Capriccio Veneziano

Capriccio veneziano (2002) [reup]  Video

Posted by sono.il.garante at Sept. 28, 2013
Capriccio veneziano (2002) [reup]

Capriccio veneziano (2002)
DVDRip | Lang: Italian | Avi | 720x384 | XviD 984Kbps | mp3 96Kbps | 89mins | 699mb
Genre: Drama | Italy

The dictionary defines caprice as "change of humour or opinion without reason". It can also mean going with the flow and in a broader sense, naughty. Bruno Mattei's (under the pseudonym Vincent Dawn) Capriccio Veneziano is about a woman who is lured into a life of seeing things and doing things that she would not in all probability choose for herself. The theme of capriciousness was best explored in Sliding Doors but in this film it is the participant who must recognise the path she is being lead down and make the changes.

Capriccio veneziano (2002)  Video

Posted by Thambi at Nov. 4, 2010
Capriccio veneziano (2002)

Capriccio veneziano (2002)
DVDRip | avi | 720x384 | XviD @ 983 Kbps | MP3 @ 96 Kbps | 01:29:23 | 698 Mb
Language: Italian | Subtitles: No
Genre: Drama

The dictionary defines caprice as "change of humour or opinion without reason". It can also mean going with the flow and in a broader sense, naughty. Bruno Mattei's (under the pseudonym Vincent Dawn) Capriccio Veneziano is about a woman who is lured into a life of seeing things and doing things that she would not in all probability choose for herself. The theme of capriciousness was best explored in Sliding Doors but in this film it is the participant who must recognise the path she is being lead down and make the changes.

Rondo Veneziano - Capriccio Veneziano / Barocco (2001)  

Posted by prikolchik at Oct. 24, 2007
Rondo Veneziano - Capriccio Veneziano / Barocco (2001)

Rondo Veneziano - Capriccio Veneziano / Barocco (2001)
Lossless: FLAC (Single Tracks)+cue+cov 197.8 MB | MP3 320 CBR HQ Stereo+cov 85.7 MB
Classical, Instrumental, Neo-classical | RS.com, ifolder.ru

In 2001 Silver Star label has releeased the album "Barocco" with the same tracks with the name "Capriccio Veneziano"

This is quite a rare and hard to find CD with very beautiful music. Enjoy!
Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005) [DD 24bit/96kHz]

Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.25GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon/Archiv

This disc is really something special. Collectors are so spoiled for choice in the baroque repertoire at present, particularly on period instruments, but even in a glutted market this disc stands out for imaginative repertoire selection and outstanding interpretation. Its particularly gratifying, in these days of complete editions of everything, to see a discerning artist like Giuliano Carmignola choose four remarkably diverse works by three different composers, and simply play the living daylights out of them. The result roundly disproves the notion that Italian baroque violin concertos all sound the same, a point made even more forcefully by imaginative continuo work (on harpsichord, lute, and organ) by the Venice Baroque Orchestra that helps to emphasize each pieces individual character. The two Vivaldi concertos, for example, couldnt be more different.
Richard Strauss - Capriccio (Christoph Eschenbach) (2014) [Blu-Ray]

Richard Strauss - Capriccio (Christoph Eschenbach) (2014) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 26955 kbps / 1080i / 29,970 fps | 163 min | 41,3 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.0 / 48 kHz / 3867 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 163 min | 8,78 Gb
Audio: German / DTS / 5ch / 48.0 KHz / 24 bits
Classical | C Major | Sub: German, English, French, Spanish, Chinese, Korean, Japanese

“Kurt Rydl crowns a fine stage career with a gloriously eccentric impersonation of La Roche…The singing honours belong entirely to Angelika Kirchschlager as Clairon.” (BBC Music Magazine). “this Countess's preference for 'Ton' over 'Wort' is clear from the start…The greatest pleasure of the performance, for me, undoubtedly comes in the wonderful playing of the Staatsoper orchestra, the sweet, tender strings and the mellifluous horns in particular; and Christoph Eschenbach conducts a leisurely and loving account of Strauss's gorgeous score.” (Gramophone Magazine)

