This LP contains two broadcasts featuring Charlie Parker at Boston's Storyville club in 1953. one set finds him accompanied by the Red Garland Trio (two years before Garland became famous playing with Miles Davis) while the other one also features trumpeter Herb Pomeroy and a trio led by pianist Sir Charles Thompson. The recording quality is just so-so but Bird was in fine form for these sessions, playing hot versions of his usual repertoire.
Veteran Charlie Parker collectors generally know that they should avoid all but his most famous live sessions. It is not that Parker plays badly on this CD reissue (in fact his solo on "Confirmation" is quite miraculous) but, as is often the case with these privately recorded sets, the recording quality is horrible. Bird (with trumpeter Red Rodney, pianist Al Haig, bassist Tommy Potter, and drummer Roy Haynes) plays quite well but these versions only hint at what the music must have sounded like.
1985 Japanese edition of a classic featuring Terumasa Hino on trumpet and Sadao Watanabe on alto sax, recorded live at Ginza Yamaha Hall, Tokyo on March 15, 1969.
Alert Charlie Parker fans were delighted when this 1996 CD came out for it includes two previously unreleased (and well-recorded) radio broadcasts featuring the masterful altoist. Parker is in fine form during his two appearances at Boston's Hi Hat. With Symphony Sid as the disc jockey (he gets Bird to say a few words here and there), Parker romps through his usual repertoire, finding something fresh to say on songs that he had already been playing at least five years.
This collection of 78 rpm singles, all recorded on June 6, 1950, was originally issued in album format in 1956. Several things distinguish this from numerous other quintet recordings featuring these two bebop pioneers. It was recorded during the period that Parker was working under the aegis of producer Norman Granz, whose preference for large and unusual ensembles was notorious. The end result in this case is a date that sounds very much like those that Parker and Gillespie recorded for Savoy and Dial, except with top-of-the-line production quality. Even more interesting, though, is Parker's choice of Thelonious Monk as pianist.
This four-CD box set contains all of the recordings Charlie Parker made for the Savoy label and it is overflowing with gems and an almost countless number of alternate takes. Bird was one of the most important jazzmen of all time and nearly every note he recorded (in the studios if not live) is well worth hearing. This box starts off with his sideman date with Tiny Grimes in 1944, contains Parker's famous "Ko Ko" session of 1945 (with a young Miles Davis on trumpet and highlighted by "Now's the Time" and "Billie's Bounce"), and continues through his 1947-1948 quintet sessions with a more mature Miles Davis; either Bud Powell, John Lewis, or Duke Jordan on piano; bassists Tommy Potter, Curly Russell, or Nelson Boyd; and drummer Max Roach. Together they recorded such classics as "Donna Lee," "Chasin' the Bird," "Milestones," and "Parker's Mood." Every scrap that the great altoist cut for Savoy is in this box.
A reissue of the original 1952 Clef recording session, this is one of the few instances in Charlie Parker's later career where he played with something other than a small bebop group. Under contract at the time to Clef's Norman Granz, Parker was encouraged by the label to make recordings that took him out of his familiar settings and put him in with string arrangements, Latin rhythms, and larger band formats. This recording is the result of one of these experiments. Though Joe Lipman's arrangements are stellar, the musicians assembled for the sessions are an odd mix of pop-oriented big-band players and improvisers.