Like American comedian W.C. Fields, American composer Elliott Carter never believed in giving the listener an even break. In the three string quartets recorded here, Carter used all the tools at his command a virtuoso technique, an adroit intellect, and an unsurpassed ability to write ruthlessly independent counterpoint to challenge and confound the unsuspecting listener.
An eclectic mix of American, African, and Caribbean music with strong rhythmic aspects. This CD has the ability to make the listener jump, dance, and listen, depending on what mood the individual is in while cruising the grooves. Leonard King was born in Detroit, Michigan where he has been able to absorb the multi-cultural musics of the entire metro area. He has performed with many artists such as Donald Byrd, Johnnie Taylor, Al Green, Herb Ellis, Barbara Dane, Eddie Kendricks, Pigmeat Markham, James Carter, and many others.
Saxophonist Houston Person and bassist Ron Carter have a duo partnership that goes back at least as far as their two 1990 recordings, Something in Common and Now's the Time! Since those albums, the legendary artists have released several more duo collaborations, each one a thoughtful and minimalist production showcasing their masterful command of jazz standards, blues, and bop. The duo's 2016 effort, the aptly titled Chemistry, is no exception and once again finds Person and Carter communing over a well-curated set of jazz standards. As on their previous albums, Chemistry is a deceptively simple conceit; just two jazz journeymen playing conversational duets on well-known jazz songs.
Legendary jazz bassist Ron Carter has since 2002 led a drum-less trio with the late pianist Mulgrew Miller and guitarist Russell Malone, sometimes referred to as the Golden Striker Trio based on the title of their debut album. Miller left the band in 2012 and was replaced by Donald Vega, a younger and very talented pianist who used to be based in Los Angeles. Cocktails at the Cotton Club is the new trio's first CD, recorded live in concert at The Cotton Club in Tokyo, Japan. Due to the instrumental mix and stylistic choice, the group has an atmosphere of high quality chamber music. The dynamic range is somewhat limited and there's nothing flashy or bombastic about their music, but that is on purpose and that is not the point. The point is in the art of improvisation and interplay. The real excitement starts after the themes are stated, and attentive listeners will be rewarded by the wealth of ideas expressed and the beauty of the three masters' improvisation.
Herbie Hancock's second album released under this title, 1982's The Herbie Hancock Trio features the pianist backed by his fellow former Miles Davis alum, bassist Ron Carter and drummer Tony Williams. As with the trio's 1977 debut, the 1982 outing finds the group reuniting for a set of standards and originals. This is swinging, sophisticated jazz done in a straight-ahead style. Recorded at CBS/Sony Shinanomachi Studio, Tokyo, Japan on July 27, 1981 by Sony PCM-1600 Digital Recording System.