques of the Moving Image)

Making Believe: Screen Performance and Special Effects in Popular Cinema (Techniques of the Moving Image) by Lisa Bode
English | 7 July 2017 | ISBN: 0813579988 | ASIN: B072J5ZPQ1 | 246 Pages | AZW3 | 4.31 MB

In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers,

Cinema and Intermediality: The Passion for the In-Between  eBooks & eLearning

Posted by interes at Feb. 6, 2016
Cinema and Intermediality: The Passion for the In-Between

Cinema and Intermediality: The Passion for the In-Between by Agnes Petho
English | 2011 | ISBN: 1443828793 | 525 pages | PDF | 10 MB
The Living Icon in Byzantium and Italy: The Vita Image, Eleventh to Thirteenth Centuries

Paroma Chatterjee, "The Living Icon in Byzantium and Italy: The Vita Image, Eleventh to Thirteenth Centuries"
English | ISBN: 1107034965 | 2014 | 297 pages | PDF | 17 MB

Cinema and Zionism: The Development of a Nation Through Film  eBooks & eLearning

Posted by arundhati at Oct. 25, 2014
Cinema and Zionism: The Development of a Nation Through Film

Ariel L. Feldestein, "Cinema and Zionism: The Development of a Nation Through Film"
2012 | ISBN-10: 0853038953 | 220 pages | PDF | 16 MB

The Winning Image: Present Yourself with Confidence and Style for Career Success  eBooks & eLearning

Posted by alt_f4 at Sept. 15, 2015
The Winning Image: Present Yourself with Confidence and Style for Career Success

The Winning Image: Present Yourself with Confidence and Style for Career Success by James Gray Jr.
English | June 8, 1993 | ISBN: 0814477453 | 213 Pages | EPUB | 1 MB

In business, as in presidential politics, image is everything. Without the appropriate dress, body language, and communication skills, the most intelligent and able manager will have little - if any - visibility.

Beyond the Screen: Emerging Cinema and Engaging Audiences  eBooks & eLearning

Posted by interes at July 13, 2015
Beyond the Screen: Emerging Cinema and Engaging Audiences

Beyond the Screen: Emerging Cinema and Engaging Audiences by Sarah Atkinson
English | 2014 | ISBN: 1623566371 | 312 pages | PDF | 3 MB
Alice & Eiffel: A New History of Early Cinema and the Love Story Kept Secret for a Century

Alice & Eiffel: A New History of Early Cinema and the Love Story Kept Secret for a Century by Janelle Dietrick
English | February 14, 2016 | ASIN: B01BO4HWMO, ISBN: 1682227669 | 382 Pages | EPUB | 2.41 MB

Alice Guy Blaché became the first film director in 1896 while she was working in Paris at Gaumont, one of the earliest manufacturers of the motion picture camera. The first films were only a minute long and thought to be scientific novelties until Alice decided to stage a scene and film a narrative.

Holderlin, Kleist, and Nietzsche: The Struggle with the Daemon  eBooks & eLearning

Posted by ksveta6 at Dec. 13, 2017
Holderlin, Kleist, and Nietzsche: The Struggle with the Daemon

Holderlin, Kleist, and Nietzsche: The Struggle with the Daemon by Stefan Zweig
2017 | ISBN: 1138525189, eISBN: 9781412811354 | English | 340 pages | PDF | 14 MB

The Present Image: Visible Stories in a Digital Habitat  eBooks & eLearning

Posted by AvaxGenius at Nov. 30, 2017
The Present Image: Visible Stories in a Digital Habitat

The Present Image: Visible Stories in a Digital Habitat By Paolo S. H. Favero
English | PDF,EPUB | 2017 (2018 Edition) | 132 Pages | ISBN : 3319694987 | 3.51 MB

The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images.