Trumpeter and world-music pioneer Don Cherry had a very special relationship with Sweden, a place he called home for twenty years. And Sweden had a special relationship with Cherry: the country and its musicians recognized the master in their midst, and in 1972 the state-subsidized record company Caprice put out the double album Organic Music Society (which they reissued in 2012). Now with Live in Stockholm, Caprice has gone into its vaults and pulled out three stunning long-form songs from the same era.
"The music of Ethiopia is extremely diverse, with each of Ethiopia's ethnic groups being associated with unique sounds. Some forms of traditional music are strongly influenced by folk music from elsewhere in the Horn of Africa, especially Somalia. However, Ethiopian religious music also has an ancient Christian element, traced to Yared, who lived during the reign of Gabra Masqal…"
This is a genuine oddity in the career output of Andrew Lloyd Webber, growing out of a personal/familial vignette. The piece, a set of variations on Niccolo Paganini’s “Caprice No. 24” (which had previously inspired adaptations by Franz Liszt, Johannes Brahms, Sergei Rachmaninov, and Boris Blacher, among others), came about because Andrew Lloyd Webber lost a bet with his cellist brother Julian Lloyd Webber, and was obliged to compose a work for cello and rock band for him, which was premiered in August of 1977 at a music festival, and subsequently recorded and released on an LP (later transferred to CD) by MCA. At the time, progressive rock was still hanging on to some semblance of commercial viability, and in fairness, MCA had made a fortune off of Lloyd Webber’s work on Jesus Christ Superstar, etc.
The film consists of six short stories created by different directors, but all the stories share one thing: a warm irony to current events.
The nine-time Juno-winning Canadian James Ehnes is centre stage in a new recording of orchestral works by Berlioz, with the Melbourne Symphony Orchestra conducted by Sir Andrew Davis. This recording was made following an extraordinary concert in November 2014 with the same forces, in which James Ehnes played two instruments made by Stradivarius, respectively a viola in the solo part of Harold en Italie – ‘symphony with a principal viola part’, in Berlioz’s words – and a violin in the solo of Rêverie et Caprice, both of which works feature here.
Learn to play Paganini s Caprice #5 on electric guitar with Andy James. The 24 Caprices have often been hailed as some of the most challenging musical pieces ever written. We have taken this music and translated it to the electric guitar to provide a wealth of melody, harmony and killer guitar licks! Although not for the faint hearted, completing these pieces will not only make you a better player, but will also put you out there with some of the best technicians in the World..
Learn to play Paganini’s Caprice #16 for electric guitar with Sam Bell. The 24 Caprices have often been hailed as some of the most challenging musical pieces ever written. We have taken this music and translated it to the electric guitar to provide a wealth of melody, harmony and killer guitar licks!