Carl Vine

VICE - Iran in Iraq And Dying on the Vine (2018)  Video

Posted by notbanned at May 15, 2018
VICE - Iran in Iraq And Dying on the Vine (2018)

VICE - Iran in Iraq And Dying on the Vine (2018)
WEB-DL | 1920x1080 | .MKV/AVC @ 7964 Kbps | 30 min 41 s | 1.76 GiB
Audio: English EAC3 224 kbps, 2 channels | Subs: English
Genre: Documentary

A look at the history of Iran and Iraq's bloody conflicts during the 20th century and a recent development by both sides to quell the growth of the Islamic State. An examination of climate change on the wine industry around the world.
Tom Waits - Heartattack And Vine (1980/2018) [Official Digital Download 24/192]

Tom Waits - Heartattack And Vine (1980/2018)
FLAC (tracks) 24-bit/192 kHz | Time - 44:24 minutes | 1.09 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The final Asylum album from 1980 couldn't be more different than Waits' '73 debut - his voice sounds like the marvellous ruin that we know and love today, the ballads remain (On the Nickel is beautiful and even Springsteen took a crack at Jersey Girl) but it's the twisted warped blues of the title track that points the way to the extraordinary world of Swordfishtrombones.

Jazzberry Patch - Jazzberry Patch (1977) {P-Vine}  Music

Posted by tiburon at April 12, 2018
Jazzberry Patch - Jazzberry Patch (1977) {P-Vine}

Jazzberry Patch - Jazzberry Patch (1977) {P-Vine}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 304MB + 5% Recovery
MP3 CBR 320 Kbps | 116MB + 5% Recovery
Genre: Jazz-Funk, Fusion

Despite the rather late date of 1977, the fusion influences are minimal, and as a whole sounds like organ funk you'd find on a Prestige album but far more raw and less polished. The highlight is the 20+ minute title number that weaves, bobs, and scorches with a sound that has been described as "Headhunters on mushrooms", full-on with the overblown flute and organ.

Doug Hammond - Reflections in the Sea of Nurnen (1975) {P-Vine}  Music

Posted by tiburon at March 24, 2018
Doug Hammond - Reflections in the Sea of Nurnen (1975) {P-Vine}

Doug Hammond - Reflections in the Sea of Nurnen (1975) {P-Vine}
X Lossless Decoder | FLAC tracks | Cue+Log+M3U | Scans | 233MB + 5% Recovery
MP3 CBR 320 Kbps | 86MB + 5% Recovery
Genre: Jazz, Fusion, Vocal Jazz

An incredible session from the legendary Tribe Records scene – an equal effort from leader Doug Hammond and keyboardist David Durrah, who contributes some groundbreaking Fender Rhodes and moog work to the set! Hammond handles drums plus a bit of vocals and synthesizer on the session – working alongside Durrah in a groove that mixes electric and acoustic instrumentation into a totally righteous sound with lots of heavy Afro Jazz leanings. A number of tracks feature great vocals from Hammond – righteous, and with a beautifully souful message-oriented approach – and a few other tracks, such as the classic "Space I" and "Space II", feature a sparer all-electric sound.
Buddy Collette - Bossa Nova (1961) {P-Vine Japan Mini LP PCD-20175 rel 2012}

Buddy Collette - Bossa Nova (1961) {P-Vine Japan Mini LP PCD-20175 rel 2012}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 152 Mb | MP3 @320 -> 66 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1961, 2012 Crown Jazz / P-Vine Japan | PCD-20175 | Mini LP
Jazz / Bossa Nova / Samba Jazz / Latin Jazz / Saxophone / Flute

A really cool bit of bossa jazz from reedman Buddy Collette – an artist who's not as well associated with the genre as Stan Getz or Paul Desmond – but who really cooks nicely here! The setting is relatively lean and groovy – with guitar from Howard Roberts, bass from Mel Pollan, and percussion from Leo Acosta and Darias – both of whom bring a nice sort of west coast vibe to the set, one that's different from some of the Verve bossa modes of the time. Jim Helms handled the arrangements, with a nice airy sort of mode – and Buddy plays both tenor and flute, on titles that include "Nao Pode Ser", "Porque De Moras", "A Pele Do Marfin", "A Meie Noite", "Samba Da Tartaruga", and "Amor Levado".
Chino Amobi - Airport Music For Black Folk (2016) {NON Worldwide-P-Vine Records Japan - PCD-24604}

