Capriccio Veneziano

Capriccio veneziano (2002) [reup]  Video

Posted by sono.il.garante at Sept. 28, 2013
Capriccio veneziano (2002) [reup]

Capriccio veneziano (2002)
DVDRip | Lang: Italian | Avi | 720x384 | XviD 984Kbps | mp3 96Kbps | 89mins | 699mb
Genre: Drama | Italy

The dictionary defines caprice as "change of humour or opinion without reason". It can also mean going with the flow and in a broader sense, naughty. Bruno Mattei's (under the pseudonym Vincent Dawn) Capriccio Veneziano is about a woman who is lured into a life of seeing things and doing things that she would not in all probability choose for herself. The theme of capriciousness was best explored in Sliding Doors but in this film it is the participant who must recognise the path she is being lead down and make the changes.

Capriccio veneziano (2002)  Video

Posted by Thambi at Nov. 4, 2010
Capriccio veneziano (2002)

Capriccio veneziano (2002)
DVDRip | avi | 720x384 | XviD @ 983 Kbps | MP3 @ 96 Kbps | 01:29:23 | 698 Mb
Language: Italian | Subtitles: No
Genre: Drama

The dictionary defines caprice as "change of humour or opinion without reason". It can also mean going with the flow and in a broader sense, naughty. Bruno Mattei's (under the pseudonym Vincent Dawn) Capriccio Veneziano is about a woman who is lured into a life of seeing things and doing things that she would not in all probability choose for herself. The theme of capriciousness was best explored in Sliding Doors but in this film it is the participant who must recognise the path she is being lead down and make the changes.

Rondo Veneziano - Capriccio Veneziano / Barocco (2001)  

Posted by prikolchik at Oct. 24, 2007
Rondo Veneziano - Capriccio Veneziano / Barocco (2001)

Rondo Veneziano - Capriccio Veneziano / Barocco (2001)
Lossless: FLAC (Single Tracks)+cue+cov 197.8 MB | MP3 320 CBR HQ Stereo+cov 85.7 MB
Classical, Instrumental, Neo-classical | RS.com, ifolder.ru

In 2001 Silver Star label has releeased the album "Barocco" with the same tracks with the name "Capriccio Veneziano"

This is quite a rare and hard to find CD with very beautiful music. Enjoy!
Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005) [DD 24bit/96kHz]

Giuliano Carmignola, Venice Baroque Orchestra - Vivaldi, Locatelli, Tartini: Concerto Veneziano (2005)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.25GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon/Archiv

This disc is really something special. Collectors are so spoiled for choice in the baroque repertoire at present, particularly on period instruments, but even in a glutted market this disc stands out for imaginative repertoire selection and outstanding interpretation. Its particularly gratifying, in these days of complete editions of everything, to see a discerning artist like Giuliano Carmignola choose four remarkably diverse works by three different composers, and simply play the living daylights out of them. The result roundly disproves the notion that Italian baroque violin concertos all sound the same, a point made even more forcefully by imaginative continuo work (on harpsichord, lute, and organ) by the Venice Baroque Orchestra that helps to emphasize each pieces individual character. The two Vivaldi concertos, for example, couldnt be more different.
Valentina Varriale, I Turchini, Antonio Florio - Caresana, Veneziano: Tenebrae (2011)

Valentina Varriale, I Turchini, Antonio Florio - Caresana, Veneziano: Tenebrae (2011)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 64:11 | 315 MB
Genre: Classical, Vocal | Label: Glossa | Catalog: GCD 922602

The Spanish label Glossa seems to be releasing a fair amount of sacred music, especially from the Neapolitan realms of the 17th and 18th centuries, such as the rerelease of the Alessandro Scarlatti Lamentations reviewed elsewhere, though to be fair they are also a conduit, as in this recording, for other European firms as well. This selection of late 17th-century Lessons from Holy Week, along with a few instrumental works for filler, fits nicely within Glossa’s repertoire, which includes Johann Sebastian Bach and Pierre Bouteiller, in addition to a rather quirky offering titled Monteverdi Meets Jazz .
Cappella Neapolitana & Antonio Florio - Veneziano: Passio (2016)

