Essential: a masterpiece of progressive rock music
“Aqualung” isn’t only a great album, it’s somehow a feel of live from the early 70’s. Maybe not as ambitious and essential in progressive rock terms as “Thick As A Brick”, but in terms of folk prog an absolute masterpiece concept record, too. I always feel like I am travelling back in the 70’s when I listen to classic tracks like “Locomotive Breath”, “Cross-Eyed Mary”, “Mother Gose” or the title track.
Excellent addition to any Prog-Rock music collection
Really good follow up to Heavy Horses despite all the difficulty surrounding the band, and reminds us not only how prolific and accomplished Ian Anderson is, but the impact Jethro Tull’s music has had on everything from folk rock and pop to minstrel metal and symphonic cheese. It doesn’t chart much new territory, the songs resembling classic Anderson shanties more than something thematic, leaner than previous work and though not outstanding like Horses, it’s one of those albums that catches you off-guard with the quality of the material. Thanks, Ian, for being there in hard times and good.
Original album plus seven bonus tracks (six previously unreleased), two mixed to 5.1 surround, and all to stereo by Steven Wilson. The 40th Anniversary edition of Jethro Tull’s Minstrel In The Gallery. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. The second disc features a live recording of Jethro Tull performing at the Olympia in Paris on July 5, 1975, a few months prior to the release of Minstrel In The Gallery. During the show, the band played songs from several of its albums, including War Child and Aqualung, as well as an early performance of Minstrel In The Gallery. It was mixed to 5.1 & stereo by by King Crimson guitarist Jakko Jakszyk.
If Steven Wilson’s remixes of albums by Yes and XTC aren’t enough surround sound excitement for you, then check this out: Jethro Tull’s third album, 1970′s Benefit, is being reissued as a 2CD/1DVD set featuring the talents of the Porcupine Tree frontman. Benefit was, perhaps, the first step in Tull’s immersion in the greater world of progressive rock. The quintet moved away from the blues influences of their last two records toward a more heavier sound.
The cover of Ten Years After's 1973 album Recorded Live depicts a giant reel-to-reel recorder, which certainly captures the era when this double-LP set was recorded. Approaching the end of their run – only one more album would come, 1974's Positive Vibrations – Ten Years After were deep into the thick of '70s arena rock, so everything they played on-stage wound up stretching well beyond the five-minute mark, sometimes reaching upward of 11 minutes…
Bad Dreams is a Latin American progressive rock band. The group started out as a Genesis cover band which over 10 years became known well enough to recognize their accomplishments as musicians. This also led to contact with Steve Hackett, for whom they became an opening act on his tour, and the last Genesis singer Ray Wilson with whom they also played with. In 2015 the band became the first Latin American band in the Cruise To The Edge celebration where they played successful shows. In 2015, Bad Dreams started of releasing their own solo material. They released their debut album 'Apocalypse Of The Mercy' and followed it up with 'Deja Vu' the next year which features Steve Rothery of Marillion on one of the songs. Music of Bad Dreams can be recommended to both fans of Genesis but also of neo prog in the vein of Marillion.
Essential: a masterpiece of progressive rock music
To Steve Hackett, I followed his career from his beginnings with “Genesis” and his subsequent career as a soloist.
Following the release earlier this year of the sequel to JETHRO TULL’s Thick As A Brick, on November 5th 2012 EMI will release a 40th anniversary edition of the original album. In 1972, Ian Anderson wrote and recorded the Jethro Tull Progressive Rock classic album ‘Thick As A Brick’. The lyrics were credited at the time to the fictitious child character, 'Gerald Bostock', whose parents supposedly lied about his age. The record instantly became a number one Billboard Chart album and enjoyed considerable success in many countries of the world.
1978's First Light marked Richard & Linda Thompson's first time in a recording studio after three years away from music, and it suggested they were still getting warmed up as performers; a year later, Sunnyvista found them in much stronger form and a significantly more upbeat frame of mind. Sunnyvista is the wittiest and most joyous album Richard & Linda made together; while several of Richard Thompson's trademark meditations on romance at it's least successful are on hand, "Why Do You Turn Your Back" manages to generate an unusually soulful groove, "Lonely Hearts" captures the melancholy country feel that First Light never quite caught, and "Traces of My Love" finds a winning warmth in its sadness.