The new rules Keith Jarrett has made for himself in solo performance are firmly in play on the two-disc Carnegie Hall Concert, recorded in the Isaac Stern Auditorium in September of 2005. Those who found his earlier solo recordings – from Vienna and Köln to La Scala – to be compelling might be a bit disconcerted at first, because of the completely different approach Jarrett has taken to improvising. His concert is divided into shorter segments, or parts, and often changes direction numerous times in the course of a single piece. Indeed, the impression is given almost of composed songs where harmony, melody, and rhythm are pulled to the breaking point and reassembled along new lines.
Reissue. Comes with new liner notes. Available only for a limited period of time until March 20, 2015. Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You".
Carnegie Hall Concert album by Stan Getz & Joao Gilberto was released in 1998 on the Jazz Door label. Recorded live at Carnegie Hall, New York in October 1964.
Keith Jarrett returned to performing and recording solo concerts in 1995 with La Scala (released in 1997) after recovering from an illness. That fine recording followed his manner of working that he had begun on Köln Concert in 1975: That is, completely improvised concerts from beginning to end that had melodic and "motivic" centers. The double-disc set that is Radiance, recorded in Japan in 2002, is a new fork in the road. The work has no conceptual center. Jarrett says he wanted to let some of the music "happen" to him while he sat at the piano, deep in thought. He states: "I wanted my hands (particularly the left hand) to tell me things." And happen it does. Each piece, after the first one, comes out of the work that immediately precedes it.
Keith Jarrett never ceases to amaze, and amaze he does on the two-disc CARNEGIE HALL CONCERT. He's known for solo piano concerts of completely improvised music that set a high standard for invention, elegance, and sheer compositional ingenuity, but it's almost incomprehensible that Jarrett is able not only to sustain these qualities, but to push them toward greater heights on each outing. The pieces on CARNEGIE HALL CONCERT are markedly different from Jarrett's previous work: dense, internal, and noticeably compressed, yet without being shorn of the artist's trademark sense of lyricism, classical nuance, or bluesy groove. Jarrett continues to grow as a master of his instrument and the world of musical ideas, and the results are spectacular to behold.
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This astounding collection of 13 original recordings by featuring many of her most famous songs is finally being released for the very first time! proves once and for all precisely why she is the most successful and revered female singer/songwriter in music history. Includes the original demoed recordings of such future standards as and more. Also features early takes of six tracks that formed the basis for King's worldwide solo breakthrough ; one of the best-selling and most beloved albums of all time. This collection forms the lost missing link in the chain of 's career.