Cappella Neapolitana & Antonio Florio - Veneziano: Passio
Classical, Opera | WEB FLAC (tracks) & d. booklet | 55:37 min | 294 MB
Label: Glossa | Tracks: 09 | Rls.date: 2016

For Glossa s new 'Passio' release Antonio Florio has discovered and prepared a performing edition of the 1685 St John Passion setting by the Neapolitan composer Gaetano Veneziano: a contemporary of Scarlatti, favoured pupil of Francesco Provenzale and maestro in the royal chapel. It features countertenor Raffaele Pe in the technically demanding role of the Evangelist. Until recently, Italian Passiontide settings from the Baroque era have amounted to only that by Alessandro Scarlatti, but this score by Veneziano has been found in the Archivio dell Oratorio dei Girolamini in Naples.
Orchestra Of The Vienna Musikgesellschaft - Mendelssohn: Symphony No. 4/Tchaikovsky: Capriccio Italien (1988)

Orchestra Of The Vienna Musikgesellschaft - Mendelssohn: Symphony No. 4/Tchaikovsky: Capriccio Italien (1988)
EAC Rip | FLAC with CUE and log | scans | 173 mb
MP3 CBR 320kbps | RAR | 95 mb
Genre: classical

Mendelssohn: Symphony No. 4/Tchaikovsky: Capriccio Italien is a 1988 album by Orchestra Of The Vienna Musikgesellschaft, conducted by Edouard Van Remoortel. This was released by the Allegretto label as part of their Vox Archive Series.

Rondo Veneziano - Arabesque (1987)  Music

Posted by JET 1 at Feb. 4, 2017
Rondo Veneziano - Arabesque (1987)

Rondo Veneziano - Arabesque (1987)
EAC Rip | FLAC (Image) +CUE, LOG | 221 MB | Covers Included
Genre: Instrumental | Label: BABY Records | Catalog Number: 837 478-2

Rondo Veneziano is an Italian chamber orchestra, specializing in Baroque music, playing original instruments, but incorporating a rock-style rhythm section of synthesizer, bass guitar and drums, led by Maestro Gian Piero Reverberi, who is also the principal composer of all of the original Rondo Veneziano pieces. The unusual addition of modern instruments, more suitable for Jazz, combined with Reverberi's arrangements and original compositions, have resulted in lavish novel versions of classical works over the years. As a rule in their concert tours, the musicians, mostly women, add to the overall Baroque effect wearing Baroque-era attires and coiffures.
Marios Papadopoulos, Royal Philharmonic Orchestra - Stravinsky: Concerto, Janáček: Capriccio & Piano Sonata (1985)

Marios Papadopoulos, Royal Philharmonic Orchestra - Stravinsky: Concerto, Janáček: Capriccio & Piano Sonata (1985)
EAC | FLAC (image+.cue, log) | Covers + Digital booklet | 53:08 | 245 MB
Genre: Classical | Label: Hyperion | Catalog: CDA66167

Marios Papadopoulos plays Janacek's sonata with a gentle, romanticizing melancholy that is nature can well encompass, even if such an approach can diminish the work's sense of tragedy. It is a work with a tougher core than is here suggested. However, this is not an unattractive performance, and Papadopoulos seems more attuned to its manner than to the crisp assertions of the Capriccio or of Stravinsky's Concerto. It does not seem a good idea to attempt the Capriccio without a conductor. The admirable RPO players sound less than wholly comfortable, and their ensemble is a trifle precarious at times; moreover, the work's odd, sharp character does not emerge with sufficient definition.

Rondo Veneziano - Concerto Per Mozart (1990) {1993, Reissue}  Music

Posted by popsakov at Nov. 13, 2016
Rondo Veneziano - Concerto Per Mozart (1990) {1993, Reissue}

Rondo Veneziano - Concerto Per Mozart (1990) {1993, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 304 Mb | MP3 CBR320 ~ 113 Mb
Scans (PNG, 400 dpi) ~ 150 Mb | RAR 5% Recovery
Modern Classical | BMG / Ariola #261 362

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock. Their first big break came in the United Kingdom in 1983, with the single "La Serenissima," which was followed two years later by a successful appearance providing the score to the film Not Quite Jerusalem…