Chino Amobi - Airport Music For Black Folk (2016) {P-Vine Records Japan - PCD-24604}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 193 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 36 Mb | 5% repair rar
© 2016 NON Worldwide / P-Vine Records Japan | PCD-24604
Electronic / Experimental / Ambient

NON co-founder Chino Amobi heads up one of the label collective’s definitive releases, Airport Music For Black Folk; presenting his radical perspective on contemporary electronic music and his impressions of “the airport as an international space and yet a totally Eurocentric & Western manicured experience.” The title is an obvious, punning reference to Brain Eno’s classic ambient cornerstone, Music For Airports, but takes on greater meaning when filtered thru Amobi’s personal cultural coordinates, cannily incorporating his stance as a first-generation Nigerian who grew up in Virginia, US of A, as well as that of a convention-challenging and highly critical artist boldly holding a mirror up to western, white privilege.

Betel Vine: Nature's Green Gold  eBooks & eLearning

Posted by nebulae at Feb. 4, 2018
Betel Vine: Nature's Green Gold

Jatindra Nath Bhakta, "Betel Vine: Nature's Green Gold"
English | ISBN: 1536119415 | 2017 | 120 pages | PDF | 9 MB
Steven Isserlis - The Complete RCA Recordings (2016) (12 CD Box Set)

Steven Isserlis - The Complete RCA Recordings (2016) (12 CD Box Set)
EAC Rip | FLAC (Image+.cue, log) | 3,25 Gb | Scans -> 30,7 mb
MP3 320 kbps | 12CDs | 1,91 Gb
Genre: Classical / Label: RCA

The English cellist Steven Isserlis has been a leading light on the international musical scene for more than three decades. His complete recordings for RCA Victor including concertos and chamber works by Haydn, Schumann, Mendelssohn, Liszt, Brahms, Grieg, Saint-Saens, Anton Rubinstein, Faure, Richard Strauss, Janacek, Bloch, Prokofiev, Shostakovich and John Tavener will now be available in a 12-CD box.

Mavis Staples - One True Vine (2013) [Official Digital Download 24/96]  Vinyl & HR

Posted by Pisulik at Oct. 24, 2017
Mavis Staples - One True Vine (2013) [Official Digital Download 24/96]

Mavis Staples - One True Vine (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 34:52 minutes | 704 MB
Studio Master, Official Digital Download | Artwork: Front cover

On their second collaboration, legendary singer Mavis Staples and Wilco leader Jeff Tweedy have crafted a gospel album for the 21st century, a music that strives for faith in a world where nothing can be taken for granted. On One True Vine, Mavis Staples gives voice to something new in her repertoire, something deeper and more resonant with our times; longtime fans will notice a new reserve in her singing, a muted, plaintive quality that serves the darker, more nuanced songs collected here perfectly. If her Stax hits spoke for a growing black social consciousness, and her seventies collaborations with the Band and others gave spiritual weight to the rediscovery of tradional American music, then in our post-millenial drift, Jeff Tweedy has crafted a pulpit from which Mavis lends her voice to a search for grace.
Arnett Cobb - Chittlin' Shout (1971) {Japan P-Vine Records PCD-22214 rel 2005}

Arnett Cobb - Chittlin' Shout (1971) {Japan P-Vine Records PCD-22214 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 386 Mb | MP3 @320 -> 128 Mb |
Full Artwork @ 300 dpi (png) -> 43 Mb | 5% repair rar
© 1971, 2005 P-Vine Records | PCD-22214
Jazz / Jazz Blues / Soul Jazz / Saxophone

A stomping Texas tenor player in the tradition of Illinois Jacquet, Arnett Cobb's accessible playing was between swing and early rhythm blues. Cobb emerged in the big leagues by succeeding Illinois Jacquet with Lionel Hampton's Orchestra (1942-1947). After leaving the band, Cobb formed his own group, but his initial success was interrupted in 1948, when he had to undergo an operation on his spine. After recovering, he resumed touring. But a major car accident in 1956 crushed Cobb's legs and he had to use crutches for the rest of his life. However, by 1959, he returned to active playing and recording. Cobb spent most of the 1960s leading bands back in Texas, but starting in 1973, he toured and recorded more extensively.