Sonokinetic Capriccio 24BiT KONTAKT  Software

Posted by orientazure at March 20, 2017
Sonokinetic Capriccio 24BiT KONTAKT

Sonokinetic Capriccio 24BiT KONTAKT | 33.1 Gb

Capriccio is our biggest Orchestral collection yet, both in terms of physical size and in terms of sound, which is just…BIG! We had conductor Petr Pololanik approach the limits of his Capellen orchestra for these recording sessions, and the resulting energy, drive and power really comes across in each and every sample. Each phrase has been carefully treated from conception through production to implementation in the final instrument, to make sure it would work as a whole, and be as widely usable as possible.
Valentina Varriale, I Turchini, Antonio Florio - Caresana, Veneziano: Tenebrae (2011)

Valentina Varriale, I Turchini, Antonio Florio - Caresana, Veneziano: Tenebrae (2011)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 64:11 | 315 MB
Genre: Classical, Vocal | Label: Glossa | Catalog: GCD 922602

The Spanish label Glossa seems to be releasing a fair amount of sacred music, especially from the Neapolitan realms of the 17th and 18th centuries, such as the rerelease of the Alessandro Scarlatti Lamentations reviewed elsewhere, though to be fair they are also a conduit, as in this recording, for other European firms as well. This selection of late 17th-century Lessons from Holy Week, along with a few instrumental works for filler, fits nicely within Glossa’s repertoire, which includes Johann Sebastian Bach and Pierre Bouteiller, in addition to a rather quirky offering titled Monteverdi Meets Jazz .
Cappella Neapolitana & Antonio Florio - Veneziano: Passio (2016)

Cappella Neapolitana & Antonio Florio - Veneziano: Passio
Classical, Opera | WEB FLAC (tracks) & d. booklet | 55:37 min | 294 MB
Label: Glossa | Tracks: 09 | Rls.date: 2016

For Glossa s new 'Passio' release Antonio Florio has discovered and prepared a performing edition of the 1685 St John Passion setting by the Neapolitan composer Gaetano Veneziano: a contemporary of Scarlatti, favoured pupil of Francesco Provenzale and maestro in the royal chapel. It features countertenor Raffaele Pe in the technically demanding role of the Evangelist. Until recently, Italian Passiontide settings from the Baroque era have amounted to only that by Alessandro Scarlatti, but this score by Veneziano has been found in the Archivio dell Oratorio dei Girolamini in Naples.
Orchestra Of The Vienna Musikgesellschaft - Mendelssohn: Symphony No. 4/Tchaikovsky: Capriccio Italien (1988)

Orchestra Of The Vienna Musikgesellschaft - Mendelssohn: Symphony No. 4/Tchaikovsky: Capriccio Italien (1988)
EAC Rip | FLAC with CUE and log | scans | 173 mb
MP3 CBR 320kbps | RAR | 95 mb
Genre: classical

Mendelssohn: Symphony No. 4/Tchaikovsky: Capriccio Italien is a 1988 album by Orchestra Of The Vienna Musikgesellschaft, conducted by Edouard Van Remoortel. This was released by the Allegretto label as part of their Vox Archive Series.

Rondo Veneziano - Arabesque (1987)  Music

Posted by JET 1 at Feb. 4, 2017
Rondo Veneziano - Arabesque (1987)

Rondo Veneziano - Arabesque (1987)
EAC Rip | FLAC (Image) +CUE, LOG | 221 MB | Covers Included
Genre: Instrumental | Label: BABY Records | Catalog Number: 837 478-2

Rondo Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondo Veneziano pieces. The unusual addition of modern instruments, more suitable for Jazz, combined with Reverberi's arrangements and original compositions, have resulted in lavish novel versions of classical works over the years. As a rule in their concert tours, the musicians, mostly women, add to the overall Baroque effect wearing Baroque-era attires and coiffures.