This ambitious and beautifully produced two-CD set includes nearly all of Iannis Xenakis' chamber music for strings, piano, and strings and piano combined. Chamber music constituted a small part of the composer's output, since large ensembles and large forms were vehicles more commensurate with the aesthetic of his monumental, granitic music. There are no small pieces here, though; in each of these works, ranging from solos to a quintet for piano and strings, Xenakis was able to express his uncompromising vision no less ferociously than in his orchestral works. While all of the pieces have an elemental character, many with a visceral punch, the actual sound of the music is surprisingly varied, and the individual works have distinctive and individual characters. In spite of the weightiness and rigor of the music, the tone is not necessarily heavy, and some pieces, like Evryali for piano and Dikhthas for violin and piano, have moments of what could almost be described as whimsicality.
Masada has quickly become one of John Zorn's most popular and adventurous musical projects. These special arrangements for small ensembles of strings, keyboards and clarinets, shed new light on his book of inspiring compositions expanding the Jewish tradition. Bar Kokhba presents over two hours of dark, passionate and evocative Jewish music, featuring some of New York City's finest musicians. This double-CD is the long-awaited first American release of Zorn's Masada material, featuring startling new chamber arrangements of music from the six Masada albums on Avant (Japan).
Chamber music has always formed the heart of Maria João Pires’s musicianship. Indeed, she has often commented that she is happier working with others than performing on her own. “Not sharing a stage is very difficult for me,” she once remarked (in an interview for ArtsJournal in 2012) “You are apart from the group, apart from community, apart from everything. You become different and special. And, if you become different and special, you’re alone.”